Just when fans thought Tisoki had hit the ceiling, he blasted straight through it with “TURN ME UP (LOUDER).” This surprise VIP remix dials up the intensity, delivering a summer anthem that’s louder, heavier, and downright chaotic in all the best ways. If the original track packed a punch, this version throws a full-scale sonic knockout. A veteran of the bass music scene, Tisoki has spent over a decade refining his craft, earning nods from legends like Skrillex, RL Grime, and DJ Snake.
“Ever since I released ‘TURN ME UP’ back in July of last year, I had always thought it could have been louder, heavier and more aggressive,” Tisoki says. “This new version / VIP / remix does exactly that, and I’m thankful that I have the creative freedom to do it. I still love the original, but this has taken the initial idea to 11. I’m glad the idea can live in both worlds of ‘clinically clean’ and ‘distorted and heavy.'”
Photo Credit: Tisoki Official
“TURN ME UP (LOUDER)” belongs in that high-voltage space, built for mosh pits, festival main stages, and late-night chaos. Every second dares you to go bigger, jump higher, and lose control. But this isn’t just about making things louder — it’s about evolution. The original “TURN ME UP” delivered clean, precise production, but this VIP mix embraces destruction. He lets distortion run wild, giving the track a raw, untamed power. It’s both reckless and calculated, blending technical skill with pure adrenaline.
With releases on Monstercat, Never Say Die, and Dim Mak, Tisoki keeps pushing bass music forward. “TURN ME UP (LOUDER)” doesn’t just raise the volume — it smashes expectations. Play it loud. Play it louder. And when you think you’ve hit the limit, turn it up even more.
EDM Powerhouses Ookay and Bailo have joined forces to form the talented trap duo TRICKSTAR. Unveiling their debut EP Laughing Stock on March 21 under Insomniac‘s emerging trap label, Break Room Records, the duo is excited to unleash their future-thinking new trap sound.
TRICKSTAR reflects on their journey of making Laughing Stock: “With this being our first EP as a project, we wanted to put our heart and soul into this. We wanted to pay homage to the history of trap, while also paving the way for the future of the genre. We are really excited with how it all turned out and hope you like it too.”
Laughing Stock features thunderous bass drops and nostalgic synthesizers, paying tribute to classic trap influences. The intensity doubles after the tempo shifts, creating an exhilarating dual-phase experience. Laughing Stock is a fitting statement piece to reignite the trap movement in 2025. This EP is not just a collection of tracks; it’s a bold statement about the future of trap and electronic music!
Photo Credit: MASKEDPRESS
Expect the unexpected as TRICKSTAR continues to break the mold. With their innovative sound design and infectious energy, they are ready to dominate dance floors and festival stages worldwide. Stay tuned for one of the most explosive phenomena in trap music as TRICKSTAR takes over the scene. Keep up to date with the links below!
The legendary German electronic group, Kraftwerk, is just getting started on its North American Multimedia Tour 2025. Remarkably, Kraftwerk is celebrating the 50th anniversary of their breakthrough album Autobahn and their first U.S. tour back in 1975. Moon Lvnding was on hand for their sold out show in Brooklyn at Kings Theatre on March 13.
The luxuriously appointed Kings Theatre made the tour stop feel more like a performance of high art than an electronic music concert. At 8:05pm, ambient noises started playing and by 8:15pm the four members of Kraftwerk began striding onto the stage. Wearing body suits lined with LEDs, they each took their place behind one of four illuminated podiums where they would stand for the entirety of the show.
Photo Credit: @samwolloch
Kraftwerk played many of their most beloved songs over the 2-hour set. They opened with “Numbers” and transitioned right into “Computer World” with green 8-bit-looking graphics on the big LED board behind them. A few songs later they would play “The Man-Machine” into the aforementioned “Autobahn,” which was accompanied by 80s-style graphics of a VW Bug and Mercedez-Benz driving on the German motorway.
