Zingara recently dropped For The Crystal Children EP as a follow-up to her debut album The Code of Dreamz. Known for her signature blend of bass-heavy beats and dream-inspired soundscapes, Zingara’s latest project delves into themes of self-discovery, manifestation, and spiritual healing, capturing her vision of music as a transformative experience.
“When it was time to start brainstorming new ideas, this concept popped into my head,” said Zingara. “The Crystal Children are souls that volunteer to come to Earth to help the collective learn to love and heal.”
This four-track EP draws inspiration from Zingara’s childhood dreams and journey of manifestation and self-discovery. The opening track, “For the Crystal Children,” begins with ethereal themes, as the lyrics describe Crystal Children as enlightened beings on a mission to heal the Earth. As the vocals fade, a deep bassline joins the melody, setting the tone for the rest of the project.
The second track, “Move With the Sound,” features trumpeter Maurice Brown and explores darker themes with a powerful bassline, creating a tribal vibe. The third track, “Shape Shift,” showcases Zingara’s versatility, beginning as a bass house track before transforming into a deeper, wonkier bass sound. Her vocals describe someone being given a drink that causes them to shape shift, evoking euphoria and loosened inhibitions.
The final track, “Rhythm of Life,” features producer Steller and Maurice Brown, offering an otherworldly melody fused with Brown’s jazzy trumpet and the lyrics “Dance to the Rhythm of Life.” This song rounds out the album’s theme of living in the moment and celebrating life in a vibrant, uplifting close.
“The Crystal Children is a concept and belief that our souls have lived many past lives and are currently incarnated onto Earth to gain knowledge, life experiences and act out of love in the present moment,” said Zingara. “The music I created is here to suggest to you to enjoy every emotion that comes with life because you have a long unique journey ahead and only you are in charge of giving yourself permission to let loose, live in the moment, and feel the music that is here to help you do so. It is a reminder to myself and my listeners to allow yourself to be free. Nothing is your fault but everything is your creation so let’s have some fun and celebrate the time we get to share together.”
With the release of her new EP, Zingara has kicked off a North American fall tour running through December 14, with stops in cities she’s never played before. This tour promises captivating, immersive performances with fresh visuals, new music, and a stellar lineup of support artists including Gardella, Sippy, Steller, and Super Future. Check out her links below to stay updated with any new tour announcements and music releases.
After unveiling Hulaween’s 2024 “Weir’d Science” theme, it was clear this year’s festival would be out of this world. With performances from electronic music favorites like Bou, Chase and Status, Zingara, Of The Trees, AK Renny, and Phyphr, alongside classic Hulaween acts like Sublime, The String Cheese Incident, and The Bobby Weir Incident, this year’s festival was truly one for the books. Aside from the electrifying music performances, Hulaween is filled with mesmerizing art installations, enlightening workshops, and countless opportunities for attendees to embark on the ultimate side quest.
OFF LIMITS Stage // Photo Courtesy of Tara Gracer
Spirit Lake Wonders and Workshops
Walking into Spirit Lake on the first day is a magical experience, with the entire area brimming with art, music, and nature. It’s one of the best—and most shaded—spots at the festival, perfect for enjoying the incredible workshops and art installations scattered throughout or simply relaxing by the lake. For those seeking a fulfilling morning before going into full wook mode, The Oasis and The Deliberate Creation Station offered vibrant workshops throughout the festival.
Friday Workshops
Friday morning kicked off with Liquid Space Disco Yoga at the Oasis, led by Alic Higgins and Damen Sarceno, where attendees could start their day with a relaxing yoga session to stretch and prepare for the weekend, followed by funky beats to dance to. Next up was Art for Your Heart, an emotional painting workshop led by Calypso at The Deliberate Creation Station. This session began with guided meditation to help attendees enter a safe space and reflect inward. Participants were then provided with painting supplies and encouraged to express what they felt in their hearts on a piece of wood, creating a hanging ornament to take home.
The day continued at The Deliberate Creation Station with Crystal Jewelry Wrapping for Beginners, led by Sara Carreau of Soul Sunshine Goods. A talented artist and holistic healer, Sara creates her own crystal-wrapped jewelry and other forms of art. She provided each participant with a crystal and demonstrated how to effectively wrap it into a beautiful piece of jewelry. Following this creative session, Slinky Josh led an exciting Slinky Manipulation 101 workshop at the Oasis, where participants each received a slinky and learned crowd-pleasing tricks. To close out the day before the evening’s music, Sara and Skye guided attendees through an enlightening Chakra Yoga and Reiki Circle, helping set positive intentions for the weekend.
