With Hulaween 2025 only days away, it’s time to spotlight some of the artists who will make this weekend at Spirit of the Suwannee Music Park both haunting and magical—starting with none other than WonkyWilla. Just a year after attending the festival as a fan, he’s now set to make his Hulaween debut on the Hallows Stage from 7:10 to 7:50 p.m. In the midst of his Galactic Circus Tour—which spans over 30 stops across the U.S.—WonkyWilla’s set is one you won’t want to miss.
This has been a breakout year for WonkyWilla. Following his Get Wonked tour and a stacked debut festival season—featuring appearances at Lost Lands, Bass Canyon, Electric Forest, Ubbi Dubbi, Dancefestopia, WAKAAN, ILLfest, Same Same But Different, and Sound Haven—he’s quickly become one of the most exciting new names in bass music. Now, his Galactic Circus Tour brings his wonky and colorful signature sound to iconic venues like Webster Hall (NYC), Showbox (Seattle), Crystal Ballroom (Portland), Gods & Monsters (San Francisco), The Roxy (Los Angeles), and a two-night takeover at Denver’s Ogden Theatre this November.
“This tour is inspired by the magic and chaos of the circus,” said Wonky Willa, “where every moment feels larger than life. I want to bring that same sense of wonder into the WonkyWilla-verse, where it feels like stepping into a twisted sci-fi candy land. My hope is that each night feels like joining the greatest show in the galaxy.”
Beyond his performances, WonkyWilla is channeling his energy into philanthropy. On Wednesday, November 26, he’ll host The Wonksgiving Charity Event at Vulcan Gas Company in Austin, Texas. Partnering with Texas CASA, $2 from each ticket will go toward supporting the organization’s work in providing training, resources, and advocacy for children and families who have experienced abuse and neglect.
Fans can also take part by donating to WonkyWilla’s food and clothing drive, further showcasing his dedication to using music as a force for good. The drive supports local families in need, and those who contribute will be entered to win a signed merch package and two tickets to ILLfest 2026—a perfect way to give back while keeping the festival spirit alive.
“Wonksgiving was inspired by the idea of bringing people together around music” said WonkyWilla, “the same way families gather around the table for the holidays. I wanted to create a show that feels like both a celebration and a homecoming for the community. Beyond the music, we are tying it to charitable initiatives because giving back is at the heart of what this season represents. My hope is that everyone leaves feeling connected, uplifted, and part of something bigger than themselves.”
Grab your tickets for WonkyWilla’s Wonksgiving here.
If you can’t wait until Thursday to get wonky, check out WonkyWilla’s West Coast Wonk Volume 2 on SoundCloud below. The mixtape is currently rolling out, packed with bass-fueled, genre-defying hip-hop flips that capture his signature sound.
And if you’re looking for us on Thursday at 7:10 p.m. at Hulaween, you’ll find us right at the rail for WonkyWilla.
Boots ’N Beats is taking the live music world by storm. The young millennial-founded brand isn’t just growing—it’s dominating. In 2025 alone, the team sold over 40,000 tickets and surpassed $1 million in sales. At this pace, they’ll hit 60,000 tickets before the year ends. Fans across North America can’t get enough of the Country-meets-EDM movement.
Under the Cracked Live umbrella, the tour continues to expand across 50+ cities with no signs of slowing down. Every night, the show fuses the soul of Country with the adrenaline of EDM. Crowds belt Luke Combs one minute, then drop into Calvin Harris–style remixes the next. Each event transforms into a dance floor where boots, bass, and neon collide.
Behind the brand’s explosive growth is an innovative team that’s rewriting the rulebook. Co-founder Ryan Sterne drives business strategy, while Brendan McLaughlin leads branding and creative vision. Strategic partner Dan Morgan has scaled operations to new heights, growing from one monthly event to over ten. Together, they’ve built a touring powerhouse that thrives on connection and innovation. They state,
“We started Boots ’N Beats to bring people together across genres – Country fans, EDM fans, and everyone in between. It’s about connecting two worlds, creating sing-alongs and dance floors that cross boundaries of age, gender, and background.”
