Beyond Wonderland 2025 had it all this year; top-name artists, a parade, unbelievable stage design, and hidden activities throughout the venue. Whether you attended this year’s event or just want to know what it was like, we have all the details.
Stages
Upon entering Beyond Wonderland, you were greeted by the iconic Beyond Wonderland arch and the Caterpillar’s Garden stage. This stage had a wide variety of artists from Wax Motif to Netsky to Odd Mob. Whenever you walked by, you were enthralled with the visual setup of the tent. The music had you moving and grooving as you got closer to the stage.
Behind the Caterpillar’s Garden was home to the techno crews, The Looking Glass. A new stage design meant to look like shards of glass made you feel like mirrors surrounding you. You could get lost here for hours dancing to the tunes of Boyz Noise and Deborah De Luca.
Photo Cred: Izzy Hassan
Continuing into the festival grounds, you would come upon the high-powered, high-energy vibes of the Cheshire Woods. This stage felt like you were in a Roman theater while the BPMs were cranked to the max by hardstyle legends like Darren Styles and Da Tweekaz.
Following the path would lead you to the main stage, the Queen’s Domain. Queen’s Domain was graced by some of the biggest names in EDM; Seven Lions, Illenium, Exicision, and Levity. The lasers were pushed to the absolute limit this year, blowing your mind every time they went off.
The final stage was Mad Hatter’s Castle, home to the bassheads for the weekend. Located on the race track and equipped with pyrotechnics, you could feel the heat as soon as you felt the bass. Legends like Zeds Dead, Wooli, and Kai Wachi came to play, leaving the crowd needing a neck brace.
Hidden Treasures
In addition to the amazing stages and music, Beyond Wonderland had so much more to offer, if you know where to look. In the VIP section at Queen’s Domain, there was a kandi trading outpost where you could trade kandi and trinkets. On each side of the festival, there were Ooka Hookah setups. Near Mad Hatter’s Castle there was a chill area where you could sit, listen to relaxing music, play poker with kandi, or have a “tea party.”
My favorite hidden treasure was the Mad Tea Party area. Hidden between the Looking Glass stage and the rest of the festival grounds, this area featured a huge tea party with interactive characters. The Beatbox artcar was here as well as a massive flower, a bar, food, and a photo op with a giant throne. If you missed this hidden spot, you should find it next year.
Photo Credit: Keiki-Lani Knudsen
If you missed this year’s Beyond Wonderland or are already getting ready for 2026, tickets are now on sale. I look forward to going down the rabbit hole with you once again in 2026!
Legendary DJ and producer duo Zeds Dead have unveiled the highly anticipated conceptual film for their sophomore album, Return to the Spectrum of Intergalactic Happiness. This visual companion, directed by Callum Gilles and Zeds Dead, expands the album’s sonic world. Together they weave a mesmerizing audiovisual journey through space, time, and sound.
The album concept is a unique blend of nostalgia and innovation—the idea of a television picking up different radio and TV stations from the past century. It draws deep inspiration from Zeds Dead’s live show experience over the past few years. Sampling has always been a vital part of their creative process, stemming from their hip-hop roots. Return to the Spectrum of Intergalactic Happiness embraces this tradition, blending snippets of old records and films nostalgically and innovatively.
The film showcases a surreal and hypnotic visual style. It takes viewers on a kaleidoscopic journey where sound, light, and radio waves merge into a limitless, ever-changing narrative. This narrative transcends a simple story; it offers an immersive experience that captivates and engages the audience. Whether sonic or visual, transmissions never truly vanish; instead, they drift endlessly through the cosmos, waiting to be rediscovered.
“In making Return to the Spectrum of Intergalactic Happiness, we connected with the spirit of what Zeds Dead is. We threw whatever crossed our minds at the wall and observed what stuck. One of our biggest inspirations for this album was the idea of not letting anything matter in our creative process except our own taste. It is very much art for art’s sake, and we both fully stand behind the product.” Zeds Dead
Return to the Spectrum of Intergalactic Happiness is about reclaiming the purity of artistic play, following instincts without hesitation, and rediscovering the joy of creation. Experience intergalactic happiness with Zeds Dead with upcoming performances at Ultra Music Festival, Beyond Wonderland, and The Concourse Project. They will also be returning for two days of Dead Rocks XI in July at Red Rocks Amphitheatre!
ALLEYCVT continues to carve out her place in the heavy dubstep scene with her latest track, “Strangers,”—a powerful blend of raw, emotive pop vocals and explosive drops. Seamlessly blending melodic dubstep, modern pop-dubstep, and the grit of rock music, the track delivers an immersive experience that’s equal parts hypnotic and heavy.
In “Strangers,” ALLEYCVT explores themes of discovery and connection, capturing the nature of relationships. The track guides listeners through a cycle of attachment and release, showcasing her blend of vulnerability and dancefloor-ready bass. Visually, her aesthetic draws inspiration from cyberpunk and deadhead influences, adding a trippy, psychedelic dimension to the artistic expression.