Photo Courtesy of Sara Carreau
Saturday Workshops
Saturday morning began with a peaceful Psychedelic Sound Bath led by Mady Jane, offering a soothing start to ease the chaos from the night before. This was followed by a Good Morning Stretch into Nidra Nirvana with Barbara Alfonzo, both experiences designed to clear out any lingering negativity and foster a sense of belonging and relaxation among festival-goers. To spark creativity, The Deliberate Creation Station hosted a black-and-white forest painting class led by Ania Amador. Set in the heart of Spirit Lake, the natural landscape provided the perfect inspiration and backdrop for the workshop.
To round out the day, attendees joined the Women in Production Panel with Art in Session, where industry professionals shared insights and tips on navigating creative careers. These inspiring women discussed their journeys, sharing both the challenges and triumphs of pursuing their passions, and offered advice on finding success and fulfillment in creative work.
Spirit Lake Show // Photo Courtesy of Steph Port
Sunday Workshops
The final day of Hulaween was as thrilling as the first. The day began with an opening Cacao Circle and Higher Self Activation led by Ursa Collective. This activation included a guided meditation to help participants achieve clarity, followed by a cacao ceremony honoring the environment and the world around us. Participants savored their cacao while setting intentions for the final festival day ahead.
This was followed by Yoga: Everything All at Once with Kendall Barker, an energizing yoga session that stretched every part of the body—much needed after a long weekend of walking and dancing. Participants left feeling rejuvenated and ready for the day. Immediately afterward, Spirit Lake’s creative director Justin Bolognino led a session at The Deliberate Creation Station, sharing insights into the planning and implementation of Spirit Lake’s elaborate art installations. He discussed what he looks for in artists, the creative vision, and the late-night projection shows that have become Spirit Lake’s signature.
Photo Courtesy of Josh Skolnik
Later, Sara Carreau returned with Soul Painting DIY, a workshop that guided participants through a meditation connecting them to their inner selves. Using colors and words, they painted pieces that represented who they are and who they aspire to be. To conclude the weekend’s festivities, Art in Session hosted a closing Cacao Ceremony at The Deliberate Creation Station. This reflective session allowed participants to look back on their experiences and the connections they made throughout the festival. With a final cup of cacao, attendees left Spirit Lake feeling fulfilled and proud of their time spent at Hulaween.
Artistic Wonder
Aside from the incredible workshops and activations, Spirit Lake offered even more to explore. One of the most captivating attractions was a live painting mural maze, located in the heart of Spirit Lake between the Oasis and the Deliberate Creation Station. Throughout the weekend, various artists painted murals in real-time, allowing attendees to witness the creative process up close. Many of these artists also showcased other creative pieces for sale in an artist collective near the Oasis stage, displaying a wide range of unique artwork.
Photo Courtesy of Steph Port
This area of the venue also featured three main stages: House of Lost, OFF LIMITS, and Spirit Lake. While all were visually stunning, those who caught a set at the House of Lost experienced not only incredible music but also a meticulously designed art installation that left attendees in awe. The stage area included cozy church-style seating and breathtaking stage design, with both indoor and outdoor areas furnished with couches and tables—perfect for relaxing or capturing the ultimate festival photo. Toward the back of the seating area stood a small wooden shack where attendees could overlook the stage. At its entrance, Poet Juan Lli offered emotional, heartfelt poems on any topic or for any person attendees wished, adding a unique touch to the experience.
Check out some of the amazing artists and creators who contributed to this year’s workshops below!
The Hulaween team outdid themselves in 2024, conjuring a layout that perfectly married the familiar with the fantastically new. Outside of Spirit Lake, the festival’s larger stages—including the Meadows, Hallows, and Amphitheatre—were laid out in their usual prime locations. These all brought incredible sound and performances but Spirit Lake stole the show, revamped with an imaginative reconfiguration of over 40 mesmerizing art installations and interactive spaces. There, the eerie yet entrancing House of Lost transformed into a soulful live performance venue at dusk, while the Oasis doubled as a comfy late-night house music lounge. The Incendia stage was not its former self as it was downsized to a performance stage for fire dancing. This is because Incendia teamed up with Atlanta’s women-led collective DEF (Define Everything Future) to introduce OFF LIMITS—a 360-degree stage experience powered by extensive pyrotechnics, making a fiery impact that took the place of the previous Campground Stage. This electrifying addition was a central highlight, merging sound and spectacle in a truly unforgettable way.
