Canadian DJ, producer, and guitarist Fairlane is making waves in the industry through his innovative fusion of rock with live guitar and dance music. He released his new brilliant EP Genesis via Monstercat on April 4, marking a significant evolution in Fairlane’s musical journey. His five-track EP features collaborations across musical genres to draw attention from a wide-ranging audience.
“The Genesis EP, as the name indicates, really represents the beginning of a new chapter for the Fairlane project,” said Fairlane. “Up until now, I always felt that there was a sort of ambiguity to what my sound really was; all five tracks on this EP do a perfect job of representing where I want the future of my brand to go, both sonically and visually. Genesis aligns with rebirth, as I dive into my new identity. It is also symbolic for the idea that we can start fresh in life once we have come to terms with things that may have limited us in our past. ”
The first track, “Take it Back,” which Moon Lvnding previewed back in January, seamlessly blends dubstep and post-hardcore elements, featuring the talents of the band Silverstein with heavy-metal-based lyrics from their lead singer, Shane Told. Following suit, “Not My Night” delivers a hard-hitting collaboration with LA rock band Point North, a track sure to captivate both punk rock and dance music enthusiasts alike.
The remaining tracks include “Only the Good Die Young,” a collaboration with SpaceMan Zack, which integrates elements of rap into the EP; “Someone Just Like You,” featuring RILEY; and the final single, “Panic Room,” with the alternative metal band Wind Walkers.
“The underlying theme of the project represents new beginnings, with each song acknowledging an area in life where someone may have lost control or surrendered a part of themselves to feelings of lust, depression, greed, or addiction,” said Fairlane. “In acknowledging who we have been, we are capable of creating new possibilities and paths for ourselves. I cannot stress enough how proud I am of what we have created here, and I truly believe there is something for everyone to enjoy!”
Genesis is available for streaming on all platforms. Don’t miss Fairlane’s upcoming live performances: April 6 in Cleveland, OH at Asylum Room with Blanke, May 25 in George, WA with Illenium at The Gorge Amphitheater, and July 12 in Los Angeles, CA at Lost In Dreams Festival. More information on his new EP, future shows, and more can be found on his website and socials linked below.
Sacred Hive announces the return of Tennessee’s beloved underground EDM festival, Sound Haven, which will take place once again at Jaceland in Whitewell, TN, from August 1-4, 2024. Phase one of the lineup, which dropped on April 2, features a wide range of notable artists who are poised to elevate this year’s Sound Haven to new heights.
Among the main headliners unveiled in phase one are Of The Trees, Daily Bread, Eprom (Vault Set), and Mickman. Joining them are standout acts such as Eazybaked, The Widdler, Black Carl!, smith., Chmura, Wiley, Feelmonger, and Crawdad Sniper. Overall, this lineup features talent from big-name stars to popular up-and-coming artists, leaving fans in eager anticipation of what phase two will bring.
Sound Haven Music Festival is one of Tennessee’s first EDM festivals. It was created in 2018 by Sacred Hive, a Nashville-based music events and production company. Sound Haven has grown from a small boutique festival featuring mainly local talent to a larger-scale event, curating lineups with highly recognized artists. It has garnered widespread attention and shed more light on the EDM scene in the South.
Sound Haven’s website offers general admission and VIP tickets. Due to the size of Jaceland’s venue, capacity is limited, so act quickly before missing out! For further details, visit the official website and connect with Sound Haven on social media.
Colorado-based DJ and Producer Motifv unveiled his captivating EP, Behind the Moon, last Friday, March 22, 2024. This release signifies the next phase in Motifv’s musical journey, expanding upon the groundwork laid by his previous EP, Where the Sun Sets. The latest EP effortlessly blends elements of hip-hop, bass, indie, and jazz music, showcasing Motifv’s versatility as an artist.
“Behind the Moon stands as a reflective companion to Where the Sun Sets, encapsulating both a conclusion and a beginning of a new Motifv chapter,” said Motifv. “While building on the themes present in Where the Sun Sets, this EP delves deeper into introspection and explores the moments of solitude and contemplation we all face.”
The latest EP by Motifv comprises six tracks that offer listeners a glimpse into his evolving musical expedition. The collection commences with an enigmatic blend of bass and piano in “Just A Dream,” followed by the infectious jazz groove of “Outta My Head.” Transitioning into “Too Late,” a tranquil ambiance takes hold. “I Believe” intertwines electronic, soul, and jazz elements and is accompanied by serene vocals. “Since the Day” reemerges with tranquil bass undertones, guiding the listener towards the blissful finale, “Fooled.”
