UK bass music titans Gentlemens Club return to Deadbeats with “Champion”, a ferocious first look at their forthcoming Originals EP. Out August 22nd, the track fires on all cylinders, merging heavyweight basslines with dub reggae grit and sound clash energy. It’s a bold declaration from the trio, setting the tone for one of their most ambitious projects yet.
“Champion” first shook crowds at Rampage Open Air 2025 during their Originals set debut. The trio unleashed a full 60 minutes of unreleased music, proving their dominance. The track embodies Gentlemens Club at their rawest, blending dubstep, jungle, and UK sound system culture into a devastating anthem.
The single also marks a new creative chapter for the group. They’ve activated custom visuals, cinematic video content, and interactive behind-the-scenes moments. Their mix of underground credibility and mainstream appeal continues to push bass music into exciting new territory.
Photo Credit: Gentlemens Club Official
UK-based trio Gentlemens Club—Coffi, Soloman, and 50 Carrot—formed in 2017 and quickly became leaders in global bass culture. Their sets bridge genres like dubstep, DnB, bassline, and garage, captivating festival crowds across the world. In 2024, they debuted ‘The Big Screen’ audiovisual show at Rampage Belgium for 17,000 fans. The same year saw their collaboration with MPH, “Good 4 U,” hit No. 1 on the Beatport Dubstep Chart.
With “Champion” leading the charge, Gentlemens Club is gearing up for their busiest year to date. A North American tour arrives this fall, while the full Originals EP lands in October. With new collaborations, singles, and a packed 2025 tour schedule, Gentlemens Club remains unstoppable.
Las Vegas-based DJ and producer Carrie Kelleris continuing an amazing year. Her latest single, “Want You,” is out today via UK-based Vivifier Records. Known for her fiery mix of melodic house, punchy percussion, and emotionally charged toplines, Keller delivers a track that lives at the intersection of intimacy and dance floor intensity.
Photo Courtesy: @empoweredmgmt
“Want You” is Carrie Keller’s third release of the year, following “Detrimental” and her feature on Breez & Silvertone’s “Think About You.” This newest track shows Carrie Keller leveling up both as a producer and a vocalist since she started releasing music in 2024. The simple drum beat and the pumping synths make it a track that is impossible not to dance to. The mix is well done, utilizing panning to create space and depth, immersing the listener fully. The second half of the track climbs in intensity, layering rhythms and textures until it reaches a frenzy, before breaking open into a smooth release.
“The meaning can be applied in many ways. It’s about the longing of what you want most… a person, dream, or even better version of yourself,” says Keller. “Wanting something deeply is a mix of a lot of emotions. That’s the experience I was having while making this track.“
The single lands a few weeks before Carrie Keller debuts on the Horizon Stage at RISE Music Festival, where she will be sharing the stage with Calvin Harris, Disclosure, and Oliver Heldens. Her year has already included high-profile appearances at the EDC Confessions Pool Party, Into The Horizon, and the Waste Management Open (golf tournament). She also has ongoing residencies at Zouk Nightclub and AYU Dayclub in Las Vegas. With more releases queued up for fall and growing global recognition, “Want You” feels like another major step in her journey.
Check out her newest track in the Moon Lvnding New Music Friday Heat playlist and keep up with Carrie Keller’s rise to the top by using the links below.
Sydney-born bass powerhouse SIPPY is igniting a new chapter with the release of “Ashes” (feat. Marlhy) via Deadbeats, arriving August 15th. Blending Marlhy’s haunting, emotional vocals with SIPPY’s cinematic melodies and bone-rattling bass, “Ashes” channels the raw energy of her new era. The heartbreak-fueled anthem is the first taste of her debut album Scars In Stereo, arriving this fall. It also signals her most ambitious live run yet — a coast-to-coast headline tour backed by major festival appearances.
