Relentless Beats’ sub-brand RBDeep brings Body Language out for its Phoenix Raceway debut on February 16 and 17, 2024. With stage takeovers by Adam Beyer’s techno label Drumcode (since 1996!) and State of Mind, Body Language promises to keep the boutique festival vibes among its heavyweight bookings.
Known for showcasing house, techno, and underground stylings, Night 1 will be headlined by Eric Prydz, while six-time GRAMMY-nominated Deadmau5 closes it out on Night 2. Supporting acts are Meduza and Sofi Tukker (throwing down a rare DJ set!) Additional talent includes Charles D, Dubfire, Hugel, Kream, Layton Giordani, Martin Ikin, Never Dull, Omnon, Sammy Virji, and Shermanology.
Eric Prydz just took some time off for the holidays, and Body Language will be a stop on of his North America run. His Melbourne, New York, and Mexico shows last year were incredible and it’s going to be anyone’s guess what he brings out for this round! Deadmau5 also recently posted on Instagram he is finally taking time off on vacation.
Meduza and Sofi Tukker are also wildly recognizable names. Meduza became the biggest global streaming Italian artist in the history of music in Italy with their debut release Piece of Your Heart, nominated for a GRAMMY in 2019. Sofi Tukker had some dance music success but their growth exploded during quarantine in 2020 from their daily-streamed DJ sets, and then their wildly successful live show upon the world re-opening. Having played dozens of fests from Coachella, to Electric Forest and Bonnaroo, anda huge South American tour, their ascent knows no bounds. Seeing a pure DJ set from the duo is a fantastic treat!
Layton Giordani and Kream are also two other artists not to miss! Layton Giordani, based out of New York, makes techno and played b2b with Adam Beyer at Awakenings in Gashouder. Kream, a duo of Norweigan brothers Daniel and Markus Slettebakken, are known for their beautiful take on melodic tech house. They’ve been steadily on the rise since 2023, having joined Eric Prydz in Asia and snagging bookings for EDC not just in Vegas, but also on Orlando’s main stage.
Grab your GA, GA+, or VIP for $125.50, $185.50, and $295.50 before fees respectively. Or, ball out with your crew and book a table and other fun extras at www.BodyLanguageFest.com.
Body Language is produced by Relentless Beats and RBDeep.
Ravenscoon wrapped up his Periphery Tour 2023 with stops in New York City on Friday, December 8, and Milwaukee on Saturday, December 9. By his own admission, the show at the historic Webster Hall in NYC was his largest headline show to date, and his stellar lineup matched the occasion. Moon Lvnding was on the scene from open to close, witnessing excellent sets from Green Matter, DRINKURWATER, EAZYBAKED, Ravenscoon, and Meduso.
Green Matter // Photo Credit: @samwolloch
The Denver-based artist Green Matter made her NYC debut to start the night in style. The 2022 Excision Bass Music Initiative winner showed off her production skills, mixing the nostalgia of early dubstep and the innovation of modern bass. It is always a treat to see someone making their NYC debut, and she excelled at the opportunity!
DRINKURWATER // Photo Credit: @samwolloch
The German-born, Phoenix-based producer DRINKURWATER followed Green Matter and kept the vibes high. His set had a bunch of range to it, from heavy riddim to melodic dubstep. The crowd also got into his set, with several mosh pits breaking out during his short 45 minutes on stage. From what I could see, it was the most wholesome, respectful, and considerate moshpit I’ve seen in quite some time. The fans loved the tunes and stayed hydrated throughout the set!
Eazybaked // Photo Credit: @samwolloch
EAZYBAKED came on next for an hour-long set before the headliner, and they did their best to captivate the NYC crowd. After two action-packed sets to start the night, the energy of the crowd was a bit down for this set. But the vibes also fit the more downtempo bass music from the EAZYBAKED duo. They stayed true to their roots and brought a taste of the EDM underground to the Big Apple.
Ravenscoon // Photo Credit: @samwolloch
Finally, the main man Ravenscoon took the stage and immediately commanded the attention of the crowd. His new production graphics looked great, as seen above, and complemented his music well. He seamlessly mixed between experimental downtempo and upbeat dubstep. He played many of the songs on his new album, which was released a week prior on December 1, and dropped fresh and tasty remixes as well.
