Brace yourselves, bassheads. Kozmoz is dragging us straight into THE BACKROOMS EXPERIENCE—and trust us, it’s not your average bass drop dungeon. This audio-visual monster has been two years in the making. Every kick, snare, glitch, and growl was crafted by Kozmoz himself. But wait—he didn’t stop there. He animated the entire visual experience too.
Photo Credit: Kozmoz Official
This madman pulled a full one-man studio move, designing every surreal, VHS-drenched frame by hand while producing a lineup of face-melting bass tracks. It’s aggressive, immersive and absolutely unhinged in the best way possible. In his own words,
“I’ve been working on this Backrooms audio-visual project for 2 years now. It’s been full of moments where I was ready to quit. So many ups and downs. Self-doubt. Burnout. But I kept going.
This project means the world to me. Every second of audio, every single visual—I made myself. No team. No shortcuts. Just a guy with a laptop…
I can’t wait for you to experience the world I built and feel what I’ve felt while making it. This is more than just a project. It’s everything I’ve carried, everything I’ve built.”
THE BACKROOMS EXPERIENCE is made for fans of artists like Ray Volpe, Space Laces, and Svdden Death. It’s got basslines that’ll hit harder than your caffeine buzz and cinematic storytelling that pulls you deep into a twisted, digital world. Expect aggressive synths, hard-hitting drops, and a wild fusion of melodic elements and gut-wrenching sound design. Kozmoz teased THE BACKROOMS EXPERIENCE on Instagram with a cryptic post “>> status: UNSTABLE // source: LOST_ARCHIVE-014” —yep, that’s his vibe. If you’ve ever wondered what a haunted arcade rave sounds like, this is your answer. The music is intense, glitchy, and absolutely explosive.
These tracks have already caused massive reactions at recent shows; But THE BACKROOMS EXPERIENCE isn’t just something you hear—it’s something you feel. From the mind-bending visuals to the raw, pulsating energy of the soundscapes, this project drags you into a world where reality glitches and the synths are aggressive. Stay plugged in and follow Kozmoz on his socials below for the latest updates on his music and upcoming releases. This is just the beginning, and trust us, you’ll want to be there every step of the way.
Beyond Wonderland 2025 had it all this year; top-name artists, a parade, unbelievable stage design, and hidden activities throughout the venue. Whether you attended this year’s event or just want to know what it was like, we have all the details.
Stages
Upon entering Beyond Wonderland, you were greeted by the iconic Beyond Wonderland arch and the Caterpillar’s Garden stage. This stage had a wide variety of artists from Wax Motif to Netsky to Odd Mob. Whenever you walked by, you were enthralled with the visual setup of the tent. The music had you moving and grooving as you got closer to the stage.
Behind the Caterpillar’s Garden was home to the techno crews, The Looking Glass. A new stage design meant to look like shards of glass made you feel like mirrors surrounding you. You could get lost here for hours dancing to the tunes of Boyz Noise and Deborah De Luca.
Photo Cred: Izzy Hassan
Continuing into the festival grounds, you would come upon the high-powered, high-energy vibes of the Cheshire Woods. This stage felt like you were in a Roman theater while the BPMs were cranked to the max by hardstyle legends like Darren Styles and Da Tweekaz.
Following the path would lead you to the main stage, the Queen’s Domain. Queen’s Domain was graced by some of the biggest names in EDM; Seven Lions, Illenium, Exicision, and Levity. The lasers were pushed to the absolute limit this year, blowing your mind every time they went off.
The final stage was Mad Hatter’s Castle, home to the bassheads for the weekend. Located on the race track and equipped with pyrotechnics, you could feel the heat as soon as you felt the bass. Legends like Zeds Dead, Wooli, and Kai Wachi came to play, leaving the crowd needing a neck brace.
Hidden Treasures
In addition to the amazing stages and music, Beyond Wonderland had so much more to offer, if you know where to look. In the VIP section at Queen’s Domain, there was a kandi trading outpost where you could trade kandi and trinkets. On each side of the festival, there were Ooka Hookah setups. Near Mad Hatter’s Castle there was a chill area where you could sit, listen to relaxing music, play poker with kandi, or have a “tea party.”