“The song “STRANGERS” is up for interpretation, and that’s what I love about songwriting. It could be about not recognizing yourself anymore for whatever reason, and reflecting on that. It also could be about another person that you once knew, that now feels like a stranger. A breakup, addiction, giving too much of yourself to somebody or something… The limits are endless and I want everyone to interpret the song in a way that speaks to them!” – ALLEYCVT
Photo Credit: MP3 PR
While undeniably a powerhouse force in the dubstep scene, ALLEYCVT is also a fierce advocate for the environment, donating a portion of her ticket sales to impactful charities. Her mission extends beyond music, using her platform to create positive change while shaking up dance floors across the globe. Fans can catch ALLEYCVT at events like Beyond Wonderland, Ultra Music Festival, Red Rocks Amphitheatre, The Brooklyn Mirage, Elements Festival, and Dancefestopia. Don’t be a “Stranger”—follow her at the links below!
With one week to go until Beyond Wonderland SoCal, it can be hard to find new artists to see with so many choices from a stacked lineup. So Moon Lvnding is here to help with five new and emerging artists to check out next weekend.
Kicking off the list is Supergloss. Born and raised in Germany, she brings nostalgic synths and modern club energy to the stage. Her first gig was in 2021 and since then, she has brought a new face to the techno scene. She dropped her new EP Space Office in January. Be sure to catch her set on Saturday at 5 pm at The Looking Glass stage and be ready for infectious grooves that make you feel like you’re dancing in a neon-lit dream.
Next up playing in his hometown is JIA. He has been a driving force in the Los Angeles underground scene, founding the RE/FORM Festival in LA and the 6AM group. He blends high-energy techno and hypnotic house that gets your body moving. Do not miss his set on Saturday at 4 pm at The Looking Glass Stage.
Known for his explosive bass drops and dynamic sound design, Basstripper is coming to Beyond with a set for the bassheads. He fuses dubstep, trap, and drum & bass into high-octane sets to keep the crowds moving. His new singles “Cascade” and “Move” both dropped on March 14. Basstripper is scheduled to bless the Mad Hatter’s Castle on Friday at 6 pm, so get ready to go hard.
Another LA native making the quick drive to the NOS Center goes by the name Vangar. She is recognized as one of trance music’s youngest rising stars known for her relentless bass lines and pulsating 140 BPM rhythms. Blending her extensive training in classical music with modern trance BPMs, she brings impeccable vibes to the stage. Make sure you get there early on Saturday to catch Vangar at 4 pm on the Cheshire Woods stage.
Hawaiian-born Honü is the final artist we want to highlight. He has releases on Dim Mak, Drama Club Recordings, and more. His name means sea turtle in Hawaiian and he’s known for his euphoric melodies with deep, rolling basslines. Get ready to start your Saturday with a melodic bass vibe at 4 pm on the Sea of Wonder stage.
Tickets are still available! The gates open next Friday, March 28 at 5 pm so remember to get to the festival early, drink plenty of water, eat some tasty food, and most of all, have fun! Experience all that Beyond Wonderland has to offer by exploring the full festival grounds. Check out some new amazing artists and enjoy a safe trip going down the rabbit hole. Keep up to date with all the latest news and announcements from Beyond Wonderland and Insomniac using the handy links below.
As 2024 comes to a close, the Moon Lvnding Fvm is reflecting on all the unforgettable sets that defined our year. From major festivals to hometown shows, we’ve danced, headbanged, and grooved our way across every corner of the US. Here’s a look at some of our staff’s favorite sets, festivals, and b2b performances from the past year.
What was your favorite set? Where was it and why was it your favorite?
Jessica Duncan – Assignment Director “Odezsa at Fulsom Field in Boulder, CO. This was the first time I was able to catch an Odezsa set since 2015 when they first began to blow up. The production was amazing, from fireworks to the full drum line and all the vocalists featured on their tracks. The set list covered every song I wanted to hear. The rain couldn’t stop us!”
Sam Wolloch – Chief Editor “Wooli at Electric Forest. I really enjoyed it because I was with my closest rave family on the grass field of Tripolee and Wooli played a ton of amazing new IDs. He was pumped up the entire set, and you could tell how much of his energy and passion went into its production.”
Troy Andrea – Staff Writer “Levity at Sunbar! Those boys bring such awesome energy to the stage. Their rapid blow-up this past year really just shows how success can find anyone. From having a USB at EForest to almost headlining festivals, they deserve all the hype, and their shows prove it.”
Grant Soffer – Staff Writer | Event Staff “Like many people are probably going to say, Tiesto at Groove Cruise was my favorite set of 2024. He played the headlining spot on the beach in the Bahamas and delivered the best hour of music I have ever experienced in my life. All of his song choices and transitions were immaculate, and the backdrop of the beautiful ocean and cruise ship made the setting even more beautiful. Being surrounded by 20 close friends, all smiling ear to ear and dancing our hearts out, made it even more special. That will be a set I will remember for the rest of my life.”
