GRiZ Welcomes New Era With ‘Future Funk Volume 1’

Stepping into the next phase of his career, GRiZ continues his Funk-a-delic roots with his latest album. Evolving as every great artist should, Future Funk Volume 1 delivers groove-heavy bass, funky basslines, and hard-hitting drops laced with ProbCause swagger. Teaming up with industry heavyweights Effin and Big Gigantic, this new body of work only further cements the fact that GRiZ has gotten his second wind and is ready to reach new heights.

Opening with “Outlaw,” this funky groove-laden track eases the listener into the journey of the LP. With hip-hop attitude and that delicate GRiZ touch we know and love, this one is a head-bobber. Intertwined with engulfing wubs, I love these salon-esque samplings draped within the background. These first two tracks really set the tone for the new LP.

Following the opening track is “Rump Shaker,” a much-needed, up-to-date Big Gigantic collab the world has been waiting for. Starting as a slow burner, the intro delicately builds pressure as the hypnotizing saxophone fades. This one cooks into a massive sax drop as the track explodes around the 40-second mark. Designed for peak festival moments, the boys clearly went all gas and no brakes on this one! One part that really sticks out to me is the playful sax interlude near the middle of the track, before a massive second drop.

“When It Rains, Baby, I Don’t Mind”

Then comes “Rainbow Machine” laced with western undertones. ProbCause graces us with his vocal chops on this track. Like a breath of fresh air, this track screams backyard vibes with the homies. I absolutely love the vibe of this track. A cross between spoken word and singing, it’s unique in every way. Driven by GRiZ’s groove-filled bass lines, this one is sure to be on everyone’s summer playlist at their next cookout. The world needs more ProbCause singing tracks, that is for certain.

His next three tracks, “BBFL,” “Funk You Up,” and “Found Your Love,” are current singles you know and love. Continuing the foundation of GRiZ’s new sound, “BBFL” and “Funk You Up” deliver dome-splitting bass lines, funk-driven wubs, and sax grooves that let you know exactly who the f*** you’re listening to!

Next is his much-anticipated Effin and ProbCause collab. This one goes balls out! Using Effin’s textures and jarring bass design, this one is purely heavy bass and is not playing around. Undeniably the hardest track on the album, this one is packed full of attitude and hard-hitting wubs that will leave you scratching your head, wondering what just happened. 

Heroes Get Remembered, But Legends Never Die

Rolling into another ProbCause collab, “iLLest in the Game” brings that fresh hip-hop attitude of “I’m here to stay, whether you like me or not.” Known for his multifaceted approach to sound design, his production on this album is beginning to come into focus as it progresses. A hip-hop attitude, laced with funkadelic vibes, hard-nosed bass drops, and pure, unapologetic basslines that let you know GRiZ is here to stay and doing things his way. It might not be what you know and love, but it’s the direction we’re headed, bish. Get in or get out the way!

Next is the surprise single he dropped a few months back, “555.” Again, I feel a very hip-hop style attitude with this one, with the “gangster til I f**kin’ bleed” samples and heavy bass lines. This is a great driving song, seat laid back, sunglasses on, blaring through the speakers as you screech up to the stoplight like a G. Chock-full of poise, this one has been on my playlist for months already and needs no further description.

Closing out this new era of GRiZ is “Back To Me.” A spacey curtain close, this one feels like a vintage GRiZ track, some long-lost single from Mad Liberator. A total vibe of its own, this one brings you back down from the supersonic journey and eases you back to reality with its delicate melodies. Soft vocals and calming, funky, groove-driven beats drive this track home. An immaculate way to close out the album, “Back To Me” is the perfect temperament.

With this new album, it is clear GRiZ is back on his game after his hiatus from touring. From what we heard on Future Funk Volume 1, one can only hope we don’t have to wait too long for Volume 2!

Connect With GRiZ

Photo Courtesy: @distinctmotive // @ofthetreesmusic // @eazybaked

Big Weekend For Deep Bass In Big Apple

With the days getting longer and the nights getting warmer, the conditions are perfect for more outdoor events in New York City. The first weekend in June brings two glorious opportunities to catch leading deep bass artists bringing their limited tours to the Big Apple.

