EDC Orlando 2024: The Summit Of Electronic Music

Electric Daisy Carnival (EDC) Orlando once again transformed Tinker Field into a neon wonderland of music, art, and energy from November 8 to November 10, 2024. Thousands of attendees flocked to this three-day celebration, featuring a star-studded lineup that only EDC can pull off with electronic titans like TiestoIllenium, and John Summit alongside fan favorites such as Zeds DeadCarl Cox, and Amelie Lens. With five massive stages, art installations, carnival rides, and immersive VIP experiences, EDC Orlando 2024 proved to be a dazzling showcase of electronic music’s finest.

Photo by Alex Perez

Festival Grounds Fit for a Fantasy

The festival grounds were nothing short of enchanting, with classic EDC neon carnival rides and installations teleporting attendees to a futuristic world. Moving through the space was effortless, thanks to a well-planned layout with multiple pathways between stages that mitigated most congestion aside from peak sets. The layout split the main stages into pairs, making it a breeze to bounce between performances at kineticFIELD and neonGARDEN or circuitGROUNDS and stereoBLOOM. Dividing these pairs were installations like Polygon Park and the smaller casaBACARDI stage. Each stage had a unique design tailored to its musical vibe: kineticFIELD’s gothic grandeur captivated with towering columns and enormous LED displays reminiscent of cathedral windows, while the more intimate neonGarden created a dark and atmospheric techno haven. The use of shipping containers to mitigate sound bleed between stages proved very successful as this was never a problem. Essentials like water stations and restrooms were plentiful and well-placed, and VIP areas at kineticFIELD and circuitGROUNDS provided elevated viewing platforms, shorter lines, and even interactive activities like kandi making and trinket trading, adding to the festival’s charm.

neonGARDEN // Photo by Adi Adinayev

Friday: A Dynamic Start

The festival kicked off with high-energy performances like YDG and Jon Casey, setting the tone for the weekend. Much of our day was spent bouncing between circuitGROUNDS and stereoBLOOM where we caught a great variety of standout performances. Max Styler‘s fiery tech house ramped up the energy as the sun went down over stereoBLOOM, building perfectly into Odd Mob‘s unique and dynamic blend of genres that propelled him to fame. Another jaw-dropping performance was when Black Tiger Sex Machine and Kai Wachi brought their high-powered dubstep project Skull Machine to circuitGROUNDS, a surprise that was announced that same morning. The day climaxed with epic closing sets from Australian superstar Fisher leaving kineticFIELD losing it, to Zeds Dead capitulating the heavy-hitting Bassrush takeover at circuitGROUNDS, and a masterclass of deep grooves and hypnotic techno by Carl Cox B2B Vintage Culture ending the Factory 93 Experience takeover at neonGARDEN. We closed our night at stereoBLOOM, hosted by Insomniac Records, where Waxtroda (Wax Motif B2B Matroda) set the dance floor ablaze with an infectious mix of house bangers. After all this, our time at EDC had only just begun.

stereoBLOOM // Photo by Skyler Greene skygreene.com

Saturday: A Spellbinding Midway

The magic continued on Saturday with stellar performances across every stage. This day definitely brought the largest crowd and the most schedule conflicts. It featured highlights like a wildly fun Dillon Francis B2B Disco Lines set on kineticFIELD, the soulful afro energy of Amémé B2B Honeyluv on stereoBLOOM, and a wonk-heavy bass performance by Boogie T on circuitGROUNDS. To close the festival, the iconic Tiesto left kineticFIELD in a state of euphoria, The Martinez Brothers brought neonGarden to a groove the way only they know to do, while the talented Cloone closed stereoBLOOM. We made our way to circuitGROUNDS where Bassrush brought the bass once more, with Ganja White Knight closing the stage in a set filled with intricate visuals and bone-rattling drops.