The single’s drum & bass heartbeat and high-impact drops showcase her evolution as both a producer and songwriter. It offers a powerful preview of the emotional depth within Scars In Stereo. The release lands ahead of a packed tour schedule spanning the continent. SIPPY is bringing her signature, genre-defying sets to landmark venues and festival mainstages alike. Stops include Bass Canyon, Lost Lands, ÎLESONIQ, Dancefestopia, and a run of headline dates with special guests like GRiZ and Adventure Club. She’s turning the album’s emotional arc into a fully immersive live experience, and gathering her “Gremlins” in full force at every stop along the way.
Already a force in the global bass scene, SIPPY’s resume includes high-profile releases on Deadbeats, Bassrush, and UKF, as well as collaborations with Marshmello, Bear Grillz, and Zeds Dead. Whether commanding Red Rocks or underground club stages, she continues to push boundaries in both sound design and performance. With Scars In Stereo, SIPPY is ready to deliver the most defining statement of her career. Fans can presave “Ashes” now and join SIPPY’s Gremlins for the start of her next chapter.
For more than two years, we’ve had Steller and Zingara’s first collaboration, “Find It In Your Mind,” on repeat. We’ve been waiting for the day this duo would reunite in epic proportions. Today is that day! The bass gods have delivered, as Steller and Zingara have officially dropped their highly anticipated three-track EP, Is This Real? We know what you’re thinking: is this real? Yes, it is — and we’ve got the full scoop below.
“Is This Real? explores reincarnation, collective consciousness, and the nature of time itself,” Zingara explained. “We began this project as my great-grandma was passing. I got a phone call about her last days while we were working together, and the words became symbolic of her journey. It brought Steller and I closer through music, friendship, and studying these concepts.”
The EP opens with its title track, “Is This Real?,” weaving a calm, meditative soundscape layered with spoken-word dialogue between a man and a woman. The woman reflects on her feelings as if she is observing life from the perspective of an old woman about to die. She replies, “Like I am looking back on my life, like my waking life is her memories.” As the track builds in intensity and their conversation unfolds, it erupts into a transcendent drop overflowing with hypnotic, psychedelic wubs.
“Whenever Zingara and I create together,” shared Steller, “it feels effortless. She had started the intro and we built from there, with the first track exploring the idea of time and questioning reality. Everything seemed to align in unusual ways during the process, and the music reflects that sense of meaning and synchronicity.”
“Better Believe It,” the second track on the EP, blends groovy rhythms with saxophone riffs, melodic layers, and touches of jazz. Combined, they create an uplifting wave of energy that is sure to get the audience moving. To round out the EP is none other than the track that started it all, but with a twist, “Find It In Your Mind VIP.” While the OG version has already surpassed 2.3 million streams on Spotify, this reimagined version is the perfect cap on the EP.
“We have been waiting so long to release the ‘Find It In Your Mind’ VIP,” said Steller. “It felt like the perfect closer for the EP. If you read the titles of all three tracks together, the concept becomes clear.”
To celebrate this momentous collaboration, Steller and Zingara have curated a special Is This Real? release party at the TK Lounge. Proceeds from tickets and limited edition merchandise will be donated to St. Francis Society Animal Rescue and Hues of Hope, Inc. Both support rehoming efforts and animal rescue. Aside from the stacked lineup and exclusive merchandise, Steller and Zingara have planned special surprises aimed at creating tangible impacts for these causes. Both artists have woven their love for giving back into their music. They hope to inspire the dance community to use its platform to support philanthropic organizations.
Steller is a South Florida-based DJ and producer. She is making her mark in the electronic and bass music scene with her blend of wonky bass, soulful grooves, and funky beats. A trained audio engineer with a Bachelor’s Degree in Music Technology, her first live performances began in small clubs in Greece. She returned to the U.S. to pursue a more bass-focused career. Her breakout 2023 collaboration with Zingara, “Find It In Your Mind,” earned support from CloZee and LSDream. This paved the way for multiple EPs on labels like Morflo Records, Cyclops Recordings, and Bassrush. In 2025, she’s kept the momentum going with other high-profile collaborations alongside Wreckno and the Ragga Twins. Stellar has solidified her place as one of bass music’s most exciting rising artists.