Meadow Stage // Photo Courtesy of Aaron Bradley
Meadows & Hallows Stages
The Meadow and Hallows stages anchored the weekend’s jam-band and rock lineup, featuring legendary acts like Sublime, The Bobby Weir Incident, and The String Cheese Incident. Unfortunately, Tash Sultana, one of the most anticipated performers, had to cancel due to health issues but recently posted an update on Instagram, “I’ve been a bit quiet on here lately intentionally. I’ve been navigating a little bit of health stuff and realigning my priorities as a human being and as an artist. I’m getting fit, I dyed my hair, I’ve spent time with my favorite people and I just am not allowing the time to feel like shit.” Fans of bass were well rewarded on the Hallows stage the first two days, with exhilarating sets from Levity, Of The Trees, CloZee, and Tipper, who delivered one of his final festival performances—a bittersweet but powerful send-off for fans of his transcendent soundscapes.
Amphitheatre Stage // Photo Courtesy of Tara Gracer
Amphitheatre Stage
Set cozily among the trees, the Amphitheatre stage provided an intimate yet expansive space that bridged Spirit Lake’s mystical energy with the larger open-air zones. With its bowl shape, this stage offered fantastic views from almost every angle—though this year, the slight left turn of the setup meant a side view for much of the right section of the crowd. Any minor inconvenience was quickly forgotten, thanks to stunning sets by the highly anticipated Chase & Status, who unleashed relentless energy, Liquid Stranger’s sonic odyssey, and Maddy O’Neal’s funky bass grooves. Phyphr brought his blend of electro-soul and live guitar, while The Sponges soaked the early birds in their signature disco-infused beats, turning the Amphitheatre into an all-out dance party.
Spirit Lake Stage // Photo Courtesy of Tara Gracer
Spirit Lake Stage
At the heart of Spirit Lake, the projection-mapped Spirit Lake stage delivered an eclectic mix of genres and visual artistry. Performances by LP Giobbi, Walker & Royce, and Kyle Walker pumped energy into the crowd with groovy, house-driven beats, while Township Rebellion, &Friends, and Cassian explored deeper, melodic soundscapes. Kyle Walker’s driving tech house basslines and G Jones’ trappy experimental sunset were major highlights, pulling crowds into a kaleidoscopic experience that was both visual and auditory bliss.
OFF LIMITS Stage // Photo Courtesy of Tara Gracer
OFF LIMITS Stage
Finally, the DEF OFF LIMITS stage stood as the weekend’s crowning jewel, bringing the most cutting-edge sound and high-energy vibes to Hulaween. Designed as an immersive 360-degree experience with Funktion One sound and Incendia pyro, OFF LIMITS featured some of the weekend’s top moments. Across this stage, house, techno, UKG, and bass came alive, with Azzecca’s dark yet lively house and techno enchanting a massive audience to dance their tails off, and Will Clarke’s gritty, industrial techno driving the crowd into an absolute frenzy. Riordan brought that UK underground energy with his fast-paced basslines, while Taiki Nulight’s trademark blend of bass house and UKG grooves kept the beats pumping relentlessly. Bou hit hard with his heavy drum and bass, while Ayybo infused the stage with funky, bouncy tech-house beats that had the crowd swinging. Know Good’s high-energy bass drops added to the stage’s pulse. Also a hub for the secret sensations, OFF LIMITS hosted surprise performances including Chris Lake, who switched the vibe after his Amphitheatre set and ignited the dance floor with his darker tech house mastery, and a thrilling Levity B2B Eater set that turned up the excitement on night one. With appearances from Ravenscoon and a rare Of The Trees B2B Eazybaked set, OFF LIMITS became an unmissable celebration of genre-crossing talent and high-octane performances.
OFF LIMITS Stage // Photo Courtesy of Tara Gracer
Hulaween 2024 was a masterclass in festival magic, combining world-class music with a truly immersive environment. From the reimagined Spirit Lake art installations to the interactive workshops and multi-purpose spaces like the House of Lost and Oasis, every corner offered something to captivate the senses. The DEF OFF LIMITS stage delivered an unforgettable fusion of high-energy beats, while the projection-mapped Spirit Lake stage and the tree-lined Amphitheatre showcased stellar performances that kept the vibe spooky all weekend. With a crowd that was as vibrant and enthusiastic as the music itself, Hulaween proved once again that it’s more than just a festival—it’s a full-blown, one-of-a-kind experience where art, sound, and community come together in perfect harmony.