After lengthy applause for the 50-year old album, Kraftwerk continued with “Computer Love,” “Neon Lights,” “Radioactivity,” and “Tour De France.” They finished with arguably their biggest hit, “Trans-Europe Express,” which finally got a few fans out of their seats to dance to the music. They left the stage to a standing ovation.
Photo Credit: @samwolloch
After a few minutes of resounding applause, they came back out for an encore. Many groups in the audience stayed standing and started dancing when they played “The Robots” and “Techno Pop.” For their final song, they played “Musique Non Stop” while each member of the group walked off to their own curtain call. Although there were a lot of Gen Xers in the crowd, other generations were all well represented. It was encouraging to see parents bringing their kids to enjoy the multimedia performance for one of the earliest encarnations of electronic music.
Kraftwerk is only a few weeks into their expansive North American tour. For venues and ticketing information for the rest of the Multimedia Tour 2025, check their website for availability. For everything else Kraftwerk, connect with the legendary electronic quartet through social media.
Zeds Dead has been on fire lately, dropping their first album in eight years Return to the Spectrum of Intergalactic Happiness. Anticipation for this project has been building for some time now, fueled by the release of featured tracks “Sweet Memories” in November 2024, “Heartbeat” in December 2024, and “One of These Mornings” in January 2025. Containing 14 tracks and two interludes, the album takes listeners on an interdimensional journey through time, space, and sound.
“In making Return To The Spectrum Of Intergalactic Happiness, we really connected with the spirit of what Zeds Dead is,” said the duo. “Throwing whatever crossed our minds at the wall and seeing what stuck. One of our biggest inspirations for this album was the idea of not letting anything matter in our creative process except for our own taste. It is very much art for art’s sake, and the product is something we can both fully stand behind.”
Alongside the release of their new album, Zeds Dead embarked on an album tour that kicked off on release day with back-to-back Atlanta shows at The Roxy and The District. With support from Montycler, A Hundred Drums, and Truth Friday’s show at The Roxy marked the debut of Zeds Dead’s visionary concept—a performance designed to mimic a TV flickering through time, highlighting their mastery of sampling from old records and films.
Saturday’s set at The District showcased some of their new music but leaned into a more intimate experience with house and DnB-heavy selections. The event featured support from local Atlanta artists JennyKat and Wilsun.
PC: Anmarie Smith
After a stop in Boston on Friday, March 14, Zeds Dead finally brought the bass to Nashville, taking over The Pinnacle on Saturday, March 15. Nikita the Wicked set the tone for the night with heavy bass, followed by A Hundred Drums, who delivered a deep dubstep set. Cool Customer kept the energy high, seamlessly shifting between glitch-hop bass and DnB.
Following an energetic and dynamic performance from the supporting lineup, Zeds Dead took the stage, unveiling their one-of-a-kind visual experience that fully immerses the audience in the journey of Return to the Spectrum of Intergalactic Happiness—all while dressed in stylish suits.
Their set opened with “Light,” the first track on the new album, featuring haunting dialogue from The NeverEnding Story: “Why is it so dark?… In the beginning, it is always dark.… One grain of sand is all that remains.” As the tension built, the song erupted into a hard-hitting DnB drop, launching a high-energy sequence of drum & bass that set the tone for the rest of the night.
Throughout their performance, Zeds Dead seamlessly transitioned between old favorites, new tracks from their latest album, and multiple unreleased songs and remixes. Among the fan-favorite classics, they played “Kill ‘Em” with 1000 Volts, “Scared” with Peekaboo, “Mad Ting” with Moody Good and Killa P, “One Three Nine” with Scruffizzer, “Gassed Up VIP” with Subtronics, and their remix of “Atmosphere” by GodLovesUgly. From their new album, Return to the Spectrum of Intergalactic Happiness, they performed “Hold My Hand,” “One of These Mornings,” “Angel,” “Bad Guy,” “Heartbeat,” “A Million Dreams,” and “Sweet Memories.”