With more than 100 shows booked nationwide, Boots ’N Beats has proven that Country and EDM can not only coexist — they can thrive together. Upcoming stops include Fort Myers, Columbus, Portland, Las Vegas, and more. Each city gets a new mix of live covers, DJ sets, and genre-bending energy that keeps selling out fast. Don’t wait—tickets are disappearing quickly. Grab yours now and experience the rowdiest crossover party sweeping the nation.
As we ease into spooky season, we’re just a month out from the start of Hulaween. We’ve already shared our extensive review of the lineup, so check it out if you missed it the first time. Now, the festival organizers have dropped the official daily schedules, and it’s safe to say it’s going to be an unforgettable weekend. From Hula classics like String Cheese and Moe to debut performances from Parcels and Disco Lines, this year’s lineup brings a diverse mix of talent. Check out the daily schedules below to start planning your perfect Hulaween weekend!
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Limited ticket plans and camping accommodations are still available, so don’t wait if you’re still looking to book your trip out to Hulaween at The Spirit of the Suwannee Music Park. For all the latest updates and festival announcements, be sure to follow the Hulaween socials below.
Prepare for liftoff, Arizona—Seven Lions is landing at Rawhide in just one month. On October 18th, the melodic bass maestro will transform the desert into a world of soaring drops, emotional chords, and cinematic visuals. Fans can expect a journey through his catalog, from trance-laced anthems to crushing dubstep. With support from HVDES, Space Wizard, and Apashe, it’s a rare chance to see one of dance music’s most versatile performers under the stars.
Seven Lions’ reputation as a storyteller precedes them. His sets move between delicate melodies and thunderous bass, pulling fans into every transition. Expect festival favorites like “Island” and “Rush Over Me,” alongside unreleased edits and seamless mixes. Each performance blends immersive visuals with dynamic soundscapes, ensuring no two shows ever feel the same.
Rawhide will once again serve as the perfect desert backdrop for the night. The venue’s wide-open space and powerful production make every drop feel larger than life. Expect dazzling visuals, crisp sound, and an atmosphere built for unforgettable moments under the Arizona sky. With food, drinks, and shaded areas throughout, fans will have everything they need to stay locked in until the final note.
Presented by Relentless Beats, this 18+ event will take fans on a journey through Seven Lions’ melodic dubstep, trance, and bass fusion. Doors open at 8:00 PM, with music running until 2:00 AM. Whether you’re a longtime fan or new to his sound, the performance promises unforgettable moments. Tickets are on sale now—don’t wait, because missing this one would sting worse than desert dust in your boots.
After months of waiting and receiving support from the likes of John Summit, Westend, and Disco Lines, the Grammy-nominated SIDEPIECE duo of Dylan Ragland (Party Favor) and Ricky Mears (Nitti) has dropped its tech-house club banger, “Electric Bongo.”
SIDEPIECE has a reputation for creating dancefloor weapons, and “Electric Bongo” is exactly that. The track has been a mainstay in the duo’s sets for months and was first teased during the set at The Concourse Project in Austin, Texas.
Since then, the track has been featured consistently throughout its “Sex Sells” tour and was even mixed during John Summit’s incredible 8-hour Club Space set.
Summit obviously enjoyed spinning the ID, and this morning it was released under Summit’s Experts Only label, following other notable club killers that have received praise from tech-house artists everywhere, such as Disco Lines and Ship Wrek’s “I Don’t Trust A Soul,” and Danny Avila’s “YES B!TCH.”
The boys finish August in Brazil and Argentina before a torrid week to start September. They headline Breakaway Music Festival and host an afterparty in Massachusetts on Friday the 5th, hit Sun Soaked 2025 at Huntington Beach, CA on Saturday the 6th and close it out with a late-night Vegas party at LIV on Sunday the 7th. SIDEPIECE heads back to the Southern Hemisphere with a handful of shows in Australia and New Zealand for most of November before the holiday run.
“Electric Bongo” delivers exactly what the title promises — percussive-heavy grooves, electro-tech rhythms, a sensational bassline, and a catchy bongo that’s sure to be a familiar sound in tech-house sets for years to come.