EAZYBAKED & Distinct Motive

On Friday, June 5, EAZYBAKED & Distinct Motive bring their co-headline tour to Superior Ingredients in Williamsburg, Brooklyn, for a three-room, full venue takeover from 6 pm to 4 am. The roof will be open from 6 pm for gorgeous golden hour and sunset views of the Manhattan skyline, with the room staying open until close with music from Phrva, Distinct Motive, EAZYBAKED, and a special b2b from the co-headliners as well.

The tour continues Saturday, June 6, with a show in Baltimore. They have four more shows left on this current co-headline run, taking place this August in Detroit, Boise, Charlotte, and Austin. If you can’t make the tour, they both have a full slate of festival appearances this summer, so check the links for EAZYBAKED and Distinct Motive at the bottom of the article for more info.

‘Park Service’ By Of The Trees

On Saturday, June 6, Of The Trees wraps up his short, three-city Park Service Tour with a show at the historic 40th anniversary of SummerStage, fittingly in New York City’s famous Central Park. Park Service is a curated tour designed with brand-new production and visual storytelling, blending music from his new Moonglade Park album, creative stage design, and unique environment into an immersive outdoor experience. Doors open at 5:30 pm with Snuffy, Chmura, and Jade Cicada rounding out the support for this exclusive tour stop that ends at 10 pm. Limited tickets are still available, so don’t delay.

If you won’t be around NYC to make it to SummerStage for Park Service this Saturday, then maybe a trip out to beautiful Telluride, Colorado, in August for Of The Trees’ second annual Camp Alderwild festival is in order. The two-day lineup is stacked, and the camping facilities are idyllic.

Summer will be here before you know it, but there’s still time to finish the spring season strong with some sweet bass in NYC this weekend. Moon Lvnding will be on the scene with recap reports for these events next week, and for everything else, check out the artists’ social links below.

CONNECT with Of The Trees

CONNECT with Distinct Motive

CONNECT with EAZYBAKED

Photo Credit: John-Paul Orchison

Blanke Expands With ‘PART II – SKYFIRE’

Blanke has become a commanding name in bass music over the past few years. Recently released ‘PART II – SKYFIRE,’ a two-track EP that is the second part of a series leading to his debut album, coming out later this year. This project shows Blanke’s growth as an artist, creating music that is thoughtful and intentional.

‘SKYFIRE’ builds on the sound introduced in the first EP while adding new feelings and styles. The two tracks, “Arsenal” and “Beautiful Tragedy,” highlight different aspects of his sound. “Arsenal” refines Blanke’s original style with fresh energy. “Beautiful Tragedy” connects to the melodic influences that inspired him to create dance music, blending progressive house’s emotional depth and rhythm with modern elements. Together, these tracks tell an engaging story.

“Part II of the EP, ‘Skyfire,’ presents a new sound while still being part of the same story. This chapter shows meteors falling onto a broken Earth, bringing hope and light from what seems destructive.”- Blanke

Blanke’s artistic vision thrives on duality. “SKYFIRE” showcases this, allowing the story to unfold naturally. His second album is set for release later this year, following a successful first tour. The upcoming phase will include performances across the U.S. and festival appearances at Tomorrowland and Beyond Wonderland. Follow all things Blanke with the links down below!

Fknsyd and KAVARI Break Boundaries With New Single

Fknsyd and KAVARI channel their inner ghoul-girl energy on a haunting new single, “they can’t do what i can.”

The single, released via HypnoVizion, blends alternative electronic elements with experimental pop vocals to create a relaxing and captivating atmosphere. “They can’t do what i can” serves as their return to DJ Rezz‘s record label.

The atmosphere fknsyd and KAVARI create together is sultry and hypnotic, yet light – a stark contrast to previous HypnoVizion releases. It has a more introspective and somber vibe than the label’s typically chilling, adrenaline-packed midtempo tracks. The single tests the boundaries of creativity and collaboration, yielding a perfect outcome.