My favorite hidden treasure was the Mad Tea Party area. Hidden between the Looking Glass stage and the rest of the festival grounds, this area featured a huge tea party with interactive characters. The Beatbox artcar was here as well as a massive flower, a bar, food, and a photo op with a giant throne. If you missed this hidden spot, you should find it next year.
Photo Credit: Keiki-Lani Knudsen
If you missed this year’s Beyond Wonderland or are already getting ready for 2026, tickets are now on sale. I look forward to going down the rabbit hole with you once again in 2026!
Last week, to the delight of the Ultra Miami crowd and Cyclops Army worldwide, Subtronics ended his mainstage headline set by announcing the upcoming release of Part 1 of his 2-part album, Fibonacci. Now, on April 4, Fibonacci Part 1: Oblivion is out on his Cyclops Recordings label for all to enjoy. Interestingly, Subtronics continues his penchant for naming his albums after mathematical phenomena, following up Fractals in 2022 and Tessaract in 2024.
“Part 1 of the EP conveys that all of reality, in its complexity and grandeur, originates from nature and the fundamental laws of the universe,” Subtronics explained, referring to the powerful mathematical pattern made famous by Leonardo of Pisa, aka Fibonacci. “It emphasizes the Fibonacci sequence and golden ratio as intrinsic patterns that govern nature, not through divine intervention, but through physics. Building on themes of alternate dimensions and fractals, the Fibonacci spiral is presented as the foundational DNA of reality.“
Photo Courtesy: Falcon PR
The EP begins with “Oblivion,” the title track for Part 1 and a familiar tune that Subtronics has been starting his sets with recently. The melody of the uptempo second tune, “Mothclaws,” reminds me of the landmark electronic soundtrack to the original “Mortal Kombat” movie. Then Subtronics reaches full power in the horn-filled banger “Brass Danger.”
Fitting the album theme, Subtronics samples a screaming plea to send people to the “Stratosphere,” which sounds like oblivion with the glitchy synths in the background. Up next is the previously released Wooli collab “Lock In,” which oozes with the heavy bass they are known for. Subtronics masterfully bounces between bass genres throughout the album, evidenced by the catchy deep dub track “Brain Squeek” that might leave you pondering your midweek weed habit.
Fittingly, the most Subtronics-sounding track is “Fibonacci (Part 1),” as it embodies his classical buildup and filthy bass drop. I’m curious if the golden ratio played any part in his construction of the note patterns in this iconic tune, so Subtronics, if you or anyone else reading knows anything about it, tag moonlvnding on socials to let us know! To end the eight-track EP, Subtronics closes with the vocal track “Final Breath,” his collab with A Little Sound, which they performed together live at his Ultra Miami headline set.
Thankfully, Subtronics is locked in for numerous live performances at festival headlines and venue takeovers scheduled throughout the spring and summer. Having sold out every headline tour since 2018, Subtronics tickets are a hot commodity, so there’s no time to waste to make plans to see him and his new EP in action. Subtronics ends April with a sold-out two-night Cyclops Rocks at Red Rocks in Colorado before playing Ubbi Dubbi Festival in Texas.
On May 16, Subtronics begins his first-ever Las Vegas residency with one of many performances at Encore Beach Club by Wynn Nightlife. June presents four opportunities to see Subtronics play at festivals across North America, including Project Glow, Beyond Wonderland Chicago, Escapade, and Beyond Wonderland at The Gorge. Of course, the Moon Lvnding East Coast Fvm has our sights set on his two-day takeover of the newly renovated Brooklyn Mirage and all the production possibilities with its high-tech lighting and speaker system.
Wherever you plan to catch Subtronics, ticket links are available through his website. For everything else Subtronics, check out the links to his social media below and enjoy listening to this album into oblivion.
Legendary dubstep duo Zeds Dead took on New York City and played three shows in three days for its loyal fans. Zeds Dead has been on the road for the last few weeks as they start to tour for their sophomore album, Return to the Spectrum of Intergalactic Happiness.