Zeds Dead also treated the crowd to several unreleased remixes, including Bill Conti’s Rocky theme, “Gonna Fly Now,” Nine Inch Nails’ “Closer,” Fleetwood Mac’s “The Chain,” and Nancy Sinatra’s “Bang Bang.” One of the night’s biggest highlights was their performance of “Ecstasy of Soul” with GRiZ, a moment amplified by mesmerizing lasers and an electrified crowd. Just as the audience was fully absorbed in the experience, they dropped into “Bumpy Teeth,” a high-energy collaboration with Subtronics, proving once again that Zeds Dead’s music transcends subgenres—no matter what they play, their sound is in a league of its own.
The set concluded with an unforgettable sequence that began with their unreleased remix of Gene Wilder’s “Pure Imagination,” which featured elements of John Lennon’s “Imagine.” This led to their “Channel Flipping” segment, a mind-bending audiovisual display where they sampled old films and TV classics like Ferris Bueller’s Day Off, Bob Ross, The Fresh Prince of Bel-Air, Star Wars, and Pink Floyd. As the visuals faded, the words “Maybe not today, maybe not tomorrow” echoed, building anticipation for the final song of the night. The show closed with one of their most popular tracks, “Collapse,” leaving the crowd in awe as the original fan-favorite version played out to an unforgettable finale.
Overall, Zeds Dead’s sets in both Atlanta and Nashville were a glimpse of history in the making. The duo outdid themselves, delivering an unparalleled auditory experience and a visually stunning performance that was both dynamic and intentional.
For longtime fans who think their sets couldn’t possibly get any better—and for those who have yet to experience one—this tour is a must-see. They have truly defied all expectations. Check out their socials and tour dates below, and secure your tickets now. You don’t want to miss this!
Ohio-born DJ and producer Crankdat has finally released his new track “Whiplash” with SOFI. The song is already a fan-favorite that has gained notoriety after being played at live performances over the past year. A heavy-hitting bass-house anthem, the track is a testament to Crankdat’s boundary-breaking beats that are sure to get the crowd moving.
“This track is really special to me,” said Crankdat, “it’s an instant party starter and really represents what the Crankdat project is at its core. I’ve been sitting on this one for a while and using it in my shows, and no matter where I put it in my sets, it instantly gets the room going. I had the pleasure of working with SOFI on this one and really giving it the energy it deserves. I’m so excited to finally have this out now, and I really hope you guys love it.“
The track kicks off with a high-energy house beat, gradually building as SOFI’s vocals layer seamlessly with the bass. As the momentum rises, it leads into an electrifying, dance-worthy break. Later, the rhythms shift into a filthy drop that’s sure to satisfy bass lovers. “Whiplash” highlights Crankdat’s ability to craft immersive soundscapes through his unique creative vision, solidifying it as a cornerstone anthem for his GET CRANKED! 2025 North American Tour.
Crankdat’s collaborator on the track, SOFI, is a German-born Greek artist known for being the muse, voice, and writer behind two deadmau5 tracks, “Sofi Needs A Ladder” and “One Trick Pony.” She has also achieved an impressive dance and choreographer career, performing on tours alongside Britney Spears, Avril Lavigne, and Mötley Crüe. SOFI has even made her mark in film, with music featured in soundtracks for hit movies such as The Hangover Part 2 and 22 Jump Street.
After nearly quitting his music career in 2023, Crankdat has experienced remarkable growth, leading a bass-driven evolution in the industry. From explosive social media success and two back-to-back sold-out nights at the Hollywood Palladium to collaborations with household names like Waka Flocka Flame, Juicy J, and DJ Snake, his momentum is unstoppable. He has also delivered standout performances at iconic festivals, including a record-breaking set at EDC Las Vegas, which became the most-attended closing set in Basspod history.
As 2025 kicks off, Crankdat shows no signs of slowing down. He’s introducing his “Crankdeck” show experience, featuring a unique, interactive stage that takes live performances beyond the traditional Boiler Room setup. “Whiplash” arrives just in time for his GET CRANKED! 2025 North American Tour that includes support from artists like Blanke, Kompany, PhaseOne, YDG, and more. Check out his social links below to stay updated on all things Crankdat!