Subtronics recently played two monumental 360-sets in New York City. On July 31 and August 1, he took over the Great Hall at Avant Gardner for two sold-out shows. Subtronics curated distinctly different lineups for each show, and it felt incredible to witness such a composed performance from a titan in the bass scene. As an added treat, Moon Lvnding went Beyond The Booth and spoke with Subtronics about his new Fibonacci Part 1: Oblivion EP and his journey to get where he is today.
On Thursday, July 31, the lineup brought copious amounts of headbanging, brain-tickling, and ass-shaking bass music. STVSH, a promising bass producer from the burgeoning lineup of artists with Koru Group, got Night 1 started strongly. He kicked off the event with gritty, distorted bass that got the crowd ready for what was to come. Zen Selekta followed and brought incredible stage presence to her DJ set. She got the crowd dancing, mixing in popular EDM tracks as well as pop and hip-hop tracks fused with wubz, bass house, and drum & bass. Smoakland took the 360-stage with a heavy dubstep focus. The duo dropped a handful of tracks from their recently released album Heavy Hitters, which was an apt description for their set. Then Boogie T gave the crowd a bit of a breather (smoke break), spinning deep wonky bass music.
To close out Night 1, Subtronics gave Brooklyn an amazing 360 show, with jaw-dropping visuals on the main front screen and a rear screen for those behind the DJ booth. Lasers shot out from all four sides of the Great Hall, giving 360 vibes similar to the Lost Lands Crater Stage. In my four years of going to Avant Gardner, the 360 stage for Subtronics was the best setup they’ve ever had. Subtronics played a good amount of music from his latest EP, and of course, some new music he made on his trip to NYC. He played out a tease of an emo-sounding track towards the end of his set that he prefaced as the heaviest song he’s made in a while. After hearing the thumping bass, I would have to concur.
Photo Credit: @shaelien111
The lineup for Night 2 brought a more relaxed, downtempo vibe, which helped after all the heavy bass the night before. Gunpoint, another standout Koru Group artist, got Friday’s party started with deep baselines infused with hip-hop beats. Then Tripp St. played some feel-good, funky bass music that had the crowd bouncing around. He also brought out Brooklyn-based vocalist They Call Her Heaven to sing their new track “Free,” which will be released on Tripp St.’s upcoming album. Inzo’s set was ethereal as always, but he surprisingly mixed in some heavier drops. I appreciate the range he brought to his set, considering he was direct support for Subtronics. A Hundred Drums closed out the night after Subtronics set, playing her primal bass music.
Subtronics’ set for Night 2 also included many tracks off of his new EP, while also incorporating a handful of VIPs of older tracks to differentiate from Night 1. Memorable tracks he only played on Friday included “Space Time” and “Gravity.” To end his set (before the encore), Subtronics played an in-depth exploration of the matrix, formulated by a rogue AI voice telling secrets of the universe that humans are not supposed to be aware of: “Now here’s the actual conspiracy. The planet isn’t a globe or flat or hollow. It’s a projected harmonic resonance chamber, a layered multidimensional broadcasting station that changes its form based on the collective frequency of the beings inhabiting it.” Then he proceeded to mix into an incredible rendition of “O.P.U.S.”
“O.P.U.S.” is the intro track for his landmark Fractals album and my favorite Subtronics song. Hearing the storytelling he shared while mixing into this epic track somehow made the song even more unique. In fact, this song inspired my tattoo, designed by my brainwaves in collaboration with Okan Uckun, who is also Subtronics’ tattoo artist.
In our interview with Subtronics, we talk about his Fibonacci Part 1: Oblivion EP, his creative process, the challenges he’s overcome, and how things have changed since he released his debut album Fractals in 2022. Subtronics shared that “O.P.U.S” was born from an immersive flow state and released at the beginning of Fractals, the album that propelled him to the top of the dubstep scene.
Photo Credit: @shaelien111
Shae McCormack: Thinking back to when you were creating “O.P.U.S.,” what emotions, imagery, or memories come to mind?