Kiana Kraft – Staff Writer “Kygo‘s headlining set at his own Palm Tree Festival in Oahu. Kygo is, and has been for a long time, my favorite artist. To finally get a chance to go to his festival in the perfect tropical place (he is the tropical house king) was so magical.”
Shae McCormick – Social Media Coordinator “Subtronics at Lost Lands. This was the final boss of Subtronics sets (so far). Old music, new music, all at Wompy Woods for sunset. He had the Cyclops Army going absolutely feral.”
Kate Nelson – Public Relations Director “Andrew Bayer at Sunbar in Arizona. He was touring his new EP, which has my all-time favorite song, ‘Places I Belong.’ It was a super high-energy set that flowed effortlessly between trance subgenres. I have a ‘Places I Belong’ tattoo, and I got to meet him and show it to him right before he went on!”
What was your favorite festival you attended?
Jessica – “I didn’t go to too many festivals this year; the only EDM festival I attended was Global Dance. For my full thoughts on it, check out my review from earlier this year.”
Sam – “Despite (or maybe because of) all of the weather difficulties, Elements 2024 was my favorite festival of the five fests I attended this year (Glow, Electric Forest, Secret Dreams, Elements, Lost Lands). The lineup was tremendous from Thursday to Sunday, and the vibes at the Friday renegades for those who weathered the storm were off the charts. The new layout at the Water Stage was outstanding, and I always love festivals that allow LSDream to have his Lightcode session on Sunday morning.”
Troy – “Lost Landswas awesome this year. The new Crater stage was so cool. I love how they bring the 360-experience to a new scale!”
Grant – “North Coast Music Festival in Chicago was and probably always will be my favorite festival. The layout of the venue is so well thought out, and there are endless activities and hidden adventures throughout the festival. Couple that with the amazing talent they always book on the lineup, and this becomes the perfect festival. All other festivals should be taking notes and copying their playbook.”
Kiana – “Coachella is my favorite festival and probably will be for a long time. I look forward to it every year. There’s nothing I look forward to more than dancing on the polo fields in the desert with the best music and the best people and planning fun outfits, of course.”
Shae – “Elements, Poconos PA. While the weather was a crazy experience, our group, Camp Happy Feet, came prepared for the unexpected and braved the storm with minimal damage. We made it out to the renegades night one to make up for the missed Friday of the fest, and they did not disappoint. Seeing Tape B three times in one night was a highlight; his b2b with Disco Lines, classic Car Tunes-Essie festival set at Club Renegade, and a special downtempo afters at Corporate Wooks. I also loved the art cars they had at the fest, like Harvey Disco Kitty at Fire Stage.”
Kate – “Dreamstate! The vibes are always incredible, and it has the friendliest crowd.”
What was your favorite b2b set you saw?
Jessica – “Worship (Sub Focus, Dimension, Culture Shock, 1991) at Mission Ballroom. This night was the epitome of drum and bass. I went with one of my good friends, and we absolutely lost our minds the entire time.”
Sam – “My favorite b2b of the year had to be the world debut of the 4+ hour extended club set by Waxtroda(Wax Motif b2b Matroda) at the world-famous Brooklyn Mirage. They kept the vibes high for the entire set, and the whole crowd was grooving to their sexy house beats.”
Troy – “Heritage b2b Drinkurwater at Bass Canyon! Their sound designs just complement each other so well, and it was such a fun set to be a part of.”
Grant – “My favorite b2b from this year was probably Subtronics and Level Up at Beyond Wonderland in California. Zeds Dead had a last-minute cancelation, so the couple stepped up to fill the spot. It was a much smaller crowd than a normal Subtronics set, but that didn’t stop him from giving one of the best performances I have ever seen. It was a great way to close out night two of Beyond Wonderland.”
Kiana – “IsoKnock (ISOxo b2b Knock2) at Coachella Sahara tent. These two were the most incredibly perfect duo to go b2b at Sahara, and the energy was insane for the entire set. Safe to say people were dancing and partying at that set.”
Shae – “Excision b2b Wooli, Lost Lands Prehistoric Stage. They served dubstep at Dubstep Disneyland, and I successfully coordinated the rave fam meet-up with friends from all over the country. We had everyone in the right place at the right time, and the drone show was so cool! They even did Becky’s (one of the dinosaurs) butthole in drones! Shoutout to Crater Stage though: the star of Lost Lands this year.”
Stay tuned to Moon Lvnding for more content as we close out the year. For those located in Arizona, Decadence 2024 is just around the corner, and it’s sure to bring some unforgettable sets. We’re hyped to be there and can’t wait to see what 2025 has in store for dance music!