After kicking off the new year strong with their groundbreaking Respawn EP in February, EAZYBAKED is back with another hit. Collaborating with Daggz, they have released a new single, “WYAWYS.” Unlike the introspective nature of Respawn, this track delivers unfiltered, bass-heavy energy, reminiscent of their releases like “Certified” with Montycler and their official Zeds Dead remix of “Rude Boy.”
“This tune was honestly inspired by a voice memo our brother Okaykayo sent over,” EAZYBAKED shared. “We clipped the ‘WYAWYS’ because it just felt so gangster, and it really set the tone for the idea and structure of the song. Once the tune was in a decent place, we had the idea of sending it to our bro—the legend, Daggz. This was our first time jumping on a song together, and it happened very seamlessly. He brought the track to new levels!“
“We want people to feel like savage beasts running in the wild,” EazyBaked continued. “We want people to feel kinda lost and sorta confused but also content and ready to rage. The main challenge, to be honest, was getting the artwork dialed—haha. We are so stoked to have the record out and hope you enjoy it as much as we enjoyed making it.“
Blending immersive bass with cutting-edge sound design, “WYAWYS” delivers high-energy rhythms and powerful basslines to get the crowds moving. The track’s hypnotic vocals, “Where you at? Where you stay?” layer seamlessly over heavy drops, creating an electrifying atmosphere. With its festival-ready sound, this collaboration between EAZYBAKED and Daggz is set to leave a lasting impact.
“The boys randomly sent me some stems with Okaykayo,” said Daggz, “and I was instantly hyped on them. Tried a bunch of different sounds and flows out, landed on this wet, juicy slurky saw wave that kinda fit the vibe of the vocals perfect and defined the drop. When I first heard the vocals I thought ‘anxiety,’ that feeling of being overwhelmed especially when slightly faded and in a busy social setting lol. Was trying to embody that a bit, kinda trippy but still edgy, tried to keep it gangster and angsty to match the energy of the drums and vox. Ultimately I think we got ourselves a pretty not-been-done-before type tune, those are usually my favorite kind 😉”
EAZYBAKED continues its run of shows, joining Zeds Dead, Subtronics, and Black Tiger Sex Machine on select dates across the U.S. Fans can catch them live at Mana Wynwood in Miami, FL on March 27 and the Tacoma Dome in Washington on April 5. Check out EAZYBAKED on social media using the links below to stay updated on new music, tour announcements, and more.
This past weekend, Rawhide Event Center in Chandler, Arizona, was transformed into a full-blown bass music haven by Subtronics. I had the privilege of experiencing the inaugural Cyclops Desert firsthand and let me tell you—this was the biggest bass event Arizona has ever seen. Organized by Relentless Beats, the two-day festival brought an insane lineup, mind-blowing visuals, and an atmosphere that had me—and every other headbanger in the crowd—completely locked in from start to finish.
Day 1: Friday, March 7th
The festival kicked off with high-energy performances from Skellytn and Smoakland. From the moment I walked in, I could feel the energy radiating through the crowd. Hedex was up next, after having caught a glimpse of his set at EDC Vegas 2024, I was hyped to see him throw down in full force. His drum and bass rhythms hit different in the desert setting. They were relentless, keeping the entire crowd bouncing under the neon lights. Then came Mersiv, shifting the vibe into trippy, otherworldly soundscapes. His deep, flowing sound made the whole place feel like another dimension. One moment I was vibing, the next, completely lost in the frequencies.
And then… it was time. Subtronics took over to close out Night 1 with an absolute masterclass. Nearly every track he played was an ID, proving again why he’s leading the dubstep scene. He kicked things off with his highly anticipated collab with Hedex and IRAH, “System Shock.” From there, he dropped an unreleased heater, “Oblivion,” before diving headfirst into a barrage of fresh IDs.