In addition to back-to-back sellouts of The Great Hall at Avant Gardner in Brooklyn on Friday, March 21 and Saturday, March 22, Zeds Dead played an intimate set at Manhattan’s historic Katz’s Deli on Thursday, March 20. Presented by Project 91, Zeds Dead took over the landmark NYC Deli that’s been open since 1888 for an extended set filled with classic tunes, fresh remixes, and cuts from their new album. However, the question remains: are they patrami guys or corned beef guys? The jury is still out.
Photo Credit: @jaredkocka
If Katz’s Deli was the appetizer, then the weekend performances at Brooklyn’s premiere EDM nightclub, Avant Gardner, was the main course. Zeds Dead secured two separate lineups for the two events in Brooklyn. We love to see the support for women DJs as Hershe opened the night on Friday and Mary Droppinz played in support on Saturday. Also fresh off a new album release, Distinct Motive played in support on Friday before Truth, the label boss of Deep Dark and Dangerous, set the stage for the main event.
Zeds Dead’s set on Friday was filled with tracks from their new album and some special edits for the New York City crowd, featuring NYC recording artists like Frank Sinatra and Jay-Z. In addition to the huge LED board and a boatload of lasers, Zeds Dead kept with the retro TV theme of their tour poster and placed several rows of old TV sets in front of the DJ booth. The images on the TVs complemented the graphics displayed in the background.
Photo Credit: Shae McCormack // @shaelien111
Zeds Dead closed out its trifecta of shows on Saturday with Suray Sertin getting the party started. The aforementioned Deadbeats and Altered States producer Mary Droppinz played next before bass music OG Mr. Carmack provided direct support for Zeds Dead. Saturday’s set had a bit less of Friday’s NYC hip-hop and a bit more of the big hits like “Ecstasy of Soul” and “Collapse.” Despite the indoor warehouse vibes of The Great Hall, I enjoyed this tour compared to some of their Deadbeats takeovers of the outdoor Brooklyn Mirage.
With three New York City events in the books, Zeds Dead can now set its sights on Ultra Music Festival and Miami Music Week. Tonight, Thursday, March 27, Zeds Dead will close out an all-star lineup at the Deadbeats vs. Cyclops Recordings show at Mana Wynnwood in Miami. Then on Friday, Zeds Dead will play the 11pm closing set at Ultra’s Live Stage.
A quick look at Zeds Dead’s updated tour flyer shows a bunch of shows with limited tickets remaining, with others completely sold out. If you want to check out Zeds Dead and this spectacular new tour, act now before it is too late. To keep up with all the latest news and announcements from the dubstep duo, hit the links below!
Automhate and MAD DUBZ storm into the spotlight with their latest sonic weapon, “THE BROTHERS.” Built for chaos, the song opens with a cinematic eeriness, teasing the storm ahead. A chilling intro sets the stage, tension thick enough to cut. Menacing vocals creep in, hinting at the destruction ahead. Then, out of nowhere, a fake-out drop teases the madness before launching into full-blown mosh pit devastation.
Fans call them the Poppe Brothers, and they just recently finished playing SVDDEN DEATH’s first-ever VOYDOME in Tacoma. We can confidently say, expect pandemonium when this one detonates through the speakers.
Photo Credit: Automhate & MAD DUBZ Official
MAD DUBZ and Automhate are bass gladiators, conquering stages worldwide with unrelenting force. Last year, MAD DUBZ obliterated legendary festivals like Lost Lands, Rampage Open Air, and Forbidden Kingdom, proving why he belongs at the top. He’s shared the stage with titans like MARAUDA, SVDDEN DEATH, and Barely Alive, turning every crowd into a frenzied battlefield.
Meanwhile, Automhate has been crafting his own path of sonic destruction. His razor-sharp bass stabs and punishing drops power weapons like “Tormento” with SVDDEN DEATH and “DESPAIR” with HOL! He’s left his mark on iconic venues, from Red Rocks Amphitheatre to the Kia Forum, leaving audiences breathless. Whether headlining or supporting giants like Kayzo and INFEKT, Automhate demands attention.