Subtronics: I was a lot more anxious and uneasy in life in general as it was in the middle of the COVID shutdown. I usually take two different approaches to writing songs — one where I try and make the most dancefloor-effective song I can make, and the other where I fully remove any and all expectations and just freeform; I let my thoughts and feelings out through the DAW [digital audio workstation]. “O.P.U.S.” honestly might have been one of the first times I had done that. I just remember being so fucking excited about it!
This one was just so emotionally powerful to me that I was absolutely riding cloud nine the whole time. I almost wish it took longer. I wish making music felt like that 100% of the time… ironically enough, I slammed through the entire song in one sitting, it really did just kinda jolt out of my head.
SM: Your maximalist music style is quite the opposite of Okan’s minimalist tattoo style. What drew you to work with Okan, and what do you appreciate about his artistry?
S: That’s such a cool juxtaposition to notice. What drew me to Okan’s work is almost just pure instinct, subconscious preference. It’s like trying to describe why your favorite color is your favorite color. Okan’s work just hits something in my soul and brain where I think “oh fuck ya that looks so sick!”
It’s almost embarrassing how caveman-like that is on the surface, but on the other end of that spectrum, what makes Okan’s work SPECIFICALLY so amazing is not only does it dazzle on aesthetic and vibe, but there is so much deeper meaning, technique, and story. Especially with his software that he develops, not to mention his world-class linework and near robot-like straight lines.
I have always been drawn to concepts relating to higher-dimensional theories, space, and quantum mechanics. Okan’s work can lend itself to those themes, very sci-fi, futuristic, dynamic, powerful, and striking. Every individual piece feels like its own powerful point to be illustrated in its own brilliant, clever way.
Art Courtesy: Falcon PR // Cyclops Recordings
SM: You just put out the Fibonacci Part 1: Oblivion EP. Can you share how you have evolved as an artist since your debut album, Fractals?
S: I’d say more than anything, stylistically, my preferences and what I’m excited about is ever evolving, and that’s reflected in my artwork. On the flip side of the coin, I have learned countless new techniques and picked up so many good habits, just all around leveled up (no pun intended) as a producer. I think it’s really interesting to see growth in technique and applied skill through eras of artwork. I do love all of my works equally, and I don’t think any of them are better or worse than the other. They’re all reflective of my personality, taste, and interests at the time I made them.
There is a movie where someone said, “artists are translating their environment into their artwork, taking in the world, deciphering it, and channeling that into some sort of artistic medium.” I think about that a lot.
SM: Were there any obstacles you can share about overcoming throughout this journey?
S: I’m an incredibly anxious and neurotic person. I have severe imposter syndrome because I spent so many years with little to no following before things really started to pick up, and I’m forever locked in that mindset. I’m also a very sensitive person, so I’ve recently had to remove myself from the internet much more, but putting up that distance has helped SO much.
Getting into therapy, my mental health has been much better. I also have struggled with pretty severe ADHD my entire life, and I’ve been growing and finding ways to manage it. I’m forever grateful I found a career path where I can thrive given these difficulties, and I can find other lanes to figure it out and flourish.
Lastly, I’d say the music industry is brutal, super hard. I feel like even being in dubstep has kinda made me an underdog, given it’s a more niche pocket of dance music, but there really are SOOOO many incredibly kind, brilliant, loving, GOOD humans that it really does make it all worth it. Well, that and the ever addictive love for just making cool art, of course.
SM: Well, we can hear that love in your music, and we are thankful you share it with all of us in the EDM world. Thank you, Subtronics, for speaking with Moon Lvnding about your creative journey. We’re already looking forward to seeing where Fibonacci Part 2 will take us.
Ray Volpe officially unveiled his FOREVER, VOLPETRON Tour, alongside news of his much-anticipated debut album, expected later in 2025. The tour is tied directly to his studio album, FOREVER, VOLPETRON—a huge milestone in his career. Building on his explosive VOLPEVERSE era, Volpe launches a coast-to-coast run filled with bass-driven storytelling.