Keep up with all things mystical at Hulaween using the links below:
Renowned DJ and Producer Barclay Crenshaw, known for his electrifying and boundary-pushing performances, is back with another track that hits close to home for many. “Goodbye My Friends” features vocals from Crenshaw’s son, Jasper, who wrote the lyrics that inspired this piece. This collaboration is reminiscent of the track “Tiramisu,” a project with his daughter Ella. It highlights Crenshaw’s vision of blending and bending genres to keep his music unique.
Jasper has recently embarked on a new journey at the University of Southern California in the Pop Vocal Performance undergraduate program. In doing so, he is leaving behind his friends and high school memories. This new track “Goodbye My Friends” embodies his mindset during that time period and acts as a farewell to his high school friends. Crenshaw blends these powerful and emotional lyrics with his production skills, creating another masterful bass track.
Barclay Crenshaw is on a roll right now, with over 60 dates scheduled in 2024. Many of those were major festivals such as LIB, Elements, Apocalypse, Movement, Electric Forest, and Texas Eclipse. Don’t miss the chance to catch all of Barclay Crenshaw’s latest releases and upcoming shows. Use the links below to stay in the loop!
BLAAP, the cutting-edge duo formed by Of The Trees and Freddy Todd, recently dropped a sneak peek of their upcoming album with the new track “BLAOWP.” This release undoubtedly sets the tone for their highly anticipated November album, showcasing a refined blend of each artist’s intricate talents.
“BLAOWP” masterfully blends Of The Trees’ bass-driven textures with Freddy Todd’s signature interstellar funk. Opening with cosmic synths and intricate percussion, the track pulls listeners into an otherworld before dropping into powerful, high-energy basslines. Layered with glitchy, psychedelic effects and melodic undertones, it offers a taste of BLAAP’s innovative sound.
“The song BLAOWP is an onomatopoeia and kind of the epitome of what the band BLAAP means. It’s an explosion in space time, an event, and one of our anthems,” said Freddy Todd. “Contrary to most of the other tracks we’ve worked on, where we’re usually in the studio together and using Tyler’s computer with Ableton as the main workstation, BLAOWP saw life beginning on my (Freddy’s) PC on FL Studio in Michigan – consisting of that first massive drop and hectic vocal “scratching.” I sent it to Tyler as a potential BLAAP tune idea with him responding “yes. YES. I would love to work on this” and me replying “Swag. Fantastic. Stems incoming”. After some tinkering and a trip back out to Colorado, we fleshed out the second drop in person but with OTT at the helm – as Tyler was dialing in his signature pockets I paced back and forth knowing BLAOWP was going to be volcanic af. Both drops go so crazy and each one is representative of our differences in being two separate humans with individual styles yet come together in a nice cohesively unique package of a song in a new blaapedelic way. It’s been so fun to play live and I’m stoked to finally release this one proper.”
Denver-based producer Of The Trees crafts rich soundscapes, blending dubstep and hip-hop, with an emphasis on 808 percussion. At the same time, Detroit’s Freddy Todd brings his signature glitch-infused, high-energy performances to the electronic scene. Together, they form BLAAP and release through Memory Palace, Of The Trees’ label. Memory Palace is known for its dedication to innovative, boundary-pushing music across bass and electronic music.
Last weekend, the largest Halloween festival in the world took place at the NOS Center in San Bernardino, California. With a brand new layout, a new stage, and an epic lineup, this year’s Escape Halloween did not disappoint.
Insomniac Event’s production, environment, and lineup for Escape Halloween never disappoint. The new layout included a larger Crazy Town between The Grimm, Feeding Grounds, and Wicked Woods. This helped clear up a lot of the congestion issues from past festivals. Crazy Town also featured The Butcher, which was a haunted house that included dead bodies hanging in body bags, people dressed as zombies, and the DJ stage.
It also had Poison Ivy, which was a 3D spray-painted house fitted with a DJ and a mad scientist who created test tube shots. The centerpiece of Crazy Town was the iconic flaming cathedral with the ringmaster and various carnival shows on stage. In front of Crazy Town was the new CASA BACARDI stage, which had artists like Omnon and Joshwa playing throughout the weekend.