“Echoing the natural phenomenon of the total solar eclipse occurring on April 8, this companion EP explores the metaphorical interplay of light and shadow in our lives,” said Motifv. “During an eclipse, the moon obscures the sun, casting a shadow that envelops us in a momentary darkness — a powerful reminder for us of the cycles of hiding and revelation. Where the Sun Sets / Behind the Moon represent a unified journey through self-discovery and evolution, inspired by the worldwide experience of transition soon taking place above.”
While both EPs are accessible across all platforms, fans can enhance their listening experience by pre-ordering the vinyl edition. This limited-edition vinyl arrives in gatefold LP format and encompasses both EPs. Secure your copy before March 29 and receive custom Motifv eclipse glasses just in time for the total solar eclipse on April 8. Pre-order your vinyl copy or stay updated with Motifv through the provided links below.
Renowned Canadian DJ and producer, Rezz, has finally unveiled her highly anticipated 10-track album, CAN YOU SEE ME? This release marks her first studio album since her acclaimed 2022 project, Spiral, and demonstrates Rezz’s commitment to pushing the boundaries of bass music. As one of EDM’s dominant female artists, Rezz’s groundbreaking compositions like CAN YOU SEE ME? pave the way for more female artists to attain success and recognition in the music industry.
Since announcing the debut of her fourth studio album, Rezz has shared some of its heaviest singles with her fans. The first taste of her upcoming bass era includes “Dysorphia,” her feature with Portuguese DJ Holly; her hard-hitting single “Black Ice” with well-known riddim artist Subtronics; her haunting and dark melody “Everywhere, Nowhere” with Blanke; and the album’s namesake “CAN YOU SEE ME?” Alongside her single “CAN YOU SEE ME?” Rezz revealed a YouTube video explaining the creative process behind the track and further exploring the ins and outs of her new custom tiny studio.
The remaining six tracks unveiled today further explore Rezz’s versatility and feature even more of EDM’s notable artists. These collaborations include the deep bass track “CUT ME OUT” with DJ and producer Digital Ethos, “The Descent” featuring the talents of Inzo, the dark and industrial track “OPEN UR EYE” with Cyclops, “Maleficent” with EDDIE, “Exorcism” featuring KAVARI, and “Infraliminal” created in collaboration with Deadmau5 as part of their latest duo project Rezzmau5.
Rezz will perform three upcoming album shows highlighting the new album in Florida, Arizona, and New York. She will also headline Red Rocks Amphitheater and make appearances at festivals including Project Glow, Sol Fest, and Beyond Wonderland. Rezz’s album CAN YOU SEE ME? is currently streaming on all platforms! For more information on her upcoming shows, visit Rezz’s official website below.
Whethan is your favorite producer’s favorite producer. Whether killing it in the electronic scene or writing with the most prominent global artists, you always know he will deliver a quality product. This again holds true for his most recent collaboration with Snakehips and AG Club, “ROOM IS ON FIRE,” the newest R&B-influenced bass house anthem you’ll be playing on repeat.
“ROOM IS ON FIRE” opens with vocals from AG Club, setting the tone right from the start. As groovy house pads and textures are introduced, the listener can hear Snakehips’ influence blending with Whethan’s chordal identity. They waste no time dropping into the thick of it all, giving the first drop just 30 seconds into the song!
The drop brings in a crushing bass bound to blow your speakers. With some scattered vocal chops and instrumental stabs, the listener can feel the impact of the original house and disco sounds. AG Club comes back in, offering a lyrical flow that is full of attitude. With the culmination of all the parts, “ROOM IS ON FIRE” releases into a high-energy thriller.
As the first single from his upcoming album, we expect Whethan to bring a deluge of incredible songs your way. Life of a Wallflower Vol. 1 was universally loved by pop and electronic music fans alike; there’s no reason to believe he won’t surpass himself yet again with the follow-up. Keep up with new music coming soon by Whethan, and check out Snakehips as well using the links below!
Barclay Crenshaw, the mastermind behind the iconic house music of Claude VonStroke and Dirtybird Records, is back in the game and redefining his sound. Crenshaw is embarking on a 13-city tour to complement the release of his second album, Open Channel, which drops this Friday, March 8, via Easier Said.
Image Credit: Daniel Martin Diaz
On his YouTube channel, Crenshaw has been recounting the 80 days he set aside to create Open Channel. During this transformative creative process, he focused on daily practices of beat making, cold showers, and meditation. The album leans into UK hard bass and melodic themes with thoughtful samples mixed in throughout. Staying true to his proclivity for easy-listening albums with low-level commitment, Crenshaw’s album is capped at 10 action-packed tracks.
During his Discord server album preview on Tuesday, March 5, Crenshaw shared a boatload of alpha with his loyal supporters. He spent 10 of his 80 days renting a studio in London to find inspiration for his album. Without much of a plan, Crenshaw reached out to a wide range of UK grime MCs and landed some notable collaborators.