These women are unique, irreplaceable forces within HypnoVizion because of their signature styles. Fknsyd is a triple-threat musician, specializing in songwriting, sound production, and visual arts to complement her performances. Allowing her vocals and storytelling to drive her music, she adds a touch of the ethereal to HypnoVizion.

Her previous label work includes features on REZZ’s LP, As The Pendulum Swings, EDDIE’s EP, Onzeker Kraft Vol. 1, and her own trio of releases – “Anesthesia Smile“, “Marionette“, and “Apparitions“. Additionally, fknsyd collaborated with X1-Y2 on an EP called Dissolution of Self

Photo courtesy of fknsyd // @fknsyd

KAVARI emerges from the UK underground, bringing a whole new perspective to the Canadian record label. With a wide range of textures throughout her work, KAVARI achieves an impressive balance between grit and beauty.

Infamous alt-electro names such as Aphex Twin, Mura Masa, and Hudson Mohawke have praised her distinct style. KAVARI’s sound is industrial and harsh, while remaining emotionally-charged and reflective.

KAVARI’s contributions to HypnoVizion include her collaboration with Rezz, titled “Exorcism“, on CAN YOU SEE ME?. Additionally, she put her own spin on the 2023 label release “Blue In The Face”, featuring fknsyd.

Photo courtesy of KAVARI // @kavarikavarikavari

Together, KAVARI and fknsyd invite listeners to a realm darker than reality with ambient melodies and ominous production. Tune into their latest single here.

SkyDisc Unleashes “Coming Down” With Vocalist RIENK

An ode to a fallen best friend, the late other half of the once-duo group, SkyDisc channels emotion and pain into a fiery new single, “Coming Down.” Featuring acclaimed Dutch vocalist RIENK, “Coming Down” pays tribute to the late Colby Riggs in true SkyDisc fashion. Set to land on the upcoming RIOT Records Uprising: Vol 10 compilation, this high-energy release fuses emotional vocals with cinematic, bass-driven production.

Opening with a delicate arrangement of piano chords coupled with RIENK’s powerful vocal abilities, SkyDisc’s loss and grief come pouring through the opening section of the track. Embodying the youthful spirit of his late friend, it’s not until the first minute mark or so that his signature DnB roots shine through. The first drop is so sick, delivering a bouncy, groove-filled beat with big, raspy, commanding synths. This portion is sure to send the crowd into a frenzy.

I Need You When I’m Coming Down

After a big, reverby, grinding halt, a haunting interlude occurs in the middle of the track. RIENK’s ghostly vocals fade in and out. Back into the second drop, this second half is a bit different than the first. Using that same commanding synth arrangement, it has almost a heart-thumping club beat at first. Diving back into that grove-filled drum and bass back beat, the euphoric synths really help drive this one home.

I also love the textures of the animatronic noises that sound like they’re grinding to a halt, which are peppered in the background. The deliberate texturing always adds just a little bit more grit to the track if you ask me. As the song nears its end, RIENK’s shadowy vocals, coupled with SkyDisc’s celestial piano chords, carefully glide this emotional roller coaster to an elegant stop as the final notes ring out. For more from SkyDisc and RIENK, hit the links below.

Stay connected with SkyDisc

Stay connected with RIENK

Bass Icon SPAG Drops new EP ‘This Is: SPAG’ via Kannibalen Records

Acclaimed Dutch producer SPAG, formerly known as Spag Heddy, returns with a brand-new EP alongside a refreshed moniker. Marking the exciting new chapter and a rebranding to SPAG, his new four-track EP, This Is: SPAG, marks the evolution of the SPAG project. Currently living in Barcolena, Spain, he’s excited to start his next chapter with a project that takes his unique sound to an entirely new level.

“Becoming SPAG marks a new chapter where I can step outside the pasta puns and lean into something more focused and grown, without losing the core of who I’ve always been.”