Photo by Jamal Eid

Sunday: A Magical Finale

Sunday delivered a climactic end to the weekend, with performances that kept the energy soaring until the final beat. We were especially thrilled with the epic Worship (Sub Focus B2B Dimension B2B Culture Shock B2B 1991) set at kineticFIELD which marked the first DnB performance on that stage, an exhilarating Fly With Us (AC Slater B2B Chris Lorenzo) session that led perfectly into Worship, and a rip-roaring performance from SIDEPIECE on circuitGROUNDS that kept fans on their toes. The last day had a variety of top-notch closing acts that made it difficult to choose. The most popular choice, John Summit did not disappoint with his masterclass at circuitGROUNDS, while Amelie Lens brought her dark, pulsing techno to neonGarden, and ATB took stereoBLOOM attendees on a nostalgic trance journey. We decided to close the night at kineticFIELD where Illenium took the crowd on an emotional rollercoaster of melodic bass as the fireworks and drones lit up the night sky.

circuitGROUNDS // Photo by Skyler Greene skygreene.com

A Weekend to Remember

EDC Orlando 2024 was the pinnacle in electronic music festival magic, seamlessly blending stunning visuals, diverse music, and an inclusive, high-energy atmosphere. From the grandeur of kineticFIELD and circuitGROUNDS to the intimate vibes of neonGarden and stereoBLOOM, every moment was crafted to leave a lasting impression. For fans who missed this year’s dazzling display, the promise of EDC Orlando 2025 beckons. Keep an eye on EDC’s official channels below, and get ready to join the celebration next year. Until then, THANK YOU HEADLINERS!

Photo by Skyler Greene skygreene.com

Hocus Pocus Miami Cast A Spell On Us

From October 31 to November 2, 2024, Miami’s Hocus Pocus festival summoned revelers to the enchanted grounds of Factory Town for a Halloween celebration like no other. With a spellbinding lineup of 75+ DJs, including techno sorceress Charlotte De Witte, electrifying genre-blender Odd Mob, and melodic maestros Artbat, this three-night dance marathon bewitched attendees with non-stop beats, eerie attractions, and an atmosphere dripping with supernatural charm. From sunset to sunrise, dance music lovers enjoyed a spooktacular arrangement of the best in music.

The Park Stage

A Bewitching First Impression

The festival’s magic was palpable from the very start. Entry was as smooth as a broomstick ride under the full moon, with both GA and VIP attendees breezing through the gates. Inside, Factory Town was transformed into a haunted playground, with giant multicolored floating eyeballs, skeletal figures, severed mannequins, and more frights casting spooky shadows across the venue. Vendors lined the corridors like merchants at a supernatural bazaar, offering everything from enchanting costumes and crafts to delectable potions (aka food and drinks). The clever layout of the stages allowed for seamless exploration while the warehouse walls and shipping containers created mystical barriers that kept the soundscapes distinct and immersive at each stage.

The Infinity Room Stage

Spellbinding Stages

Each stage had its own personality, enchanting the crowd in its unique way. The Infinity Room, the festival’s main stage, was a witchy masterpiece designed to look like an abandoned mansion, its ghostly grandeur illuminated by mesmerizing lights and lasers. This vast, open-air dance floor became the epicenter of energy as acts like Artbat, Ben Sterling, and the magical duo of Cassian B2B Kevin De Vries conjured unforgettable performances. Meanwhile, the Park Stage exuded dark, thumping energy with its curved screen of filtered live visuals of the performer and a steel and mesh canopy that felt like dancing under a witch’s spell. It was the perfect cauldron for techno wizards like Charlotte De Witte, Eli Brown B2B Lilly Palmer, and Indira Paganotto to unleash their sonic sorcery.

The Espacio Proximo Stage

Intimate Enchantments

The smaller stages, Espacio Proximo and Cypress End, cast their own intimate charms. Espacio Proximo, a glowing pergola tucked beneath a tree canopy, became an oasis of rhythm. With Funktion-One sound and a sprinkling of lasers, it hosted entrancing sets from artists like Francis Mercier B2B NiteFreak, LF System, and Amémé, blending Latin, Afro, and disco magic into the mix. At the edge of the venue, Cypress End lured wanderers in with its triangular LED tube stage nestled amid tropical palms. Underneath the creepy floating chandeliers and twinkling lasers, dancers moved to a mystical blend of minimal, Latin, and tech house grooves from artists like Ky William, Josh Baker, and Wheats.

The Cypress End Stage
VIP Tattoo Parlor

A VIP Experience Fit for a Coven

For those seeking a touch of luxury, the VIP areas conjured up special delights. The VIP lounges were creatively designed with photobooths and unique amenities like a tattoo parlor. Infinity Room VIP offered an obstructed view from behind the performers that hit the cool factor of the backstage feeling but left some VIP patrons longing for more magic. For a more scenic view, VIP pass holders could climb the spiral stairs adjacent to a shipping container bar to find a spacious balcony platform with an overhead, albeit far away view of the stage. The Park VIP area was our favorite with its raised platform located to the side of the stage, providing spellbinding views of the performers, the crowd, and the hypnotic visuals. Adding to the festival’s mystique was the Nightmare-themed Haunted Warehouse, a chilling detour where costumed characters lurked around every corner, daring attendees to confront their darkest fears in an immersive, spine-tingling adventure.