The first track on Open Channel features two of those UK MCs — Flowdan and Stush — on “Do My Ting,” which was produced during this UK trip. The second track, “Stay Together” features another UK MC, TeeZandos. Crenshaw recalled how he invited her to the studio and she made the magic happen. In two hours, she picked the melody, wrote the lyrics, and recorded the vocals.
“King of Monsters,” the third song, was polarizing in the Crenshaw household. His wife hated it, his son loved it, and his daughter helped write some of the melody. Of note, Crenshaw used recorded screams from a Cedar Point roller coaster to add to the devastation of Godzilla! “The Quiet Storm” also used a notable sample from Detroit’s Electrifying Mojo Show in its experimental bass sound design.
Admittedly the most out-of-character track on the new album, “The Juice is Good,” is another family effort, featuring Barclay’s vocals and samples of his daughter Emma and his brother Alex. Be careful — this track “is a little funky earworm hit!” The next track was the first single release from Open Channel, a grimy collab with UK MCs Snowy and Manga Saint Hilare, “Big in the Game.” Detroit’s Anthony Garth produced the official video linked below.
“Dub Life” opens up with a hilarious sample of a fan trying to take a picture with Crenshaw after a show in San Francisco last year. It is refreshing to see the goofiness of Claude VonStroke staying alive on his new bass project as well! “Shyboy” also starts with a poignant sample, using a 12-year-old recording of his then 5-year-old son Jasper! Snowy’s vocals are featured on a second track, “The Rebel,” and Crenshaw masterfully chops them up to get the vibes right.
The final track is a meaningful tribute to one of Manhattan’s finest MCs and a Dirtybird Campout contributor, the late Biz Markie. Crenshaw shared how he used to be an MC back in high school, selling his first rap recording on cassette for a smooth $800 profit. Although he was a bit rusty recording the lyrics for this track, it does feature his vocals as he pays homage to the influential rap MC.
Photo Credit: @georgeevanphoto
“I dig and dig through countless genres and experiment so that you don’t have to,” Crenshaw shared. “I want to play new music that makes you say, ‘Wow.’ Your algorithmic playlist is just a formula that echoes songs you like until you are completely pigeonholed. Let’s start a community of explorers that connects over great tunes and isn’t controlled by computers.”
The Open Channel Tour is slated to start with the album release party at New York City’s historic venue, Webster Hall. The tour spans 13 dates from March to May, with popups planned for the New York City, Chicago, and Denver shows. Barclay Crenshaw will have tour merch on hand and will be available to sign the goodies. In true Campout style, limited edition Open Channel Tour patches will also be available that are unique to each show location.
To complete the production of the tour, Crenshaw enlisted the help of his decade-long digital artist Gabriel Hall, aka LightBender, to create the visual experience of the Open Channel Tour. Credits also belong to Daniel Martin Diaz, an acclaimed Tucson-based artist responsible for creating the distinctive style that graces Crenshaw’s album covers and mirrors the experimental and eclectic spirit of his music.
Don’t fret if you can’t make it out to one of the tour stops, because Barclay Crenshaw will also be performing at a slew of festivals this spring and summer, with more dates to be announced. You can find him performing at Texas Eclipse Festival in April; SOL Fest, Solshine, and Lightning in a Bottle in May; Electric Forest in June; and Elements in August. Be sure to connect with Crenshaw through his social channels below to get all the latest info and don’t forget he pops into his Discord server every Wednesday at 4:20pm PT to interact with his fans. See you there!
One of bass music’s rising stars, Stryer, has been turning heads with his blockbuster collabs and electric live performances. Since he first dropped “Abandon Ship” in his Lost Lands set, fans have been clamoring for it to be released. The wait is finally over; the hard-hitting bass that captivated the crowd has been released to the public!
“Abandon Ship” opens with a tense atmosphere that sets the tone for the rest of the song. Blending a spacey organic sound with intermittent electronic glitches, the song drags the listener into a building chaos that finally erupts. Leaning on the half-note rhythms that goad you into breaking your neck, the track slams down energy that’s sure to set fire to a crowd.
After a short 8-bar build, “Abandon Ship” introduces a huge switch in the second drop. Departing from the previous brutality, the track shifts into a deep, grimy mood. While keeping some of the spirit from earlier, it produces bulky new sub-bass and downsampled sounds. With only one more break, it releases into the final apex to blow the listener away.
Stryer already has plenty of huge releases under his belt, but “Abandon Ship” is poised to be the biggest one yet. Full of all the things any bass music fan loves, we can absolutely hear this one being blasted at festivals across the world. With 2024 just getting started, Stryer has plenty more coming our way soon. Be sure to check out the rest of his tracks and keep up with him using the links below!