This was my first time catching Ravenscoon live, and I was impressed with his poise and quality. He ended his nearly two-hour set with a heartfelt message to the crowd about being true to yourself and doing what you love, which was a nice way to cap off his largest headline show. Although the tour had one show left in Milwaukee on Saturday, there was a touch of catharsis to his words and it came through genuinely.
Meduso // Photo Credit: @samwolloch
I left the show equally impressed with Meduso, who did a great job engaging the crowd and keeping many bass heads around for the last 45 minutes of the show from 3:15 to 4 am. It is never an easy task to come on as the closer after the headliner leaves the stage, and Meduso’s music did the trick. The Los Angeles-based producer dipped into his bag of tricks with rock-infused remixes and energetic bass to captivate the crowd until close. This is another artist I got to see for the first time and had me staying until the very end.
As mentioned previously, Ravenscoon’s masterpiece of an album was fully released on December 1 and it is an impressive body of work. With 18 tracks and over an hour of bass music, there is something in it for all types of bass heads. There’s also a wide range of collaborative artists on the album, with 11 songs featuring one or more other producers. A few of the songs that stood out to me are “Out Cold,” “Dissolve,” and “Wild.”
Ravenscoon recently announced an even bigger production for 2024, one-upping his show at Webster Hall with two days scheduled at Denver’s iconic Ogden Theater on March 8 and 9. He will also play as support on select dates of Liquid Stranger’s EXPANSION Tour in Spring 2024. To keep up with all the latest news and music from Ravenscoon, use the handy links below.
RESISTANCE Miami, the celebrated underground concept from Ultra, has just unveiled an exhilarating lineup of six new club residency dates. Taking place at M2 Miami from December to January; these events promise to heat up the winter with some of the biggest names in underground music.
As Miami Art Week kicks off, minimal techno pioneer Richie Hawtin will take the stage on Thursday, December 7, with support from underground virtuoso DJ/producer Sama’ Abdulhadi. The heat continues on Friday, December 8, with deadmau5’s techno alias TESTPILOT, seasoned techno tastemaker Layton Giordani, and underground maestro Fur Coat. Finally, closing out the Miami Art Week run, grammy-nominated British duo Camelphat will perform on Saturday, December 9, alongside HOSH and Maxim Lany.
Photo: M2 Miami by RESISTANCE Miami
As winter unfolds, the momentum continues with New York City house music legend Danny Tenaglia’s debut on Saturday, December 16, with support from Magit Cacoon. Returning to M2 Miami after their RESISTANCE triumphs earlier this year, Dutch legend Joris Voorn is slated to perform on Saturday, December 30, and British underground duo Sasha & John Digweed will ignite the dancefloor the following Saturday, January 6, 2024.
Don’t miss a beat — click here to secure tickets to any of these shows. For the latest updates and show announcements, follow RESISTANCE Miami on their social channels below.
Tonight Claptone and friends bring the holiday spirit to the Brooklyn Navy Yard! The TILT Cares Holiday Ball is going to be a memorable night of music and generosity. They will all be performing for free, and all fees will be going directly to No Kid Hungry, an organization dedicated to ending childhood hunger in the United States. This is going to be a momentous step towards philanthropic and humanitarian efforts for Claptone with many more to come.
Not only will all artists be donating their fees, but 70% of ticket proceeds will be going to No Kid Hungry as well. Tickets are also priced at just $20, so the event is easily accessible for all! As we dance for change, the donations will be used to provide meals in schools and advocating for child focused nutritional policies, which is crucial during the winter time.
Claptone’s admirable work highlights what dance music is truly about: loving our fellow humans and connecting through sound. Keep up with him as he curates a magical energy on the dance floor tonight and at all events to come using all socials linked below. We wish you a very happy holiday season!
Get ready for an unforgettable night of electronic music and dazzling lasers at Winter Laserland, happening this Saturday, December 2, at the iconic Orpheum Theater in Flagstaff. This incredible event promises to be an electrifying experience, featuring performances by renowned dance music artists Ekonovah and Electric Polar Bears.
The headliner, Ekonovah, is known for his mesmerizing fusion of tech house, melodic house, and bass house. He will take the stage to deliver an energetic set that will keep the crowd moving all night long. His music is characterized by soaring melodies, pulsating basslines, and hypnotic rhythms, creating an immersive soundscape that will transport you to another world.