-SPAG

 

Opening with the energized “Messiah,” the EP kicks into high gear instantly. Clapping snares and choppy vocals build pressure before the track explodes near the one-minute mark. Delivering that old-school 2010s dubstep feel, the bass bombards from all directions, reminiscent of a classic Skrillex track. Gritty basslines roll onward, creating a dynamic interlude before the snares begin to clap once more. “Hail to the Messiah” screams through the chaos as the second drop grabs hold and doesn’t let go until the final seconds.

Next up is “OLDSKOOL,” an animatronic, glitch-heavy heater that blends modern sound design with nostalgic flair. Built for peak festival moments, its sharp vocal chops and relentless pacing will have you raging at the center of the pit. “Let’s get back to the old school” flickers in and out as cascading, futuristic samples engulf the listener whole. Play this track loud—it will leave your ears ringing in the best way possible.

The next track, “READY,” stands out as a personal favorite. Driven by punchy basslines and vocal chops reminiscent of an ’80s hip-hop MC, the track wastes no time getting to work. A chorus of kids shouting “Are you Ready?” cues the drop, unleashing a bouncy, infectious groove. While still rooted in SPAG’s signature grit, this one offers a slight shift in vibe, adding a layer of versatility to the EP. Maybe that’s why it speaks to me so much. After the second drop, big reverby basslines rattle along until the final echoing seconds fade out, signaling the end of “READY.”

Closing out the EP is “TREP,” a dynamic and layered finale. Its intro leans into a melodic, almost 2010s pop-inspired sound design before pivoting into a fusion of dubstep and trap influences. Just when a massive drop feels imminent, hypnotic, trappy grooves take over, keeping the listener guessing. Smooth and buttery, yet unpredictable, “TREP” serves as a fitting conclusion—winding things down while still embracing the edge that defines SPAG’s new era.

With This Is: SPAG, the Dutch producer reintroduces himself with a project that balances nostalgia and evolution. It’s a bold step forward—one that honors his past while signaling a clear vision for the future. Stay up to date with all things SPAG using the links below!

DJ Susan Completes “Transformation” With Dream Label

Throughout his career, DJ Susan has had his sights set on one label: Dirtybird Records. Today, DJ Susan achieves his dream by releasing a dance floor weapon, “Transformation,” on the esteemed house label. The San Diego native and Hood Politics Records founder is building on what could be a monumental year. It started with releases such as “Down 2 Ride” and the Serve Bass EP, garnering attention across the global circuit.

“Transformation” sits in that late-night pocket, delivering a leaner, darker, and driving sound that DJ Susan is known for producing. Built on a steady, rolling low end and tight, crisp percussion, it keeps a constant forward momentum. The vocals cut through with a playful edge, layered with warped textures that add a touch of grit and a splash of character, before everything opens into a deeper, more immersive tech house groove.

DJ Susan // Photo Courtesy: @pinku_lemonade IG

Joining the Dirtybird family has been a dream for DJ Susan and a badge of honor for those in the house music world. For DJ Susan, this is a nod to his growth from a rising local talent to a global tastemaker. “Transformation” fits seamlessly into the label’s catalog. Offering the loose, off-center energy that feels right at home with Dirtybird, while maintaining the community-focused ethos that has made DJ Susan a fan favorite.

DJ Susan has been working on this goal for years, and his momentum has finally brought him to Dirtybird Records. DJ Susan played Northern Nights back in 2024, and will be making his return to Dirtybird with an appearance at the Dirtybird Campout X Northern Nights event this July.

DJ Susan’s career is expanding rapidly; prepare to be swept away in a world of immaculate vibes and phenomenal music. You can find “Transformation” headlining our New Music Friday playlist this week! Dive deeper into the world of DJ Susan by following his socials and blasting “Transformation” by using the links below.

Lane 8 + Kasbo + BJOERN Craft Melodic Wonderland “World Is Mine”

Teased late last year by Lane 8 in his December mixtape, fans have eagerly awaited this highly anticipated collaboration with Kasbo. Released through Lane 8’s This Never Happened imprint, “World Is Mine” signifies a point where both artists, known for their emotional depth and melodic accuracy, come together creatively. The release comes after a year of intense fan anticipation for his This Never Happened movement.