The Park Stage VIP

Perfectly Timed Enchantments

The festival organizers truly worked their magic with the scheduling and spacing of acts. Sets were longer than conventional at 1.5 to 2 hours and staggered, allowing attendees to catch multiple performances without the frantic rush often seen at other events. With only 5 to 10 minutes between stages, it was easy to float from one spellbinding act to the next. This thoughtful planning ensured that crowd energy remained high, with fans fully immersed in the beats and atmosphere all weekend long.

Blackchild B2B Chasewest on the Infinity Room Stage

A Halloween to Remember

Hocus Pocus Miami 2024 wove together a tapestry of unforgettable music, hauntingly beautiful decor, and festive attractions to create a festival experience that was nothing short of a magical marathon. From the ghostly grandeur of the Infinity Room to the eerie delights of the Nightmare Warehouse, this year’s edition solidified its reputation as one of Miami’s most enchanting Halloween traditions.

If you missed this year’s supernatural celebration, don’t fret! Follow Hocus Pocus Miami using the links below to stay under their spell and prepare for another hauntingly good time in 2025. Until then, may the magic of this year’s festival haunt your dreams in the best way possible!

REAPER Slays The DnB Scene In 2024

American drum and bass producer REAPER has had a huge 2024. He started the year with a Zeds Dead collab “Back Bus,” and then in March, a new seven-track album, CHALLENGER, on Bassrush. After a Challenger World Tour and a full slate of festival appearances over the spring and summer, REAPER restarted his Challenger Tour again this fall. REAPER even appeared overseas at the Amsterdam Dance Event to support the 13-track CHALLENGER (Deluxe) album. His most recent release, a remix of NGHTMRE’s “Torture,” dropped on November 7, via Gud Vibrations.

REAPER put all these new DnB tunes to good use on his Challenger Tour. Moon Lvnding was on hand for his 360-set in Brooklyn two weeks ago, as well as his sellout in Tempe last Friday and Denver on Saturday. REAPER was in fine form in NYC, whipping the crowd into a dancing frenzy as fans surrounded his stage for a long night of drum and bass. The 360 setup commanded attention at the center of the dance floor and helped keep the energy up all night long. Along for support at the Brooklyn stop was Rebel Scum, who some may remember as a collaborator on THE PULSE #013, REAPER’s hour-long DnB guest mix series.

REAPER is nearing the end of his Challenger tour, but there are still a few dates left, including four stops this week in Washington DC, Las Vegas, Costa Mesa, and Sacramento, before his tour finale in Salt Lake City on December 7. Limited tickets remain, so hit his website to see if you can make it to one of these last shows. If you like drum and bass, this show is a must-see event!

As the drum and bass scene in the US continues to grow, REAPER is sure to capitalize on the momentum. After an action-packed 2024, filled with albums, remixes, festivals, and a fall tour, DnB fans must be licking their lips in anticipation of an even bigger 2025. To stay up-to-date on all the latest news and announcements from REAPER, be sure to follow his social media profiles linked below.

longstoryshort Drops “IN MY MIND” EP

DJ/producer longstoryshort has unveiled his groundbreaking EP, IN MY MIND, on Insomniac’s NIGHTMODE label. The EP delves into themes of light and dark, building on a year of major career milestones, including a collaboration with Dillon Francis on “Take Me Away,” an official remix of The Bloody Beetroots and Steve Aoki’s “Warp 1.9,” and two official remixes for Odesza. Since his launch in 2019, longstoryshort has consistently pushed boundaries and challenged norms, with IN MY MIND offering an innovative glimpse into his bright future.

IN MY MIND EP is a journey through the dual sides of my music and personal experiences,” said longstoryshort. “Dark Mode [first half] brings out that raw, heavy-energy, side of me that leans into harder sounds and unfiltered intensity, while Light Mode [second half] explores a softer, emotional side, giving space to reflect and feel. Together, they offer a full view into my world, and I hope listeners connect with these tracks as a soundtrack to their own highs, lows, and everything in between.”