One of the highlights? His bootleg of Anyma’s “Hypnotized.” The way he flipped that track had the entire crowd in a trance. And just when we thought he couldn’t take it up another notch, he dropped an unreleased VIP VIP of John Summit & Tape B’s “Gas Pedal Remix.” The entire night was a rollercoaster of energy, unexpected flips, and raw, unfiltered Subtronics madness. He brought jaw-dropping lasers, explosive pyrotechnics, and one-of-a-kind visuals (and of course, his dog Ellie made an appearance.) Reaching a fever pitch, Night 1 set the bar sky-high for what was still to come.
Photo Credit: Andrew Freeman // @afreefilms
Day 2: Saturday, March 8th
The second night of Cyclops Desert picked up right where Night 1 left off. Arizona’s own Dennett kicked off the night with deep, experimental bass and an insane amount of energy. Basstripper followed, delivering a full-on bass assault that had the crowd bouncing nonstop. Then came ALLEYCVT, switching things up in the best way possible. She blended trap, dubstep, and melodic elements, creating a dynamic but hypnotic vibe. Her vocals layered into her set made it feel cinematic—it added a dynamic contrast to the night’s heavier acts. Then came INZO, who took the energy in a different direction, fusing melodic bass and future bass influences with cinematic soundscapes. His set was a standout moment, giving festivalgoers a chance to lose themselves in ethereal melodies before the chaos resumed.
Finally, Subtronics returned to close out the weekend with a mind-melting finale. If you thought Night 1 was wild, Night 2 somehow took things up another notch. With a completely fresh set packed with IDs and unreleased collaborations, he left no room for predictability. Every drop hit harder, every transition felt seamless, and the visuals paired with his sound design were next level. As the final basslines echoed through the desert, I stood there completely in awe. Cyclops Desert went beyond a normal festival experience. I felt a sense of community and realized it’s not just about the performances or art—it’s about the people you meet along the way. If this was just the first Cyclops Desert, I can’t even begin to imagine what’s coming next. #CountdownInitiated
New Music Friday brings a powerful collaboration from two talented Canadian producers, WHIPPED CREAM and Andrea Botez. They worked together on “Erased,” a soulful track released to honor International Women’s Day on March 8, out now via Monstercat. It is a fitting work of art from two women who followed non-traditional paths into the music industry.
WHIPPED CREAM spent her early years training as a figure skater and was set to represent Team Canada at The Olympics before an injury derailed her. She found inspiration from Hans Zimmer, Kanye, and Skrillex to transition to a successful career as a producer and DJ. Andrea Botez is just getting started with her musical journey after enjoying success as a competitive chess player and Twitch streamer.
Andrea Botez (left) and WHIPPED CREAM (right) Photo Credit: @zeustate
“Erased” unites two influential women in electronic music and underscores the significance of Women’s History Month.
“Erased” begins with a dramatic melody and WHIPPED CREAM’s captivating vocals soon after. The track builds up with a captivating backbeat before unleashing a thunderous techno bassline punctuated by sharp snares and dynamic synths. The song beautifully blends WHIPPED CREAM’s melodic production with Andrea Botez’s hard-hitting techno.
“It is not just a track; it’s a moment,” WHIPPED CREAM shared. “Dark techno collides with melodic house, blending deep, emotive vocals with an unrelenting groove and unstoppable energy. This is more than music; it’s a statement. I cannot wait for the world to experience it, especially in celebration of International Women’s Day. Andrea’s influence in heavy techno played a major role in shaping this track.“
Botez weighed in on the collab, “I fell in love with WHIPPED CREAM’s sound when I first heard her haunting yet beautiful vocals and knew immediately we had to combine our two unique styles. I sent Caroline [WHIPPED CREAM] my first ‘tech house’ demo, and her writing for ‘Erased’ transformed the track into a techno anthem. We both pulled from past experiences, and her vocals even inspired me to add some of my own as an Easter egg.“
Photo Credit: @zeustate
After finishing her “is this real?” tour last year and releasing her album Careline in January 2025, WHIPPED CREAM is booked for a full slate of international festival appearances. She’ll be at Beyond Wonderland, Ubbi Dubbi, Tomorrowland, and Shambhala just to name a few. For Andrea Botez, this is another big step in her DJ career after dropping remixes of Boris Brejcha and Kaskade in the month prior.