SATURDAY NIGHT PLANS INBOUND 🐻❄️🚀☃️
Catch us on direct support duties for @ekonovah this Saturday at @orpheumflag with @RelentlessBeats ! Expect a flurry of lasers and good times with the whole Flag Fam ❄️
Joining Ekonovah is Electric Polar Bears, a tantalizing act in the dance music scene. Delivering high-energy tracks throughout their sets, EPB are also known for their captivating ambiance, making them a perfect fit for Winter Laserland.
In addition to the stellar lineup of electronic artists, Winter Laserland will also feature a dazzling display of lasers, alongside a handful of artificial snow machines. The show production will transform the Orpheum Theater into a kaleidoscope of light and color, adding an extra layer of excitement to the night.
Whether you’re a seasoned electronic music fan or just looking for a unique, unforgettable night out, Winter Laserland is the event for you! With its loaded lineup and mesmerizing laser show, Winter Laserland is sure to impress.
So mark your calendars for Saturday, December 2, and get ready to experience Winter Laserland – a night of electrifying music, dazzling lasers, and unforgettable memories. Tickets are on sale here!
Teksupport bringing Eric Prydz’s HOLO show to Brooklyn is something New Yorkers were very thankful for last weekend. HOLO arrived in New York City for the first time since the show’s North American debut in 2019 and it was even better than before. Three sold-out crowds at the Brooklyn Navy Yard got to enjoy state-of-the-art visuals and fresh music compositions over Thanksgiving weekend on November 22, 24, and 25.
New York DJ/producer Charles D, a regular contributor to techno labels Pryda Presents and Drumcode, got each night started with over two hours of tunes. UK artist and Pryda Presents mainstay Cristoph followed up with another two hours of masterful mixing and song selecting. By the time Cristoph finished up, the immense warehouse space filled with fans, and the energy of the crowd peaked.
Photo Credit: Michael Poselski // @OffBrandProject
The new production for the 2023 incarnation of HOLO was immaculate – exceeding expectations. Not only were the new 3D images larger than life, but they also incorporated added live production outside of the LED lighting. For example, one scene featured a character with a circular saw. When the saw swung down to make contact, it triggered real sparklers firing up from the stage.
Photo Credit: Michael Poselski // @OffBrandProject
The opening scene featured a character with a remote control. When the button on the remote was pressed, it triggered a red laser beam to shoot from the sensor of the remote out through the crowd. The most impressive of all the scenes involved four characters strapped with air packs. When the air packs switched on and were aimed at the crowd, bursts of cool CO2 clouds fired out from the stage into the crowd.
Of course, the spectacle of the visual production accompanied top-notch musical mixing from the legend Eric Prydz. His trademark techno sound had the crowd moving all night long. New Yorkers are certainly grateful to be on a short list of cities that have been able to witness two separate appearances of Eric Prydz HOLO for sold-out three-day runs – back in 2019 and now again in 2023.
Photo Credit: Michael Poselski // @OffBrandProject
Teksupport is full steam ahead with a full slate of shows lined up for December! It will host DGTL Festival with coast-to-coast events in New York on December 1 and Los Angeles on December 2. Then there is an avalanche of events planned for New Year’s Week, which can be found on its DICE page. To keep up with everything else from Teksupport, use the handy links below.
Give thanks Miami! A new chapter in the Magic City’s dance music scene is set to unfold December 15. Renowned Middle Eastern duo Bedouin are bringing their unique brand of contemporary techno back home to the iconic Club Space. The venue regarded as a Mecca for electronic music lovers to dance until sunrise and beyond, will be enveloped in ethereal melodies for the duo’s bi-monthly residency that includes subsequent performances on February 17 and April 6. Opening night is sure to be a sonic masterpiece—the internationally acclaimed duo will grace the illustrious Terrace with the spellbinding sounds of their debut album, “Temple Of Dreams” supported by maestros Francesca Lombardo, Notre Dame, Ms. Mada, and Thunderpony.
“Space is one of the very few long standing dance music institutions in the US. With the dance floor at its core, it does feel like a 24 hour intimate party with a thousand of our good friends. We can’t wait to bring the Bedouin sound for a 3 date residency starting Dec 15.”
Bedouin released their first album this past May after years of performing around the globe and received international praise for the unforgettable Middle Eastern-inspired beats that take listeners on a transformative journey through sound. Since this release, the duo has been venerated with remixes by esteemed producers Damian Lazarus, Vintage Culture, Made By Pete, Robin, LP Giobbi, and Catz ‘N Dogz, with more to come from Santiago Garcia and Nandu. The latest installment, Remixes Part 4 was released today, featuring Harry Romero and Anja Schneider.