For Kasbo, “World Is Mine” signifies the continuation of a new creative chapter, characterized by openness and intuition, following a period of absence from the touring circuit to reconnect with music and daily life in Stockholm. This single also follows his song, “All This Time,” which was released earlier this year.

Kasbo shares,“When I first started the idea with BJOERN we both felt we had something special. I sent the idea over to Lane 8 who just made sense of the track, when I heard his version, I felt like I finally understood the song and what it was.”

The World Is Mine.

The wavy synths and delicate piano chords fade into view, signaling the start of this melodic bewonderment. The soft voice coos over the top, unfolding the first verse of the track. Fading into the chorus, the top line for “World Is Mine” is laced over an intricate arrangement. The backbeat shines through brightly as her voice drives the track onward. It’s not until around the halfway mark that a delicate interlude takes place, slowing things down before a gradual build.

The dual vocals interlace, enveloping the listener in their beauty as the top line shines through once more. Groovy, house-laden beats drive the track home with delicate percussion. This new release is ideal for those peak festival moments and/or sunset sets. Its soft, elegant touch carries the listener to a tropical paradise with just one note.

Stay connected with Lane 8

Stay connected with Kasbo

Stay connected with This Never Happened

Photo Credit: @ashleyvonhelsing IG

Seven Lions And His ‘Garden Of Infernal Stars’

When it comes to building a mythos to bring an album to life, few do it better than Seven Lions. Those skills were on full display this past Saturday, April 11, as he and his team brought his new album on tour at Brooklyn’s newest premier club destination, Brooklyn Storehouse. In addition to his December 2025 album, Asleep in the Garden of Infernal Stars, Seven Lions also featured his two new singles from the follow-up EP, The Dreams Strange and Eternal, which is set to be released on Friday, May 1, 2026.

Joining Seven Lions for the tour stop in Brooklyn was Quackson, who got the party started at 10:20 pm. Nurko played next, featuring his sweeping melodic bass drops and some tasty new IDs. YDG was on duty as direct support, getting the crowd worked up with his take on some classic hip-hop and trap remixes. Then, after Seven Lions, Oliverse closed the night out from 3 to 4 am with some dubstep and DnB.

Seven Lions’ set ran 90 minutes from 1:30 to 3 am, and it was a non-stop trip through the Seven Lions mythos. He came right out of the gates firing with the gorgeous new song and video, “Free,” from his upcoming EP. To add to the ambiance, multicolored light fixtures hung from the ceiling and dropped down close to the dance floor, creating a dramatic effect throughout the cavernous 105,000-square-foot venue. In classic Seven Lions style, he seamlessly transitioned across his multi-genre catalog without ever saying a word. It was truly a work of art to hear him weave together his influences across melodic dubstep, psytrance, and black metal, which are noticeably forward in tracks like “Thrice Woven.”

Speaking of his new single “Free,” Seven Lions and Ophelia Records teamed up with EDMTrain and FL Studio to announce a remix contest for the track. The stems are available for download, and the contest runs from April 14 through May 8. The contest winner will be announced on May 12 and will receive access to FL Studio software, the remix released through Seven Lions, and a merch box from Ophelia Records. It is great to see artists giving back to their community, especially after Seven Lions famously won a 2011 remix competition for Above & Beyond’s “You Got To Go.”

With so much going on in the mythos of Seven Lions, Moon Lvnding took the occasion to speak with him before he got on the stage in Brooklyn.

Moon Lvnding: What’s it like to get back out on the road?

Seven Lions: It’s cool. Happy to see all the energy!

ML: What was it like to build the dreamstate of the new album Asleep in the Garden of Inferna Stars?

SL: This one has been really cool. We spent a lot of time on the artwork, and really incorporating my roots as a metalhead into it, which has been cool. I’m always pulling from my background, but this album in particular feels very much like a culmination of a lot of things that I love, like horror movies and fantasy.

I did pick and choose the songs. There were a few that ended up getting pushed to the EP, which didn’t feel like they fit the album because they were a little more pop-leaning… [it’s] part of the reason why there was an EP because songs like “Hurricane” and “Free” didn’t quite fit what I wanted on the main part of the album.