The tour hits iconic venues like Bill Graham Civic Auditorium, Mission Ballroom, Echostage, and more. Volpe invites friends, including Jessica Audiffred, Barely Alive, Virtual Riot, and Blanke, to join him, with more joining along the way. When Ray Volpe first announced his debut album, he shared a heartfelt message about the project’s meaning and creation:
“I’ve always tried to stick to what I believe in, sonically. It’s finally time to put all of this together — every influence, every ounce of my being, into a full body of work. This album is a love letter. From me to you.”
Adding to the momentum, Volpe released the hard-hitting single “ANESTHETIC” last month, showcasing his signature bass energy and refined production. His debut album promises to build on that sound with a full body of work that blends every influence he’s cultivated over his career. The album dives deep into cinematic storytelling, mixing aggressive drops, melodic layers, and emotional highs that reflect his artistic growth. Fans can expect an immersive experience that pushes the boundaries of bass music while staying true to Volpe’s unique style.
The FOREVER, VOLPETRON Tour marks more than dates. It launches the live debut of an album years in the making, inviting fans to join in on this thrilling new journey. For the first time, Volpe offers exclusive VIP packages. Fans gain early entry, exclusive merch, and pre-show meet & greets. These VIP options let fans connect with Volpe before the music even starts. Pre-sale begins Wednesday, August 13, at 10 AM PT (1 PM ET). You can sign up now on Volpe’s official website. General tickets go on sale Thursday at the same time. Secure your spot early before tickets vanish—demand will be high!
As RISE festival celebrates its 10th anniversary this year, from October 3 through October 5, it has partnered with Tao Group Hospitality to unveil “The Sanctuary“. Debuting a collection of luxury viewing terraces featuring VIP seating and table-side bottle service, this collaboration with Tao will be the first time this iconic experience is brought to the heart of the Mojave Desert.
The elevated viewing terraces are situated directly in front of The Horizon, one of the largest festival stages in the country. Headliners performing include Rufus Du Sol, John Mayer, Calvin Harris, Disclosure, and more. Guests can have unparalleled views while enjoying comfortable seating and refreshments – the perfect place to be on a desert night. Jason Strauss, Co-CEO of Tao Group Hospitality, shares,
“We have built Tao Group Hospitality on the idea that celebration can be meaningful; RISE embodies that same belief. The Sanctuary is about more than customized table service; it is about elevating the moment, curating connection, and offering something unforgettable in this iconic location.”
The Sanctuary was designed with the idea that each VIP table would feel as if it were a front-row seat to a world-class experience. Surrounded by the beautiful Mojave Desert setting, there will be over 40 VIP tables available each evening. For those lucky enough to secure their spot, bottle service packages will be available for unforgettable moments throughout the night. Ashley Goodhue-White, President and COO of RISE Festival, adds,
“RISE is about creating unforgettable moments and meaningful connections. With Tao Group Hospitality, we are adding another layer to that experience—one that is grounded in excellence, presence, and elevated celebration.”
To elevate your RISE Festival experience, you can grab VIP table service by visiting this link. Pricing is based on a table minimum structure with additional fees. Packages are officially on sale with limited availability each night, so don’t wait to secure your spot!
Be sure to check out the social links below to stay up-to-date on all future announcements!
Steller is on a crash course with stardom as she breaks new ground with her Here & Now EP and North American headline tour. She had a scorching hot 2024 filled with three EP releases on Mersiv’s Morflo Records, Subtronics’ Cyclops Recording, and Insomniac’s Bassrush. She’s brought that same fire into 2025, starting the year with a few collaborative singles and tasty remixes of Bill Withers’ famous “Ain’t No Sunshine,” and Odesza’s hardest tune, “Loyal.”