Bedouin at Club Space 2021 — Photo by Club Space
Harry Romero brings his signature steamy and chunky house style to “Flore Chico”, blending powerful kick drums with lush chords. The result is a captivating dance floor anthem with organic percussion and soul-stirring synths. On track 2, a mainstay in Berlin’s underground scene and leader of Sous Music, Anja Schneider transforms “Fortune Teller” into a minimal masterpiece. The track features lithe piano chords over wavy drums and warm percussion, creating a punchy yet fluid late-night groove.
Rami Abousabe and Tamer Malki chose the name Bedouin as a nod to the nomadic tribes that reside between their homelands of Jordan and Egypt. A fitting name, as they have been on the move performing music around the world since 2012. Over that span, the duo released several singles and EPs but never a full album—until this year. Rami & Tamer knew that when they finally released an album it had to be thoughtfully curated and significant. Throughout their career, they set aside songs that they felt could be album material until they presented “Temple Of Dreams” this past May. In the album, you can hear Bedouin’s signature style which incorporates ancient instruments into their hypnotic melodies to create honest musical expression that goes far beyond dance music alone. There is no better capsule to experience this confluence of culture and sound than the legendary Space Terrace!
Buy tickets to opening night here and connect with Bedouin below.
Teksupport, the pioneering event production company, has planned a huge holiday season lineup of shows to close out 2023. It has spent the last decade supporting the burgeoning New York City nightlife scene with cutting-edge production and forward-thinking musical curation including some of the world’s most renowned producers/DJs.
Testament to its next-level curation is the shows this Thanksgiving weekend by international superstar Eric Prydz, who brings his heralded HOLO production to the Brooklyn Navy Yard for three sold-out shows on November 22, 24, and 25. These shows mark the first time Prydz will bring his HOLO show back to New York City since his HOLO North American debut on December 27 – 29, 2019.
The very next week, Teksupport, in partnership with Stranger Than, will bring DGTL Festival stateside for its US debut. It features a lineup highlighted by new 3D production from WhoMadeWho, and can’t miss collabs from Ida Engberg b2b Ameme and Henrik Schwarz b2b Mano Le Tough. DGTL Festival touches down in New York City on Friday, December 1, and then lands on the West Coast on Saturday, December 2 in Los Angeles.
Finally, Teksupport has lined up a stacked run of shows for New Year’s Week in NYC. Getting the party started is a 5-hour set from none other than John Summit on Thursday, December 28 back at the Brooklyn Navy Yard. The Teksupport show for Friday, December 29 features Bonobo, Maceo Plex, DJ Tennis, and more, followed by a 4-hour set from Damian Lazarus on Saturday, December 30.
To ring in the new year, Teksupport is bringing Adam Beyer, Mind Against, HoneyLuv, Patrick Topping, and more to celebrate 2024 at the Brooklyn Navy Yard. But wait there’s more! Three different New Year’s Day shows to start 2024: Victor Calderone open-to-close at Sony Hall, The Martinez Brother playing a 6-hour set at Brooklyn Navy Yard, and Âme plus more artists to be announced at an undisclosed Brooklyn warehouse location.
To secure tickets to any of these fabulous shows, use this link to the Teksupport page on DICE. To keep up with all the latest news and show announcements, follow Teksupport using the social links below. From everyone here at Moon Lvnding, have a happy and healthy holiday season and we’ll see you out on the dance floor soon!
Back in 2008, deadmau5 released the legendary EDM track “Ghosts ‘n’ Stuff,” and a year later, he added vocals from Pendulum’s Rob Swire. In the 14 years since its release, only two producers had been selected to provide an official remix — NERO remixed it in 2009 for the single package and Chuckie remixed it in 2014 for the 5 years of mau5 compilation.
Now in 2023, we can add another famed producer to this elite club, because LA-based multi-genre producer Jauz was selected to remix this classic single. The “Ghosts ‘n’ Stuff (Jauz remix)” dropped a few weeks back on November 3 and coincided with his performance at Red Rocks in support of the annual “Day of the deadmau5” shows.
Curious to learn more about the evolution of this latest remix, Moon Lvnding caught up with Jauz to pick his brain about the remix, the two shows at Red Rocks, and learn more about his Wise vs. Wicked run of concerts.