Seven Lions at Hijinx // Photo Credit: @pitcrewproduction IG

ML: What was it like building the production for a huge venue like Brooklyn Storehouse?

SL: It sounds like it’s this glorious creative thing, and it is in some sense, but a lot of it is calls and diagrams. The fun part is building the show, though, once you have the stage part dialed in, then you’re gonna figure out what to put on the stage, that’s been really cool!”

ML: I know as a gamer, you’re a big fan of creating easter eggs in your mythos design. Are there any in the album or artwork you’d care to share with us?

SL: Mainly, the metal logos and things like that are really just a callback to growing up in the metal scene and really wanting to capture that aesthetic.

ML: Speaking of metal, you mention in one of your videos that your mom had a strong reaction to your new music. What songs did she really like?

SL: “Cold as Snow” for sure, she hit me up right after she heard that one and was super stoked on it. Anything that has metal-related stuff, I think she knows me well enough.

ML: Finally, here at Moon Lvnding, we have the motto of “uniting the world through music.” What does that mean to you?

SL: It’s just community building… that’s always been the goal with Ophelia [Records], and getting people together in a cool environment and listening to music that’s positive. Even though there’s moments of light and dark in the set, I think generally the crowd and the people that we bring are a really eclectic, interesting, kind crowd of people. I’m really proud of that, I love our community, and I think we’re doing a good job in our little corner of the world of bringing people together… that’s what I’m most grateful for, as far as what I get to do every day.

Likewise, the EDM community is grateful for everything Seven Lions has contributed over the year. There are still five more dates on this first phase of the Asleep in the Garden of Infernal Stars Tour, including stops in Texas, San Francisco, and Red Rocks in Colorado. In addition to his album tour, Seven Lions has a huge run of festivals planned for 2026 with heavyweights like EDC Las Vegas, Rampage, Tomorrowland, and Shambhala, to name a few. For the full list of Seven Lions tour stops and festival appearances, check out his website, and for everything else, use the handy social media links below.

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Pretence Returns To HypnoVizion With “Outcast”

Pretence conjures an ominous, thrilling soundscape on brand new single “Outcast” – streaming now via HypnoVizion. The Australia-born and Canada-based DJ’s new track is full of dark tension with a slow-burning feel.

“Outcast” hones in Pretence’s storytelling skills, creating a chilling ambiance through spoken word and a compelling beat. Opening with an eerie, spacious atmosphere, it transforms into a tight, sharply-conducted track with the first drop.

“Outcast” marks Pretence’s second contribution to the record label HypnoVizion, founded by DJ and producer Rezz. Just last year, Pretence made his label debut with “Dragon.”

Like most HypnoVizion releases, “Outcast” draws listeners in with sinister sound, heavy synths, and gripping basslines. However, its upbeat, clubby nature brings a whole new tech house vibe to the label’s catalog.

The new single’s sound perfectly complements Pretence’s previous release – proving him to be an up-and-coming force within HypnoVizion.

Photo Courtesy of Pretence // @pretencedj

Pretence’s sound is gloomy, sleek, cinematic, and sadistic. It screams “blood rave” and brings listeners into a hypnotic, euphoric headspace. Characterized by long, intense build-ups and rhythmic, textured drops, Pretence possesses a well-defined vibe across his discography.

Beginning his producing career in 2015, Pretence found much of his sound at after-dark shows in the Sydney area. His style is unique, personal, and clearly based on his experience as a music consumer. Since his humble, underground beginnings in Australia, he’s relocated to Canada, where he currently creates and shares his sound.

Releasing with dark EDM labels like Moretin and Omen Records, collaborations include rising tech house hitters like CABLE and FETISH. Recently, he confirmed his return to the Shambhala music festival in British Columbia, Canada, this coming June.

Commanding attention effortlessly, Pretence is a brooding dark house force to consider. He’s innovative, passionate, and dedicated to his craft, with a consistent catalog of tracks that speaks for itself.

Keep up with the latest going on in Pretence’s world through his Instagram, and stream his newest track, “Outcast.