If “Erased” is a testament to the direction of these two talented producers, there’s plenty more great music coming from WHIPPED CREAM and Andrea Botez. To keep up with all their latest music and announcements, check out their social links below.
Graveboy Records, a label deeply rooted in emo and pop-punk, is thrilled to announce its first release featuring Los Angeles-based DJ/producer Ghost In Real Life (GIRL). With her powerful presence and influence in the EDM scene, Ghost In Real Life blends the vibrant energy of pop-punk with the intricate layers of drum and bass. Her newest banger, “My Anthem,” dropped today, March 7.
“My Anthem is about pledging to yourself, staying true to yourself, letting go, and not caring what anyone thinks,” Ghost In Real Life explained. “I love opening my sets with this song and having everyone join in for a ‘pledge of allegiance to rave.’ When the guitar comes in, everyone breaks loose in unison! I think that shows are truly about letting go of your struggles and having fun with your friends.”
Photo Courtesy: MP3 Public Relations
“My Anthem” celebrates diverse musical influences, merging high-energy drum and bass with the spirited essence of pop-punk. It offers listeners a glimpse into GIRL’s exceptional duality as a talented producer and powerful vocalist. With its rich tapestry of neuro-bass elements and infectious, upbeat vocals, “My Anthem” invites listeners on an atmospheric journey. Now streaming on all platforms, do not miss this budding superstar and one of Moon Lvnding’s Rising Stars of 2025! Join the Ghost in Real Life, Ghost Gang, with the links below!
Ray Volpe delivers his bass heater, “GET SMACKED,” in collaboration with rising DJ and producer Vastive. The entire bass community has been waiting for this track and it arrives as the perfect kick-start to his debut album. It ushers in a new chapter for Volpe, following his electrifying sold-out headline show at the Hollywood Palladium. On his VOLPEVERSE Tour finale in Los Angeles, he unveiled his upcoming album, FOREVER, VOLPETRON.
“‘GET SMACKED’ really jumpstarts my debut album season into full swing,” Volpe shared. “Working with Vastive felt very natural; we both have a love for metal music and interesting flows to bring into the heavy bass sector of the dance scene. There’s a lot of different inspirations and styles that complement each other as this song goes on, which it really does just keep going. There’s a lot of changes throughout, which I think is really nicely reflected on the album coming up as a whole – it’s not all just one specific sound. I couldn’t be more proud to kick things off with ‘GET SMACKED.’ From the catchy repetitive vocal chant, to the live playability, to the little hip hop/trap section at the end. It just screams pure energy. I’m so proud of this first single of the album and I can’t wait to share more.“
Photo Credit: Omar Salah // @omarmaliksalah
The song detonates into multiple face-melting dubstep drops, primed for headbanging, mosh pits, and all-out dance mayhem. The two producers blend their signature styles into a high-energy fusion of drops, resulting in a perfect powerhouse anthem for the upcoming festival season. “GET SMACKED” marks the beginning of an exciting new chapter for Volpe and it reflects his musical evolution.
“Ray and I had been talking about collaborating for quite some time,” Vastive said. “Our tune was actually originally just a live plate I had written on tour a while back and he’d been playing it for months. Once the time came that we both had time to work together, it was a no brainer this was the one we wanted to develop. I can honestly say I had a TON of fun working with him on it. Between all the late nights and constant voice memos of ideas, it felt great to be writing with excitement. I couldn’t be any more stoked on the outcome. I feel this best represents both our sounds and the energy we bring to our sets in a fun light.“
Fans can expect to hear more from Ray Volpe as he gears up for a series of live shows throughout 2025. “GET SMACKED” sets the stage for what promises to be a landmark year in his career — a perfect kickoff for a new era in bass music. For the latest updates, follow him on his social media below!