Together, they are an unstoppable juggernaut. “THE BROTHERS” is more than just a riddim anthem — it’s a full-scale bass assault. This is the soundtrack of chaos. Buckle up, because this duo is just getting started. To witness the madness unfold in real-time, follow Automhate and MAD DUBZ on their socials and stay locked in for the next wave of destruction.
Just when fans thought Tisoki had hit the ceiling, he blasted straight through it with “TURN ME UP (LOUDER).” This surprise VIP remix dials up the intensity, delivering a summer anthem that’s louder, heavier, and downright chaotic in all the best ways. If the original track packed a punch, this version throws a full-scale sonic knockout. A veteran of the bass music scene, Tisoki has spent over a decade refining his craft, earning nods from legends like Skrillex, RL Grime, and DJ Snake.
“Ever since I released ‘TURN ME UP’ back in July of last year, I had always thought it could have been louder, heavier and more aggressive,” Tisoki says. “This new version / VIP / remix does exactly that, and I’m thankful that I have the creative freedom to do it. I still love the original, but this has taken the initial idea to 11. I’m glad the idea can live in both worlds of ‘clinically clean’ and ‘distorted and heavy.'”
Photo Credit: Tisoki Official
“TURN ME UP (LOUDER)” belongs in that high-voltage space, built for mosh pits, festival main stages, and late-night chaos. Every second dares you to go bigger, jump higher, and lose control. But this isn’t just about making things louder — it’s about evolution. The original “TURN ME UP” delivered clean, precise production, but this VIP mix embraces destruction. He lets distortion run wild, giving the track a raw, untamed power. It’s both reckless and calculated, blending technical skill with pure adrenaline.
With releases on Monstercat, Never Say Die, and Dim Mak, Tisoki keeps pushing bass music forward. “TURN ME UP (LOUDER)” doesn’t just raise the volume — it smashes expectations. Play it loud. Play it louder. And when you think you’ve hit the limit, turn it up even more.
EDM Powerhouses Ookay and Bailo have joined forces to form the talented trap duo TRICKSTAR. Unveiling their debut EP Laughing Stock on March 21 under Insomniac‘s emerging trap label, Break Room Records, the duo is excited to unleash their future-thinking new trap sound.
TRICKSTAR reflects on their journey of making Laughing Stock: “With this being our first EP as a project, we wanted to put our heart and soul into this. We wanted to pay homage to the history of trap, while also paving the way for the future of the genre. We are really excited with how it all turned out and hope you like it too.”
Laughing Stock features thunderous bass drops and nostalgic synthesizers, paying tribute to classic trap influences. The intensity doubles after the tempo shifts, creating an exhilarating dual-phase experience. Laughing Stock is a fitting statement piece to reignite the trap movement in 2025. This EP is not just a collection of tracks; it’s a bold statement about the future of trap and electronic music!
Photo Credit: MASKEDPRESS
Expect the unexpected as TRICKSTAR continues to break the mold. With their innovative sound design and infectious energy, they are ready to dominate dance floors and festival stages worldwide. Stay tuned for one of the most explosive phenomena in trap music as TRICKSTAR takes over the scene. Keep up to date with the links below!
The legendary German electronic group, Kraftwerk, is just getting started on its North American Multimedia Tour 2025. Remarkably, Kraftwerk is celebrating the 50th anniversary of their breakthrough album Autobahn and their first U.S. tour back in 1975. Moon Lvnding was on hand for their sold out show in Brooklyn at Kings Theatre on March 13.
The luxuriously appointed Kings Theatre made the tour stop feel more like a performance of high art than an electronic music concert. At 8:05pm, ambient noises started playing and by 8:15pm the four members of Kraftwerk began striding onto the stage. Wearing body suits lined with LEDs, they each took their place behind one of four illuminated podiums where they would stand for the entirety of the show.
Photo Credit: @samwolloch
Kraftwerk played many of their most beloved songs over the 2-hour set. They opened with “Numbers” and transitioned right into “Computer World” with green 8-bit-looking graphics on the big LED board behind them. A few songs later they would play “The Man-Machine” into the aforementioned “Autobahn,” which was accompanied by 80s-style graphics of a VW Bug and Mercedez-Benz driving on the German motorway.