The IN MY MIND EP by longstoryshort is a dynamic blend of genres and emotions, designed to suit any setting, from club nights to introspective moments. It opens with “INTRO (DARK MODE),” a cinematic prelude that leads into the explosive bass house energy of the title track, “IN MY MIND.” The momentum continues with “IJUSTWANNA,” a collaboration with SPORTMODE, merging UK garage, drum & bass, and electrifying sirens. A brief pause comes with “interlude (light mode),” seamlessly transitioning the EP’s second half.

The second half brings depth and emotion, starting with “take the fall (don’t let it stop you),” a chill, melodic track with a hypnotic bassline. The EP concludes with “part of me,” an emotional finale combining heartfelt lyrics and dreamy production. With IN MY MIND, longstoryshort showcases his versatility and storytelling, offering an immersive, multi-sensory experience.

The IN MY MIND EP is just the start of an exciting chapter for longstoryshort, showcasing his ability to push boundaries and captivate listeners with his unique sound. If you want to experience his music live or stay updated on future releases, don’t miss his headlining shows on November 21 at Barboza in Seattle, WA, and February 22 at Dark Star in Tempe, AZ. He’ll also be supporting Chase & Status on November 29 at Mission Ballroom in Denver, CO. Check out his links below for more details!

Seba Unveils 6th Studio Album ‘Oni’

Drum and bass king Seba officially dropped his sixth studio album, Oni, on Spearhead Records. It features 12 distinct tracks that explore two subgenres of DnB, liquid and jungle, alongside some deep house tracks. With over 25 years of experience as a DJ and producer, Seba’s music is timeless, incorporating classic beats alongside modern elements. With Oni, Seba crafts a forward-thinking album that paves the way for an exciting path into the future, blending evolution with his signature sound to create an enduring experience for fans both old and new.

“I’ve been doing one-off releases for Spearhead since 2011,” said Seba. “Steve (BCee) and I talked a long time about doing an album for Spearhead, and after my 2022 album ‘Ingaro’ on my own label Secret Operations, it was about time to put another album together. Since my musical direction is quite diverse with releases ranging from Hospital records to Function records, I thought it would be good to do an album that reflects that diversity. This album has a bit of jungle, drum & bass, liquid, some darkness, some smoothness. All blended together with my signature sounds.”

Oni showcases Seba’s versatility as an artist, blending rich, soulful soundscapes with high-energy rhythms sure to ignite the dance floor. Jungle and DnB fans will be captivated by high-octane tracks like “Smoke,” “Oni,” “Slam,” and “Fake,” featuring sharp breaks and powerful basslines. For those drawn to Seba’s signature ethereal melodies and lush basslines, tracks like “Air,” “Project” (featuring Sapele), “Easy” (featuring Robert Manos), “Solace,” and ‘Flow’ offer plenty to enjoy. Taking the album a step further, Seba incorporates a deep house track, “Three,” layered with intricate textures and evolving melodies.

Renowned for his emotive, high-energy DJ sets, Seba has built a dedicated fanbase spanning the UK, Europe, Australia, and the US. As a distinctive force in the electronic dance music scene, even more thrilling releases and shows are sure to come. Follow his socials below to stay updated on everything Seba has in store.

Photo Credit: @samwolloch

ALLEYCVT Captivates NYC’s Webster Hall On “Feel It” Tour

Last Friday, November 8, ALLEYCVT took over New York City’s historic Webster Hall for an epic show on her current “Feel It” Tour. The budding dubstep star brought along Capochino and Sharlitz Web for support.

Capochino got the party started at midnight and the NYC crowd quickly filled up the dance floor. Clearly, ALLEYCVT made some strong choices for support on this show because Webster Hall doesn’t typically fill up so quickly for the opener. Capochino slayed his set, playing a bunch of his signature flips as well as some familiar dubstep anthems from Subtronics. He finished with a few tunes featuring live vocals from a talented MC whose name I was not able to confirm in time for release.

Sharlitz Web took the stage at 1am, and the hall was nearly packed. Despite her more downtempo sound, she had the crowd whipped up in a dancing frenzy. There were even a few mosh pit sightings during Sharlitz’s set, which surely came as a surprise to me. I’ve rarely seen Webster Hall so engaged and excited for an EDM show, which is a testament to the talent and prowess of ALLEYCVT’s NYC lineup.