Zingara has emerged as another one of bass music’s most captivating new voices. Fusing ethereal melodies with hard-hitting drops to craft a sound that’s both otherworldly and powerful. Originally from Baltimore, she has built a loyal following through her genre-blending productions and emotionally charged live sets and lyrics. Her tracks and collaborations have landed on top labels and earned support from artists such as CloZee, Liquid Stranger, and LSDream. She has had an impressive run of festival performances, including Lost Lands, Electric Forest, Lightning in a Bottle, and more. She has also supported multiple big-name acts, including LSDREAM on his Radical Audio Visual Experience tour in fall 2023. Zingara also joined LSZEE (LSDREAM + CloZee) on their Spring 2025 tour.
Ray Volpe officially unveiled his FOREVER, VOLPETRON Tour, alongside news of his much-anticipated debut album, expected later in 2025. The tour is tied directly to his studio album, FOREVER, VOLPETRON—a huge milestone in his career. Building on his explosive VOLPEVERSE era, Volpe launches a coast-to-coast run filled with bass-driven storytelling.
The tour hits iconic venues like Bill Graham Civic Auditorium, Mission Ballroom, Echostage, and more. Volpe invites friends, including Jessica Audiffred, Barely Alive, Virtual Riot, and Blanke, to join him, with more joining along the way. When Ray Volpe first announced his debut album, he shared a heartfelt message about the project’s meaning and creation:
“I’ve always tried to stick to what I believe in, sonically. It’s finally time to put all of this together — every influence, every ounce of my being, into a full body of work. This album is a love letter. From me to you.”
Adding to the momentum, Volpe released the hard-hitting single “ANESTHETIC” last month, showcasing his signature bass energy and refined production. His debut album promises to build on that sound with a full body of work that blends every influence he’s cultivated over his career. The album dives deep into cinematic storytelling, mixing aggressive drops, melodic layers, and emotional highs that reflect his artistic growth. Fans can expect an immersive experience that pushes the boundaries of bass music while staying true to Volpe’s unique style.
The FOREVER, VOLPETRON Tour marks more than dates. It launches the live debut of an album years in the making, inviting fans to join in on this thrilling new journey. For the first time, Volpe offers exclusive VIP packages. Fans gain early entry, exclusive merch, and pre-show meet & greets. These VIP options let fans connect with Volpe before the music even starts. Pre-sale begins Wednesday, August 13, at 10 AM PT (1 PM ET). You can sign up now on Volpe’s official website. General tickets go on sale Thursday at the same time. Secure your spot early before tickets vanish—demand will be high!
We had the chance to sit down with Skybreak, a boundary-pushing artist reshaping the landscape of modern bass music. Known for blending emotion and cinematic textures, his sound defies easy categorization—and so does his approach to creativity. In our conversation, we explored artistic identity, emotional storytelling, and how vulnerability plays a crucial role in building sonic worlds.
Sound Design & Influence
Kristen: How has the transit culture helped shape your music or career overall?
Skybreak: I’ve always had a fascination with trains. I remember even as a young kid walking through the airports and seeing the hyper-universally relatable signs up there thinking “this is so cool”, and I would make up little stories for them. I find public transit in specifically the cities London and New York that I grew up in really fascinating, because you’ve got these signs that are almost obvious what you’re supposed to do. They could even be interpreted as boring, you know, everything is in Helvetica, extremely readable, but the culture of the city seeps into this signage. I feel like public transit is a great description of the city’s culture. Just as people spray paint and sticker these public transit signs, I’m taking this canvas of music and spray painting it per se with elements of the work that I’ve done, so you end up with this universally relatable product, with the sketchings and culture that i’ve created through my work over the years.
K: What artists, either past or present, have helped influence you either during your writing processes or career as a whole?