After lengthy applause for the 50-year old album, Kraftwerk continued with “Computer Love,” “Neon Lights,” “Radioactivity,” and “Tour De France.” They finished with arguably their biggest hit, “Trans-Europe Express,” which finally got a few fans out of their seats to dance to the music. They left the stage to a standing ovation.
Photo Credit: @samwolloch
After a few minutes of resounding applause, they came back out for an encore. Many groups in the audience stayed standing and started dancing when they played “The Robots” and “Techno Pop.” For their final song, they played “Musique Non Stop” while each member of the group walked off to their own curtain call. Although there were a lot of Gen Xers in the crowd, other generations were all well represented. It was encouraging to see parents bringing their kids to enjoy the multimedia performance for one of the earliest encarnations of electronic music.
Kraftwerk is only a few weeks into their expansive North American tour. For venues and ticketing information for the rest of the Multimedia Tour 2025, check their website for availability. For everything else Kraftwerk, connect with the legendary electronic quartet through social media.
Zeds Dead has been on fire lately, dropping their first album in eight years Return to the Spectrum of Intergalactic Happiness. Anticipation for this project has been building for some time now, fueled by the release of featured tracks “Sweet Memories” in November 2024, “Heartbeat” in December 2024, and “One of These Mornings” in January 2025. Containing 14 tracks and two interludes, the album takes listeners on an interdimensional journey through time, space, and sound.
“In making Return To The Spectrum Of Intergalactic Happiness, we really connected with the spirit of what Zeds Dead is,” said the duo. “Throwing whatever crossed our minds at the wall and seeing what stuck. One of our biggest inspirations for this album was the idea of not letting anything matter in our creative process except for our own taste. It is very much art for art’s sake, and the product is something we can both fully stand behind.”
Alongside the release of their new album, Zeds Dead embarked on an album tour that kicked off on release day with back-to-back Atlanta shows at The Roxy and The District. With support from Montycler, A Hundred Drums, and Truth Friday’s show at The Roxy marked the debut of Zeds Dead’s visionary concept—a performance designed to mimic a TV flickering through time, highlighting their mastery of sampling from old records and films.
Saturday’s set at The District showcased some of their new music but leaned into a more intimate experience with house and DnB-heavy selections. The event featured support from local Atlanta artists JennyKat and Wilsun.
PC: Anmarie Smith
After a stop in Boston on Friday, March 14, Zeds Dead finally brought the bass to Nashville, taking over The Pinnacle on Saturday, March 15. Nikita the Wicked set the tone for the night with heavy bass, followed by A Hundred Drums, who delivered a deep dubstep set. Cool Customer kept the energy high, seamlessly shifting between glitch-hop bass and DnB.
Following an energetic and dynamic performance from the supporting lineup, Zeds Dead took the stage, unveiling their one-of-a-kind visual experience that fully immerses the audience in the journey of Return to the Spectrum of Intergalactic Happiness—all while dressed in stylish suits.
Their set opened with “Light,” the first track on the new album, featuring haunting dialogue from The NeverEnding Story: “Why is it so dark?… In the beginning, it is always dark.… One grain of sand is all that remains.” As the tension built, the song erupted into a hard-hitting DnB drop, launching a high-energy sequence of drum & bass that set the tone for the rest of the night.
Throughout their performance, Zeds Dead seamlessly transitioned between old favorites, new tracks from their latest album, and multiple unreleased songs and remixes. Among the fan-favorite classics, they played “Kill ‘Em” with 1000 Volts, “Scared” with Peekaboo, “Mad Ting” with Moody Good and Killa P, “One Three Nine” with Scruffizzer, “Gassed Up VIP” with Subtronics, and their remix of “Atmosphere” by GodLovesUgly. From their new album, Return to the Spectrum of Intergalactic Happiness, they performed “Hold My Hand,” “One of These Mornings,” “Angel,” “Bad Guy,” “Heartbeat,” “A Million Dreams,” and “Sweet Memories.”