After a year of anticipation and fan demand, Rossy’s remix of Linkin Park’s iconic track “Numb” finally landed on SoundCloud. This semi-official release, whitelisted by Warner, showcases Rossy’s unique ability to breathe new life into a classic, intertwining her signature trap sound with the timeless vocals of Chester Bennington. The track, available today, marks a significant milestone for Rossy, celebrating her evolving artistry and deep connection with her audience.
Rossy’s journey with this remix began in her live performances, where the track consistently captivated audiences, leaving fans desperate for it to hit a streaming platform. The power of “Numb” lies not only in its nostalgic pull but also in Rossy’s skillful production that amplifies the song’s emotional depth, propelling it into the realms of electronic music while honoring the original’s essence.
Rossy continues to leave her mark on the electronic music scene. Her remix of “Numb” is a testament to her innovative approach to music production and her deep respect for the tracks that have shaped the musical landscape. Fans will have a chance to catch her next in San Francisco at Rickshaw Stop on February 23 for the finale of her HEAVENS DOOR TOUR with Hex Cougar, CAB, Miko. Connect through the links below to keep up with Rossy’s latest news or stream her music.
Australian producer EDDIE has been releasing music since 2017 and his sound has definitely evolved since then. Over the last few years, he has left the house genre behind in favor of a more dark, midtempo sound. Today he released “Damned,” his collaboration with Canadian producer FISE on Rezz’s HypnoVizion imprint. He previously collaborated with Rezz on her track “Time.” On vocals, they have recruited Colleen D’Agostino, best known for her vocals on Deadmau5’s track “Seeya.”
In addition to being a music producer, FISE has also created visuals for Rezz and Svdden Death. He made the artwork and music video for “Damned.” FISE independently released his first solo track “Ridin” in 2020, and “Damned” is his first released collaboration.
Before working with Deadmau5, Colleen was the lead singer for the Southern California-based rock band The Material. “Damned” marks the second collaboration between EDDIE and Colleen; they previously worked together on “Somewhere In Between.” She has also been featured on tracks by No Mana and Attlas.
“‘DAMNED’ is a song about resisting the demons that try to pull us down. When I wrote the lyrics, I’d been dealing with health issues, anxiety, and depression. It kind of served as a reminder to myself to keep fighting.” – Colleen D’Agostino
This trio has combined their talents to create a stirring track right at home on HypnoVizion. The track immediately gives a creepy vibe, opening with a soul-stirring piano melody beneath Colleen’s vocals. As the drums kick in, the intensity increases before giving way to a bouncy midtempo beat. The second half of the drop is layered with dubstep elements. Colleen’s vocal delivery ranges from ethereal to taut, adding more power and emotion to the song.
Listen to “Damned” and stay up to date with what EDDIE, FISE, and Colleen D’Agostino have going on by using the links below. Be sure to check out the rest of the tracks that dropped this week by following Moon Lvnding’s New Music Friday Heat playlist on Spotify.
There is a saying that if you listened to emo music in high school, now you listen to EDM. Today, both of those worlds collide with Fairlane’s new track “Take It Back” featuring Shane Told of Silverstein. It is being released under Monstercat’s Uncaged imprint.
Canadian dubstep producer Fairlane has shown his emo influence on tracks before. He’s done an official remix for The Devil Wears Prada and created his own version of Yellowcard’s “Ocean Avenue.” Fellow Canadian Shane Told is no stranger to lending his voice to EDM songs. He’s previously been featured on tracks from Rezz and PhaseOne. Together they do a great job of blending both genres.
According to Fairlane, “Finishing this song with Silverstein is a milestone achievement for me. To experience such a full circle moment, collaborating with a band that quite literally shaped my taste in music as a young adult, brought me to a newfound level of appreciation for the work that I get to do. Shane [Silverstein] is so incredibly talented, and getting to see him in his element firsthand is an experience I’ll never forget. Plus, this song absolutely shreds, so that’s a bonus!”
The opening of the song could be another Silverstein song, with Told’s voice as the main focus over a simple beat and guitar melody, played by Fairlane. The chorus brings in melodic bass elements including a snappy snare that heightens the emotion behind the words being sung.Shane Told shared this about the lyrics, “At the heart of the vocals is an anti-suicide message. Having personally lost people to this tragedy, I hope it serves as a beacon to seek help before you can’t take it back.”
The breakdown is where you can really hear both genres come through. It features chugging guitars, screams, and rapid-fire snare hits before the headbang-inducing heavy dubstep elements take over. The track comes full circle, finishing with the opening guitar riff over the melodic bass beat before one last scream of “Take It Back.”
I’m personally very excited to hear more tracks that combine dance music with emo music. Stay current with what Fairlane and Silverstein have going on by using the links below. Check out the rest of the tracks that dropped this week by following Moon Lvnding’s New Music Friday Heat playlist on Spotify.