S: Artists over the past few years that I’ve been closely associated with and have been a major help are Chime, Au5 and Temanite to name a few. Chime was the first artist that took a chance on me; I remember touring colleges while visiting Hoboken, NJ when I found out he had accepted my track “Whispers In The Forest” and thought: No way. My career’s made. We’re always constantly sharing new techniques and ideas and he’s come to be a really good friend of mine. He’s helped push me up to his level, he’s put me on his album tour, we even just finished a two show run in Japan together.
Another figure that comes to mind is Au5, I’ve been listening to his music since maybe 2012. He was one of the first artists I ever fell in love with in the EDM space and I remember getting a DM from him about an old glitch hop tune “Hydrofunk” where he’s like “Hydrofunk rules” and I’m all, no way, what the heck? But that also has blossomed into a great friendship. I’ve learned so much sound design from him and more so than anything his philosophy. He cares so deeply about the art in a way that’s unmatched; he is his art, and it’s an extension of his being. G-Jones is also a major one, and his Lost Lands 2022 set is actually what helped me gravitate towards this new public transit icon aspect.
Creative Philosophy
K: Speaking of artistic route and creation: how do you keep that healthy balance of having fun while you’re making music, but making sure you don’t get burnt out in the process?
S: I feel like that’s a bit of an asymptomic battle. I think a lot of artists struggle with this because we’re in a rare medium where a lot of our friends come from the scene, but also a lot of our money comes from the scene. And there’s also people trying to make money off of us. So, just distinguishing those can be extremely difficult. I’ve recently gotten into urban exploration, just finding abandoned buildings and getting up and telling myself that this is research and development when going out and having new experiences. I think the most genuine experiences come from human connections and experiences one can have.
K: If you could go back and tell yourself anything before dropping your first track, what would you say?
S: That is a difficult question becasue I feel like the only reason I am who I am today is because I naturally made mistakes and did my thing. So whenever I’m asked questions like this, I’m always like, oh, I don’t know if I actually would change anything. Instead of telling myself something too early on and overwhelming it, I want to find myself in the middle of the intermediateness and just, smack him across the face and say, it’s okay to make mistakes. Just have fun with it. Make what you want to make; you are under no obligation to anyone to make anything other than the art that’s moving you right now.
K: Out of everything that you’ve made, overall for your career or in the Half Blood era, what are some of the more meaningful tracks for you, and can you give us some insight into the creative processes that go into those?
S: So I think in terms of the Half Blood era, the two tunes from the project that mean the most to me, off the top of my head, would probably be “Antimatter” and “Street Garden”. “Antimatter” goes into remembering your goals. Putting aside the static when you’re viewed too much as this like, God figure. Because holding yourself up to that standard is just a recipie for imposter syndrome. So, it’s my process of putting that aside and just reducing art to art, and keeping it to back before I had all these expecations sitting on the line.
“Street Garden” is inspired by Duskus’ Healers Vol. 1, which is just chill house songs. I think he calls it “romantic rave” and I wanted to give that genre a go, because in my opinion, it’s chill and it’s emotional, but it’s also groovy and kind of pounds in the club. So I wanted to try something like that.
K: One of my favorite things about you is you pack such passion into the things you create, which really shines through. I feel as if it almost hits different when things feel genuine. I apprecaite it from a listener standpoint because it makes it more enjoyable; it’s like “damn, this person put so much effort, love and care into this” and it’s just way more fun to listen to stuff like that.
Achievements & Accomplishments
K: What’s the most meaningful or wild reaction you can think of when entering this new era of Skybreak?