Zeds Dead also treated the crowd to several unreleased remixes, including Bill Conti’s Rocky theme, “Gonna Fly Now,” Nine Inch Nails’ “Closer,” Fleetwood Mac’s “The Chain,” and Nancy Sinatra’s “Bang Bang.” One of the night’s biggest highlights was their performance of “Ecstasy of Soul” with GRiZ, a moment amplified by mesmerizing lasers and an electrified crowd. Just as the audience was fully absorbed in the experience, they dropped into “Bumpy Teeth,” a high-energy collaboration with Subtronics, proving once again that Zeds Dead’s music transcends subgenres—no matter what they play, their sound is in a league of its own.
The set concluded with an unforgettable sequence that began with their unreleased remix of Gene Wilder’s “Pure Imagination,” which featured elements of John Lennon’s “Imagine.” This led to their “Channel Flipping” segment, a mind-bending audiovisual display where they sampled old films and TV classics like Ferris Bueller’s Day Off, Bob Ross, The Fresh Prince of Bel-Air, Star Wars, and Pink Floyd. As the visuals faded, the words “Maybe not today, maybe not tomorrow” echoed, building anticipation for the final song of the night. The show closed with one of their most popular tracks, “Collapse,” leaving the crowd in awe as the original fan-favorite version played out to an unforgettable finale.
Overall, Zeds Dead’s sets in both Atlanta and Nashville were a glimpse of history in the making. The duo outdid themselves, delivering an unparalleled auditory experience and a visually stunning performance that was both dynamic and intentional.
For longtime fans who think their sets couldn’t possibly get any better—and for those who have yet to experience one—this tour is a must-see. They have truly defied all expectations. Check out their socials and tour dates below, and secure your tickets now. You don’t want to miss this!
Ohio-born DJ and producer Crankdat has finally released his new track “Whiplash” with SOFI. The song is already a fan-favorite that has gained notoriety after being played at live performances over the past year. A heavy-hitting bass-house anthem, the track is a testament to Crankdat’s boundary-breaking beats that are sure to get the crowd moving.
“This track is really special to me,” said Crankdat, “it’s an instant party starter and really represents what the Crankdat project is at its core. I’ve been sitting on this one for a while and using it in my shows, and no matter where I put it in my sets, it instantly gets the room going. I had the pleasure of working with SOFI on this one and really giving it the energy it deserves. I’m so excited to finally have this out now, and I really hope you guys love it.“
The track kicks off with a high-energy house beat, gradually building as SOFI’s vocals layer seamlessly with the bass. As the momentum rises, it leads into an electrifying, dance-worthy break. Later, the rhythms shift into a filthy drop that’s sure to satisfy bass lovers. “Whiplash” highlights Crankdat’s ability to craft immersive soundscapes through his unique creative vision, solidifying it as a cornerstone anthem for his GET CRANKED! 2025 North American Tour.
Crankdat’s collaborator on the track, SOFI, is a German-born Greek artist known for being the muse, voice, and writer behind two deadmau5 tracks, “Sofi Needs A Ladder” and “One Trick Pony.” She has also achieved an impressive dance and choreographer career, performing on tours alongside Britney Spears, Avril Lavigne, and Mötley Crüe. SOFI has even made her mark in film, with music featured in soundtracks for hit movies such as The Hangover Part 2 and 22 Jump Street.
After nearly quitting his music career in 2023, Crankdat has experienced remarkable growth, leading a bass-driven evolution in the industry. From explosive social media success and two back-to-back sold-out nights at the Hollywood Palladium to collaborations with household names like Waka Flocka Flame, Juicy J, and DJ Snake, his momentum is unstoppable. He has also delivered standout performances at iconic festivals, including a record-breaking set at EDC Las Vegas, which became the most-attended closing set in Basspod history.
As 2025 kicks off, Crankdat shows no signs of slowing down. He’s introducing his “Crankdeck” show experience, featuring a unique, interactive stage that takes live performances beyond the traditional Boiler Room setup. “Whiplash” arrives just in time for his GET CRANKED! 2025 North American Tour that includes support from artists like Blanke, Kompany, PhaseOne, YDG, and more. Check out his social links below to stay updated on all things Crankdat!