Tour flyer for ALLEYCVT's "Feel It" Tour

The star of the show took centerstage around 2am, and ALLEYCVT played hit after hit for her adoring fans. Her tour production looked great with rainbow-colored lasers complementing her LED graphics. She even teased a few new tracks and IDs from her upcoming debut EP. The crowd went completely bananas during her set, and the energy was electric. Not only were there multiple mosh pits throughout the set, but the crowd also opened an all-girls mosh pit.

Even when ALLEYCVT finished her 90-minute set at 3:30am, the New York crowd chanted for more. She played an encore before dashing off the stage. But those fans who stuck around a little bit longer were able to catch up with ALLEYCVT when she popped out of the green room at 3:45am. She met with dozens of fans, taking pictures, signing merch, and answering questions. She even received a few gifts, including a gorgeous pendant which was synced to an internet ID for authenticity.

ALLEYCVT still has another five weeks left on her “Feel It” Tour this fall, including two shows at Denver’s Ogden Theater to finish. Limited tickets are still available, so get yours now if you want to feel it, too! For all the latest news and announcements from ALLEYCVT, including updates about the release of her debut EP, be sure to follow her on social media using the links below.

Photo Credit: Arno Partissimo

The OUTLAW Turned The Shrine Into A Warehouse Rave

Last weekend The OUTLAW, DJ Snake‘s new alias, sold out the historic Shrine in Downtown Los Angeles and turned it into a unique, immersive European style rave. With a 360 caged stage, dark techno beats, trap, and a slew of special guests, The OUTLAW’s LA debut was a pinnacle experience.

A stark difference from his typical DJ Snake sets–The OUTLAW set out to make his own name last weekend. The night was filled with heavy, dark techno beats, hard trap, lasers, and crazy lights. The crowd energy was unmatched from the opening song to the final epic b2b2b2b2b. The OUTLAW showcased his diversity throughout the night with flawless transitions from one style to the next and from drop to drop. At points he even remixed his own songs like “Let Me Love You” into a heavy techno beat that had the whole crowd shook.

The OUTLAW came out walking through the crowd like a UFC fighter on his way to the 360 caged stage in the middle of the crowd, giving the sold out crowd a great view of OUTLAW doing his thing and the ability to interact, party, and at times mosh with each other. He had what looked like medieval-era banners hung throughout the venue and above the DJ booth was his new logo, which features a red snake in the shape of an O with a sword through the middle.

Photo Credit: Arno Partissimo

In addition to The OUTLAW’s insane almost 2 hour set, he also brought surprise guests with him. He debuted a new song with the trap legend Flosstradamus that was absolute madness and we will be counting down the days until it is released. He then played b2b with the hard trap godfather himself SAYMYNAME for roughly 20 minutes, setting the crowd off to a different level. OUTLAW and SAYMYNAME both got on the mic to pump the crowd up for the epic finale. The 20 minute finale was a treat for everyone in the crowd. An epic b2b which featured The OUTLAW, SAYMYNAME, Flosstradamus, Wuki and more took over.

The OUTLAW has also announced his tour going from LA to NYC, Denver, Amsterdam, Berlin and many more cities throughout the country and world. You can now RSVP for the tour stop nearest you here. Do not miss this one of kind, immersive hard techno legend in the making and be prepared to use every ounce of energy you have. Follow along using the links below.

The OUTLAW

DJ Snake

Kruelty Brings Debut Album Bloodbath Machinery To Life

If you like horror movies, Kruelty’s music is the hard dance equivalent. He just released his debut album BLOODBATH MACHINERY this week on Theracords Records. BLOODBATH MACHINERY is a 13-track, 35-minute horror journey where Kruelty combines elements of hard dance, hard techno, and industrial hardcore. 

The masked Dutch producer calls himself the “Death Seeker” and the first track on the album gives listeners the feeling that he is coming to get them. It isn’t a musical track—it’s more of an intro—but it sets the tone for what’s to come. “BALACLAVA” showcases Kruelty’s love for hard techno with a booming kick covered by screams and a screech that sounds like an alarm going off. 

“REVELATION_13” is a short and more synth and melody-driven track, but is still filled with kick rolls. It was released earlier this year as a single to announce the album. “EXODUS 20_14” is a collaboration with like-minded producer Mortis. The kick is especially punishing and the screeches are well placed. “CHOOSE VIOLENCE AND WIN” is all about the kick, which changes multiple times over the two-minute span of the track. Here Kruelty states, “You are not the first to feed the bloodbath machinery and you will not be the last.” “THE KULT” is an interlude of Kruelty speaking to his followers, welcoming them into the “Kult of the Kruel, rulers of the Bloodbath Machinery.” 