S: Playing in Nagoya and Tokyo, Japan last month was really cathartic for me. I have premiered a lot of the Half Blood stuff at festivals etc. and it went very well. People seemed to enjoy the tunes and I was able to premiere the live visuas but at a festival, unless you are a big headliner, a lot of people are esentially discovering you for the first time, and it’s not as easy to generate hype. I wouldn’t have it any other way though, I think giving them the fully realized version that I’m into right now is a nice “take it or leave it” as an artist. But when I played Nagoya and Tokyo, the people in the crowd just loved every part of Half Blood. I split the set into two parts, the first half being past Skybreak and the second being future, Half Blood Skybreak, and the fact there was not much of a difference in reaction and people accepted all the music just meant a lot to me.
On a personal more microscopic level, I was at Stay In Bloom Festival which is Dabin’s show in New York City, and we were just chilling on the couch when Dabin came over and told me how my project was one of the most exciting projects in bass music for him at the moment. Saying he can tell how much effort has been put in not only the visual direction, but also the music and how we’re telling stories that go well beyond that, and just how proud he is overall. Hearing that meant a lot because I went on my first ever bus tour with him, and that to me was the real shift between being this cute little kid making dubstep on his computer to now, an artist and a fully realized human who was just thrown into the fire and forced to adapt. And I don’t think I would’ve been the same person without it, but to have the person that made that possible telling me this project is dope and I should be proud of it truly meant a lot.
K: You’ve done everything from playing Starbase, giving lectures at Berklee College of Music, and even playing over in Japan. What has felt like the biggest personal leap for you in all of that?
S: I feel like all three could be a personal leap in their own regard. I think Starbase obvisouly means a lot becuase Slander were very early supporters of my project. My first show ever was with them in Seattle in 2021, they signed my Unity EP on their Heaven Sent imprint all those years ago, and now we even have some exciting things up and coming soon as well. I’m just so grateful to have people so widely respected behind my project. It just meant a lot for them to put me on a festival like that, it really made my day.
And Berklee, DUH! Being able to represent bass music and academia like that felt like such a step forward for everyting I’m about. There is a lot that goes into music production, especially the genre. I know a lot of people are here for the Shrek visuals and silly fun, but bass music is an art form in its own regard, and it can go as deep as something more widely respected like classical music or jazz. It just needs to be given the platform. And to be given that platform, especially at the highest institution of music in the U.S. in my opinion, was pretty dang wild.
But I think out of everything, Japan probably meant the most to me. My project has been so deeply insipired by Japanese arts, music, and media, since its inception. And to go and kind of give back, and play these sold out shows with one of my best friends and earliest supporters, having it stacked with fans, getting to experience the country; I just feel so blessed and lucky to do it. When I was there I climbed a mountain adjacent to Mount Fuji and this 80 year old women climbs it every day, and serves this traditional Japanese rice beverage called amazake, just to hikers. No road to get there, she climbs everyday. It’s the things I was able to experience in a country that truly believes in perserverance. Just the sheer idea of playing my art 7,500 miles away, not at a festival, but on a headline show, meant so much to me. I am still beaming from that trip, I’m nerver going to forget it.
Skybreak’s journey is a testament to what happens when technical mastery meets emotional depth. He’s translating the human experience into sound, layering each track with intent, identity, and imagination. In a scene that often prizes predictability, Skybreak continues to defy expectations and carve out space for honest, genre-bending expression. Whether he draws from jazz roots or builds cinematic basslines, his music invites listeners to feel something real. One thing is for sure: we can’t wait to see what the future holds.
Denver’s bass disruptor HEYZ is back with HEYZ’D and Confused, a four-track thrill ride out now via Bassrush Records. Known for his warped sense of humor and unhinged sound design, the standout producer takes listeners deep into a dubstep fever dream. It’s his second EP on the imprint, and it might be his most unfiltered release yet.
The title track, “HEYZ’D and Confused,” leads the charge with lo-fi narration and piano-laced tension before spiraling into deep, ragga-inspired dubstep. From there, the chaos only intensifies. Previously released heater “Onomono,” featuring Dubbygotbars, rips through with sharp verses and snarling bass. It’s already made waves across major outlets and solidified HEYZ’s hip-hop-laced dubstep blend.