Sam Wolloch: Thanks for speaking with us. Let’s jump right into the track “Ghosts ‘n’ Stuff.” Billboard shared that it was based on a sample from Frederic Chopin’s Piano Sonata, Op. 35, No. 2 in B-Flat Minor, and the vocals were from a 1957 sci-fi movie. Did you know about that lore before you made the remix? Did this information influence any of your creative decision-making?
Jauz: I had zero clue about any of that stuff haha! Doesn’t surprise me at all though. I just knew I was remixing what is arguably one of the most classic dance records of all time, and I better not screw it up.
SW: So we’ve got to know… How did that conversation with deadmau5 go down about remixing this track? Did you talk to him about it or did he ask you? And what came first, the invite to play in support at Red Rocks, or to remix this classic track?
Jauz: This is actually a really funny story, and I kind of have to throw Joel [deadmau5] under the bus a bit here, but only because there’s a happy ending! So sorry in advance bud!
When the Mau5trap team reached out to us to remix the track, and then I finally sent in the version that got approved, I was pretty convinced that Joel still had never heard it. I actually had a running bet with my managers on whether or not he had heard it.
Lo and behold, I get to Red Rocks for Night 1, and Joel comes into my green room to talk about how he’s going to pop out as the “Ghost” at the end of my set to premiere the remix live. Before I even had the chance to ask him, he said, “Yeah, I haven’t really heard the remix yet. Just the snippets we’ve cut for social content.” And it kind of became a running joke throughout the weekend.
Fast forward to the end of Joel’s set on Night 2, and when he came off stage I said, “Hey man, I’m sure it wasn’t your idea to have me support these shows but I really appreciate you having me and letting me remix the record.” To which he said, “Not my idea?! Who the FUCK do you think runs my record label?!”
I responded with, “says the same dude who had never heard the fucking remix until yesterday!!” He came back with, “Well yeah, I trusted that whatever you would make would end up great.” I was completely caught off guard. It was without a doubt the nicest thing Joel has ever said to me, and I probably won’t forget that exchange for a while. He’s probably not going to be thrilled that I wrote about all of this and got all emotional about it, but whatever. This is my interview, not his! 🙂
SW: Wow, what a compliment! Thanks for sharing such a heartfelt and humorous anecdote. Tell us more about those two shows at Red Rocks. What was it like playing in support of a legend like deadmau5 at such a historic venue? How does your preparation differ when you are playing in direct support rather than playing as the headliner?
Jauz: I’ve done quite a few direct support slots at Red Rocks over the years, but normally on very bass-heavy lineups, which has kind of been my “sweet spot” for a while. It was a really fun and different experience getting to do my “Wise” set, which is all techy, melodic house music, especially for a crowd like Joel’s that I’ve never played in front of before. I felt like I could kind of play more experimental music instead of leaning on “crowd pleasers,” although I definitely played some of those as well. All in all, it was a ton of fun.
SW: What was the crowd reaction like when you played out the “Ghosts ‘n’ Stuff” remix at Red Rocks? Did you work with deadmau5’s team to create unique visuals/production for the track?
Jauz: I actually didn’t know until the day of the show that I was going to be the one to play the remix at the end of my set. The kind of “unspoken rule” of DJing is that you NEVER play the next artist’s song, even if it is your remix of their song. So I just assumed that maybe I’d pop out during Joel’s set, wave my hands a bit, and that would be that. But to have him come out in the Ghost outfit and have the little back-and-forth we did was really fun. And to top it off he didn’t call me DJ Steve which is a huge win in my book!
Jauz bringing out deadmau5 to play his ghosts n stuff remix last night at red rocks pic.twitter.com/MeHVqPghAg
SW: That’s pretty cool he let you close with it and came out as the “Ghost.” Tell us more about playing your Wise set rather than your Wicked set.
Jauz: It wasn’t necessarily my choice, but more what I was booked for. That said, I think it made a ton more sense than playing a ton of super heavy bangers right before a deadmau5 set. Even as a direct support act, I think your job is still to support the headliner, get the crowd ready for them, and not drain all of their energy before [the headliner] comes on. If they had booked me to do one of each I would have done it gladly, but I think if they had given me the choice, I would have said that two Wise sets made the most sense anyway. It’s Joel’s show, after all, not mine.
SW: Of course, this totally makes sense. The techy house stuff from Wise is a nice complement to deadmau5’s extensive library. Let’s shift our focus back to your Wise vs. Wicked Tour. What is it like playing two different shows in one weekend?What are some of the challenges you face when preparing for different sets and locations for each show?