The second half of the album includes more collaborations, including the title track “BLOODBATH MACHINERY.” This song is a collaboration with Qoiet, a German bass music producer and vocalist. It has a more Kayzo-esque feel to it with screamo vocals, chugging guitars, and a downtempo beat. Even with all of these other elements, there is no shortage of screeches and kicks. Kruelty leans more into the rawstyle genre with “SCREAMER,” a collaboration with German extreme rawstyle producer The Smiler. This track is aptly named because the screeches in it are more reminiscent of a scream. “WAR IS INEVITABLE” would be the perfect soundtrack to a battle between the Kult and the humans. “DAMNATION” with Gearbox regular Exproz lets the humans know they will never escape the Kult and the Bloodbath Machinery. “HUMAN SUBJECT EXPERIMENT” was originally released as a single in 2023 but was remixed by Luminite for the album. Luminite takes the previous hard techno version in a more rawstyle direction by removing some of the melodic elements and heavily distorting the kicks and adding in more screeches.

If you thought the album was already pretty distorted, “STUGNA-Z” cranks the distortion all the way up. Paired with descending synths and metallic snares, it causes an almost dizzying effect. The final track on the album “MEATGRINDER” finishes strong, combining everything we’ve heard throughout the album all at once.

Overall, BLOODBATH MACHINERY is a well done concept album that brings Kruelty’s artistic vision to life. I’m very excited to see what a live show for this will look like after last year’s This Is Kruelty live set at Trinity: The Extreme Society. Keep up to date with everything Kruelty has going on by using the links below.

Prospa Produces Another Winner With “This Rhythm”

British house duo Prospa dropped a new single last week on CircoLoco Records that grabbed my attention. “This Rhythm” featuring RAHH shows their ability to blend classic disco sounds with a modern house backbeat and catchy lyrics to make another successful tune.

“We were yearning to make something simple yet vocal-filled and groovy,” say Prospa. “With RAHH from Manchester and us from Leeds, the connection was instant. This song is about the relationship between music and the body, how rhythm and the passion of dance bring us together. It’s a testament to working with such a wonderful vocal. This rhythm is my heartbeat. Enjoy!”

Moon Lvnding was on hand to enjoy this new single as well as the hit tracks from their summer EP If You Want My Lovin’ at an exclusive basement boiler room pop-up event in Brooklyn on Wednesday, October 30. Presented by Brooklyn’s RAW CUTS, Prospa had the packed crowd grooving to their engaging house beats for the full 90-minute set without a mobile phone in sight. The vibes were immaculate!

With the success of fan-favorite single “Motions” and the ability to pack out a Brooklyn basement on a random Wednesday night, Prospa looks poised to prosper in 2025. To keep up with all the latest music and news from the Leeds duo, be sure to follow their social media channels below.

Patrick Topping at the club for his sober rave

Patrick Topping’s Sober Rave Success

Could we see more sober raves in the future? Patrick Topping threw his first back on October 27 at World Headquarters Club in Newcastle. Back in September, he announced on Instagram, “I’m putting on a Sober October Rave! No alcohol will be served, and it will be during the day. I started playing sober in 2017, and it changed my relationship with music and partying and improved my mental and physical health so much.” Bringing the focus to health and support at a rave isn’t the status quo, and yet it was a massive success!

Photo Credit: Patrick Topping Facebook

Topping reflected on the event, posting on his Instagram, “This isn’t about taking away people’s choice, it’s about providing an extra choice. Also some people need this type of event. It was nice to speak to people who told some of their sobriety stories. Such a mix of people there, fitness fanatics, people in recovery, but mainly sober curious ravers who didn’t want to feel like shite the next day for change 😂 It was amazing to see the energy and everyone proper going for it! I was so nervous for this, but I had a massive feeling it would work and thankfully it did, I’m f*kin buzzing! It was so important to me that it felt proper and it did, so going to have to do a dry Jan one now 💥 More info incoming asap ❤️”

Photo Credit: Patrick Topping Facebook

If you would like to stay informed, Patrick Topping has set up a link here for more. Those looking to stay up to date with everything Patrick Topping can follow along through the links below.