Then comes “Demons,” a gritty roller full of ragga swagger, distorted subs, and fierce rap vocals slicing through the mix. Closing the EP is “Fantasy,” a left-turn into psychotropic dubstep where dreamy vocals glide over woozy bass and swirling textures. It’s a slow burner that lingers.
HEYS kicks off his “HEYZ’D and Confused” Tour tonight, August 1, with a show in Tulsa. Along with dozens of tour stops through December, HEYZ will also be playing at renowned festivals across North America, including Deep Tropics, North Coast, Dancefestopia, KN?WHERE, Lost Lands, and Breakaway Charlotte. For tour tickets, HEYZ merch, and all the latest news, use the social media links below.
Steller is on a crash course with stardom as she breaks new ground with her Here & Now EP and North American headline tour. She had a scorching hot 2024 filled with three EP releases on Mersiv’s Morflo Records, Subtronics’ Cyclops Recording, and Insomniac’s Bassrush. She’s brought that same fire into 2025, starting the year with a few collaborative singles and tasty remixes of Bill Withers’ famous “Ain’t No Sunshine,” and Odesza’s hardest tune, “Loyal.”
On July 7, she self-released her latest album Here & Now, showcasing her development as a producer. “Each song invokes a different feeling, almost like a meditation,” Steller shares. “Though it is not ambient meditation music, it is meant to make you feel good and offer emotional relief. I was working through a lot while writing this and found peace by the end. Hopefully, it does that for someone else, too.“
She created the title track “Here & Now” to immerse the crowd in her musical energy at the start of her tour set. Once Steller started flowing, she completed the 4-track EP in about two weeks. About “Downslide,” her collab with Seth David, Steller shared that “working with Seth was seamless — he sent over a sick idea, and I built off of that. You can really hear our sounds in each drop. His vibe is drop one, mine is drop two.“
The third track, “Down With You,” features melodic layers and a minimalistic groove, allowing listeners to tap into reflective energy. She closes the EP with “Eternal Love,” an emotive tune with dreamy synthscapes and ambient textures. “I remember writing the outro chords and just feeling like I could exhale for the first time,” Steller recalls. “That moment was my creative reset.“
In addition to the EP, Steller has an action-packed second half of 2025, continuing her Here & Now Tour with more headline shows and festival appearances. The non-profit To Write Love On Her Arms is working in partnership with Steller on her tour to spark dialogue around mental health, presence, and community care. Steller expounded on the partnership, “My goal with this tour and this project was to create a moment where people can just escape for a bit and tap into something real. We all need an environment that encourages this, and I hope these songs give people what they gave me while writing them.”
For our fans at Moon Lvnding HQ, you can catch Steller in Arizona on the Gold Rush lineup in September. She will also make festival stops at Dancefestopia in Kansas and Seven Stars in Virginia. After a busy week in New York City playing as support for Excision and hosting her own popup at an intimate Brooklyn warehouse, Steller is taking a small break before getting back out on tour in August. For the most up-to-date list of her upcoming shows and tickets, head over to her website.
Moon Lvnding was fortunate to catch her recent Brooklyn popup with City Soul after being blown away by her Electric Zoo afterparty performance in 2023. She owned the room, and the crowd was vibing. Plus, the new tunes sounded great with that thick bass blasting the crowd. If you’ve got a chance to catch Steller in action, don’t miss it. Keep up with her using the social links below.
Bassrush is on fire, collaborating with the hottest bass artists in the game while also spotlighting the talent of tomorrow through their dynamic releases on Bassrush Records! They’re amplifying the diverse sounds of drum & bass, dubstep, experimental bass, and trap like never before. One of the most electrifying new voices in the D&B scene is none other than Skydisc, hailing from Dallas, TX. He’s just leaped into the spotlight with his explosive Bassrush debut single, “The Jungle,” featuring the incredible MC Dino on the Prophecy Vol. 12 Compilation, streaming everywhere now!