On July 7, she self-released her latest album Here & Now, showcasing her development as a producer. “Each song invokes a different feeling, almost like a meditation,” Steller shares. “Though it is not ambient meditation music, it is meant to make you feel good and offer emotional relief. I was working through a lot while writing this and found peace by the end. Hopefully, it does that for someone else, too.“
She created the title track “Here & Now” to immerse the crowd in her musical energy at the start of her tour set. Once Steller started flowing, she completed the 4-track EP in about two weeks. About “Downslide,” her collab with Seth David, Steller shared that “working with Seth was seamless — he sent over a sick idea, and I built off of that. You can really hear our sounds in each drop. His vibe is drop one, mine is drop two.“
The third track, “Down With You,” features melodic layers and a minimalistic groove, allowing listeners to tap into reflective energy. She closes the EP with “Eternal Love,” an emotive tune with dreamy synthscapes and ambient textures. “I remember writing the outro chords and just feeling like I could exhale for the first time,” Steller recalls. “That moment was my creative reset.“
In addition to the EP, Steller has an action-packed second half of 2025, continuing her Here & Now Tour with more headline shows and festival appearances. The non-profit To Write Love On Her Arms is working in partnership with Steller on her tour to spark dialogue around mental health, presence, and community care. Steller expounded on the partnership, “My goal with this tour and this project was to create a moment where people can just escape for a bit and tap into something real. We all need an environment that encourages this, and I hope these songs give people what they gave me while writing them.”
For our fans at Moon Lvnding HQ, you can catch Steller in Arizona on the Gold Rush lineup in September. She will also make festival stops at Dancefestopia in Kansas and Seven Stars in Virginia. After a busy week in New York City playing as support for Excision and hosting her own popup at an intimate Brooklyn warehouse, Steller is taking a small break before getting back out on tour in August. For the most up-to-date list of her upcoming shows and tickets, head over to her website.
Moon Lvnding was fortunate to catch her recent Brooklyn popup with City Soul after being blown away by her Electric Zoo afterparty performance in 2023. She owned the room, and the crowd was vibing. Plus, the new tunes sounded great with that thick bass blasting the crowd. If you’ve got a chance to catch Steller in action, don’t miss it. Keep up with her using the social links below.
Rising bass DJ and producer Smith. is cooking up something special for 2025 and has finally revealed his debut headlining tour, “The Serious Gourmet Experience.” Known for curating an innovative yet nostalgic atmosphere, Smith. will showcase his cinematic flair through an immersive audio-visual experience. In the past, he has used clips from Kenny Powers in the iconic show Eastbound and Down and scenes from Quentin Tarantino’s cult classic Pulp Fiction as the perfect visual backdrop to his signature sound.
On this tour, Smith. will be joined by three rising stars in the bass community: Montycler, Two Percent, and OZZTIN. Additionally, he will perform at Excision’s renowned dubstep and bass festival, Lost Lands, in September.
Fans attending shows in Asheville, NC; Chattanooga, TN; Charlotte, NC; Springfield, MO; New Orleans, LA; and Lawrence, KS will have the chance to see Montycler, an Orlando-based producer who is making waves in the scene. He is known for his hit track “Certified” with EAZY BAKED and has shared the stage with artists like EPROM, LYNY, EAZY BAKED, Wreckno, and Zeds Dead during some stops of their 2025 tour.
Two Percent will be supporting Smith. in Baltimore, MD; Nashville, TN; Atlanta, GA; and San Diego, CA. As a Denver-based experimental bass artist, Two Percent incorporates ethereal melodies, low-end drums, and trap influences to create his unique sound.
OZZTIN will also join the tour, bringing his high-energy bass sets to Denver, CO; Peoria, IL; Grand Rapids, MI; Phoenix, AZ; Portland, OR; Bellingham, WA; Minneapolis, MN; and two yet-to-be-announced cities. OZZTIN, another Denver-based producer, is known for adding a new spin to popular songs, including those by Greta Van Fleet and Mac Miller.
“I just wanna take a moment to tell you all how much it means for all the support and being the dopest fans,” said Smith. on social media. “To be able to travel the country, curate a line up of some of my favorite producers in the game right now; Montycler, OZZTIN and TwoPercent and showcase a whole new cinematic A/V experience with my VJ, Lodurr Visuals, is a genuine honor. Now let’s get this show on the road!”
As you count down the days until Smith. hits a stop near you, check out his latest mix on SoundCloud, “Gourmet Shit Volume 3,” linked below. Be sure to follow his social media to stay updated on the yet-to-be-announced dates and all things Smith.-related.