Jauz: To me it’s ideal, honestly. Only have to fly to one city, get to give fans the FULL experience I’ve always wanted to, etc. The Wise shows are pretty straightforward to plan — mostly because I don’t really plan them at all. That’s the awesome thing to me about playing full house sets, is it really allows me to DJ and do things on the fly that aren’t nearly as simple when I’m trying to play five different genres and all these specific songs of mine in one set.
The Wicked shows have proved to be a bit more challenging than I anticipated — mostly because I have a hard time deciding what quantifies as Wicked or not. Should I play records with pretty vocals? Should I not play any of my bass house songs, even if they’re really dark and aggressive? I think I kind of have found the sweet spot now, and also allowed myself a little more flexibility on those sets. Either way, it’s been such a fun experience and hopefully is just the beginning of something much larger.
SW: Two Jauz shows in one weekend sounds like a great time. Personally, as a Brooklyn local, I’m curious if you have any updates on rescheduling those shows from October when you were sick. Hopefully, we will still have a chance to catch you on your Wise vs. Wicked tour!
Jauz: Absolutely we’re coming back to NYC. We’re currently in talks for the 2nd round of Wise vs Wicked, and the #1 priority is getting back to SF and NYC. New York is always one of my favorite shows of the year every time I’m there, and I can’t tell you how gut-wrenching it was to not make it to one of my favorite venues on the planet.
SW: Is there anything else you want to tease for your fans before we get out of here? New Year’s Eve plans or another release on the horizon? What about some news from your Bite This label?
Jauz: I’ll actually be back in NYC for New Years at Marquee, which is so exciting, but we also are looking into coming back for Wise vs Wicked early in the new year as well. Lots more exciting shows to come soon, and Bite This is going to have a BIG 2024, without revealing too much 🙂
SW: Thanks for the scoop. We will definitely have an eye out for Bite This in the new year! Thanks again for taking the time to speak with us, and hopefully Joel doesn’t get too chaffed about your story from Red Rocks.
For those out in Los Angeles, Jauz will be wrapping up his 2023 Wise vs. Wicked shows with a Wicked show at Exchange LA this Friday, November 17, and tickets are still available. To keep up with everything else Jauz has going on, use the handy social links below!
Your trance destination is right around the corner! Dreamstate, the world’s premier all-trance music festival, is a special event filled with music, love, and lights. We’ve compiled some of the best tips to maximize your experience.
Bundle Up
Dreamstate has been chilly in previous years, and this one will be no different. Temperatures are expected to be in the 50s Friday and Saturday night, with possible rain in the forecast. The festival’s move from its previous home at the NOS Event Center to the Queen Mary Waterfront also adds a cool ocean breeze to the equation. Definitely a good festival to bust out some fabulous coats!
Lockers
If you are going to layer up but don’t want to carry a heavy coat around all day, consider utilizing the lockers. Dreamstate has lockers available for rent all weekend, offering a great place to store layers or outfit changes earlier in the day while it’s a bit warmer. Some also provide charging ports for all your devices.
Dreamstate features four stages: The Dream, The Sequence, The Vision, and The Void. Aptly named, The Dream is the main stage, featuring the biggest names in trance all night long. For a taste of tech trance, hard trance, and some uplifting trance, head on over to The Vision. Psytrance fans will find their home at The Sequence, and a showcase across the genre is typically presented at The Void. Previous years at the NOS had The Dream built as a megastructure, The Vision housed indoors, The Sequence pitched as a tent, and The Void was an open-air stage. It will be interesting to see the stage format at the new venue.
Parking
Dreamstate just released a map of parking and shuttle locations to help attendees find their way around. Be aware that there is no parking on-site, but it is offered just across the bridge in Long Beach. There are a few lots available, with shuttles to and from the parking lots as well as Uber pick-up and drop-off areas. Check out the parking map below to come up with a game plan if you’re driving. Skip-the-line shuttle passes are also being offered at $20.
The Vibes
Dreamstate is one of the best festivals Insomniac puts on, as it brings the trance community together for one massive party. The crowd is typically a little more mature, and everyone is there to have a great time. Trance has a way of putting everyone in a feel-good mood, so don’t be afraid to lose yourself in the music, get in your feels, and maybe even make some new friends. The trance community is one of the most welcoming of any music genre, so relax, say excuse me, and be kind to ensure you have an incredible time.
Photo: Insomniac
Passes are nearly sold out, so grab yours here before it’s too late. Your trance destination awaits!