“The Jungle” is a passionate drum & bass anthem that ignites a sense of raw energy right from the start. With its powerful basslines and dynamic percussion, complemented by the commanding voice of MC Dino. This single conveys a feeling of urgency and intensity. Skydisc masterfully combines tribal rhythms and dark atmospheres, creating explosive build-ups that take listeners on a thrilling journey! This high-octane experience feels both instinctual and forward-looking, making it a perfect fit for moments of collective exhilaration. “The Jungle” is a cinematic and heart-pounding adventure that resonates deeply, inviting listeners to connect on a profound level.
Skydisc, a talented multi-genre producer throughout his musical journey, has developed a truly unique sound that beautifully intertwines technical skill with deep emotional resonance. This passion for music, rooted in his rock influences, has blossomed into a captivating blend of organic instruments and innovative sound design. His performances are not just high-energy; they create moments of connection and joy, striking a deep chord with audiences. This heartfelt spirit is precisely what shines through in his latest track, “The Jungle.”
“This release means everything to me. It’s the culmination of years of hard work, and having MC Dino on the track brought a whole new level of energy. Dropping on Bassrush Records, this is without a doubt my biggest and most personal track to date.” -Skydisc
“Being a Drum & Bass MC is more than hyping the crowd—it’s about connection. Connection to the music, the energy, and the people on the dancefloor. Coming up between Colorado and LA, I found my voice in the West Coast rave scene and never looked back. From warehouse parties to massive stages like EDC’s Basspod, I’ve rocked with legends and held it down for the culture. DnB isn’t just sound—it’s movement, soul, and truth. As an MC, I channel that energy with raw passion and rhythm. No script. Just fire. Big up to every raver, DJ, and mic controller pushing this forward. Respect the roots. Rep in the future.” -MC Dino
In the vibrant atmosphere of a club or festival, Skydisc expertly crafts his sets into symphonies that resonate with the crowd’s heartbeat. His performances take audiences on a journey of musical euphoria. As he continues to rise, he is definitely one to watch. Join him on this exciting adventure with the links below!
Turn up the heat this summer because The Polar Bears are about to send chills down your spine! Known as the global dance scene’s most unpredictable duo, they’re back with a pulsating new track, “Fake It,” featuring the incredible Jay Mason. This isn’t just another breakup song; it’s a thrilling turning point and a powerful reminder that moving on can be energizing and liberating! Released through the UK’s cutting-edge Vivifier Records, this single radiates raw emotion, gripping melodic tension, and an irresistible dancefloor vibe. With their electrifying performances and cinematic sound, The Polar Bears are unforgettably evolving their artistry, promising to leave a lasting impression!
“Fake It” is not just a song; it’s a powerful narrative of love on the verge of slipping away, brought to life by the electrifying vocals of Dutch sensation Jay Mason. The track pulses with a dynamic energy that’s both reflective and anthemic, igniting the dance floor with its irresistible rhythm. With their unique blend of deep storytelling and high-impact production, The Polar Bears transform heartbreak into an exhilarating experience. Forget about crying; it’s time to revel in the beat and embrace the idea that sometimes you have to “Fake It” until you make it!
“The second we got this vocal from Jay Mason, we knew we had something. Jay is an incredible talent and someone we were really grateful to create a record with.” — Zero
“This record really spoke. I think we’ve all been in those positions where you can feel someone pulling away from you, and you know the end is near. But you know you’ll be moving on and are getting ready for that next chapter in life. We wanted to blend a higher energy feel with an uplifting message, and I believe we really nailed that here.” — Snowball
The Polar Bears continue to push the boundaries of dance music. With each release, they invite listeners deeper into their wintry world, where emotions run deep, beats are powerful, and evolution is constant. Heat up the dance floor while chilling out with The Polar Bears at Frozen Frequencies! This unique EDM and ice skating event will take place at Mullett Arena in Tempe, AZ, on September 6.