The Psycho Circus remained in its normal position by the front of the venue. It included a poker table where people bet with kandi, performing acrobats, palm readers, and stage magicians throughout the night. Voodoo Ville was a new area added to this year’s Escape, located outside Feeding Grounds and Wicked Woods. Voodoo Ville had one of the coolest layouts of the weekend.
Photo Credit: Jake West for Insomniac Events
When you walked in there was a giant Day of the Dead skull hanging from the ceiling with a jungle theme. There was a section with a broken shed that had a dancer and someone playing a piano which was perfect for taking those perfect pictures. The DJ platform at the front of the stage pumped music and also had a bar. If you did not get a chance to at least walk through this stage, definitely check it out next year.
The festival had five main stages: The Grimm, Sewer District, Feeding Grounds, The Cauldron, and Wicked Woods. I also need to shout out the Beatbox Art Car, located outside Sewer District. Throughout the weekend, the Beatbox Art Car was going off. No matter who was playing at the main stages, the Beatbox Art Car had a packed crowd of people playing heavy bass all weekend. I found myself there headbanging, the vibes were electric.
The Grimm was larger, with the signature Grim Reaper behind the artists moving throughout the night. The lasers were mesmerizing and gave the stacked lineup the production it deserved. The Grimm hosted names across genres like Illenium, Deadmau5, Maddix, and Snakehips, giving everyone a chance to enjoy the main stage.
Sewer District was located in the speedway and housed the bassheads for the weekend. Sewer District felt like Wastelands as it was surrounded by panels and shipping containers. The pyrotechnics and fireworks here did not disappoint. Sewer District was blessed by Wooli, Level Up, Ludacris, and Adventure Club across the weekend.
Feeding Grounds was the first stage upon entering the festival, showcasing its classic spiderweb theme. Day 1 was hosted by Basscon and had artists like Da Tweekaz and Lady Faith. Day 2 was hosted by Night Trip x Insomniac Records with names like Odd Mob and Cloonee.
Photo Credit: Jake West for Insomniac Events
Wicked Woods was expanded this year, and rightfully so with names like Fatboy Slim, Pawsa, Nina Kraviz and Patrick Mason playing throughout the weekend. This dark stage was surrounded by shipping containers and was perfect for techno fans to dance all weekend.
The newest stage, The Cauldron, was hosted by Boiler Room and definitely brought the vibes. Attendees behind the DJ booth were going crazy and the crowd was going even crazier. Names like Justin Jay and Lil Texas brought the house down on the first year of Boiler Room x Escape Halloween.
Escape Halloween is a festival that all ravers look forward to every year. 2024 brought a new layout and new stages, including a Boiler Room stage and a massive lineup that exceeded expectations. From Crazy Town to the OMG production at every stage, it had all of us counting down to 2025. If you’re like me and you’re all ready to run it back, presale tickets are already available. Hopefully, we will see you next year on October 31 and November 1 for Escape Halloween 2025.
While everyone looks forward to spooky season and Halloweekend, I’m still thinking about the world club premier of Waxtroda. The collaborative project from Wax Motif and Matroda debuted at EDC Orlando last year. Then a few weeks ago on October 11, they sold out one of America’s landmark nightclub venues, The Brooklyn Mirage, with a first-ever extended 4+ hour club set.
The set captivated the crowd and kept us moving all night long. In fact, they blew past the four-hour mark and kept the club open past the 4am curfew because the crowd couldn’t get enough. The two house producers teased a ton of new IDs and the cream of the crop will likely feature on their forthcoming Waxtroda EP. Although they officially started their Waxtroda project last year, Wax Motif and Matroda have previously released two collaborative songs.
In 2019, they dropped their first collab, “Lose Control,” on Wax’s Divided Souls label. Then in 2022, they renewed their partnership to release “La Candela Viva” on HARD Recs. Lucky for us, from what I heard at the show, they have a handful of heaters getting their finishing touches before they go on the new EP. Now, the only question is how long we will have to wait until they start releasing songs under the new Waxtroda project. Hopefully, they don’t make us wait too much longer before they drop some new tunes.
For those looking for the next chance to dance to the sexy beats of Waxtroda, they are scheduled for another festival set at the upcoming Seismic Dance Event in Austin, TX on the weekend of November 15 – 17. To keep up with all the latest news and announcements about the Waxtroda project, be sure to follow their new IG account and check in on their individual social media channels too.
Back with another club destroyer, Juush dropped “Feelin’ Naughty” today. The vocal, “I’m feelin’ naughty, put your body on my body, and let’s dance,” immediately sets the tone of the track. It’s another single off Juush’s label Vibes On 10. Check it out below.
This latest track fully displays Juush’s playful style and heavy basslines. It is undeniably catchy and set to tear up any dancefloor. Stay updated with everything related to Juush through his social media and the links below.
Qlank is back and just as hot as ever with a new EP on In Rotation. ‘Therapy’ takes you to the darkest corners of the club and gets you grooving with some of the nastiest sounds in bass house. The EP features four tracks, including the title track released a month prior. Each song off the EP is primed to tear up any club willing and ready.
Qlank continues to blaze a path in the bass house scene like no other before him. Follow the socials below to stay updated on any future releases and show dates!
Blanke took over the valley of the sun this past Saturday during his Earth To The Stars: Emergence Tour playing two sets including one as his ÆON:MODE project earlier in the night. To open the show, CHASIN‘ threw some nasty drops that proved he is an up-and-coming force to be reckoned with. The energy of the crowd was infectious; it only got more hype (and hot) as the night went on and not one person let up on the gas.
The soaring Drum & Bass project ÆON:MODE followed CHASIN’ for a captivating 45-minute set. While I do love a good heavy bass drop, I couldn’t help but want an encore for more DnB! Blanke brings such genuine energy to his music and performance and it shows through his fans’ love and excitement. The visuals and remixes captured my attention and I came to understand why so many fans arrive early to catch this set!
One of my favorite aspects of this show was the visuals—everyone absolutely showed up in that department. Following the Drum & Bass craziness, EDDIE set the final tone for the night, not leaving any room for downtime. Playing a personal favorite with Quackson, “Caffeine Induced Psychosis,” he also teased a new upcoming single with the OG, Zomboy.
The man of the hour, Blanke closed the night out and showed why he is one of the top names in music. With his diverse setlist, gnarly remixes, and mesmerizing visuals, I can easily say he is one of the top artists I have seen thus far. You can tell that Blanke puts his whole heart and soul into his performance by the infectious energy he brings. Catch a glimpse below:
It’s been nearly a month since Brownies & Lemonade brought the heat to Brooklyn, but I still can’t get that epic show off my mind. The Southern California event brand started the fall EDM season by taking over one of New York City’s most unique new venues, Under the K Bridge Park. Located directly underneath the Kosciuszko Bridge, Brownies & Lemonade converted the covered outdoor space into the place to be on Friday, September 27.
Of course, setting up the space for an event is only part of the challenge; the other is enlisting a strong lineup. B&L held nothing back when curating the diverse bass lineup for this event, including an epic b2b set featuring special guests Camo & Krooked, Mefjus, and Daxta MC. During the daylight hours, Jawns, Frosttop, and Wavedash got the party started. Then to close the night out after the b2b, Madeon played a deliciously bass-heavy set followed by a special set from the birthday girl, Alison Wonderland.
Alison Wonderland performing on her birthday // Photo Credit: @samwolloch
One of the more memorable moments of the night happened as Alison Wonderland started her set. Her tour manager punked her by cutting the volume to her mixer while the LED screen behind her said that the audio was cut so the crowd could sing her “Happy Birthday.” After a confused few seconds, Alison caught on to the prank, turned to see the message behind her, and then got serenaded by the raucous Brooklyn crowd.
As a native New Yorker, I love to see artists embrace our culture in their sets and Alison Wonderland went there. She came out in a Rocawear S. Carter jersey to pay homage to Jay-Z and made sure to drop her Notorious B.IG. remix in her set, showing love to Brooklyn’s two most famous hip-hop artists. Even B&L got in the spirit of the big city by adopting its sustainability efforts to eliminate single-use plastics from events. Instead of vendors serving drinks in disposable cups, they used reusable cups and had cup collection bins scattered around the park. B&L even invited some local NYC food trucks to pull up and offer tasty treats for hungry patrons.
Photo Credit: @samwolloch
All things considered, Brownies & Lemonade curated an outstanding event here in Brooklyn and we’re already looking forward to their return to NYC. B&L showcased a diverse range of international bass artists and the crowd enjoyed the show by moving and dancing all night. While they might be a California-based event brand, Moon Lvnding would sure love to see Brownies and Lemonade come back to New York as soon as they can. To keep up with all the latest show announcements and event lineups, one can find them using the social links below.
