Burko, a San Diego-based producer and DJ, has been climbing the ranks in the Southern California music scene and clearing out a bold new trail with his dark, cinematic sound. Building on that momentum, Burko unveils his latest two-track EP, Somnus. “The EP sits in my signature space: dark indie dance with a melodic techno edge,” he says.
While many producers draw inspiration from the studio environment, Burko looked inward for this project. According to the artist, Somnus is a body of work born from the space between consciousness and dream. “Each track idea arrived to me in my sleep as if transmitted through the subconscious,” Burko shares.
“Rather than being built solely in the studio, these songs carry the surreal weight of music born from the dream state. Waking up from the dream and remembering the melodies, I turned each idea into the songs on this EP.” This ethereal origin is reflected in the EP’s sound design. Characterized by heavy analog synths and brooding rhythms, Somnus stays true to Burko’s roots.
Burko // Photo Courtesy: Panda Lab Records
To support the release of Somnus, Burko has debuted a new press shoot that visually echoes the EP’s subconscious themes. By using distorted reflections to mirror the project’s origins, the imagery serves as a portal into the “dreaming music” concept.
Somnus isn’t just a collection of new tracks; it marks a significant pivot toward a more refined and intentional sound. “This release marks a new chapter for me, fusing raw inspiration with a refined and distinctive sound that continues to earn support from global names like Deadmau5, Lane 8, David Guetta, Yotto, and Above & Beyond,” Burko affirms.
With Somnus, Burko does more than just release new music; he invites listeners into the deepest corners of his creative psyche. By capturing the fleeting melodies of his subconscious and grounding them in his trademark dark, indie dance production, he further establishes himself as a singular voice in the dance music landscape. As he bridges the gap between the dream world and the dance floor, one thing is certain: Burko’s ascent is no longer just a Southern California story, but a bold new chapter in the dance music scene.
Dive deeper into Burko’s dreamscape by following him using the links below, and make sure to find Somnus headlining our New Music Friday playlist this week!
Following the release of their highly acclaimed album Return to the Spectrum of Intergalactic Happiness, the iconic duo, Zeds Dead, returns with another groundbreaking track, “Runaway,” incorporating elements of DnB and future bass. Marking their first release of 2026, they have collaborated with IMANU and vocalist MKLA to create a single that is both dynamic and emotionally charged.
“Runaway” begins with an ethereal yet heavy drop fused with MKLA’s airy, emotional vocals before launching into an adrenaline-fueled second drop that showcases IMANU’s cutting-edge DnB skills. Bridging the two producers’ differing styles, MKLA’s vocals serve as an anchor for the track, creating a timeless sound poised to dominate sets across the electronic circuit in the coming year.
This track follows a career-defining year for Zeds Dead after releasing Return to the Spectrum of Intergalactic Happiness, further cementing their legacy as boundary-defying electronic visionaries. Having spent the last decade carving out their own space within the industry, Zeds Dead are on a roll that seemingly cannot be stopped. They recently sold out their 12th annual Deadrocks event at Colorado’s most iconic venue, Red Rocks Amphitheatre, showcasing their dominance in the industry and unwavering fanbase.
ZEDS DEAD
With a career dating back to 2009, Zeds Dead released their debut album Northern Lights in 2016, and immediately fans knew they were curating something special. That same year, they launched their Deadbeats label, which continues to stand as one of the leading independent labels in dance music. With over 300 releases featuring artists such as REZZ, Subtronics, GRiZ, Levity, and Zeds Dead themselves, it’s clear they remain among the strongest tastemakers in the game right now.
For IMANU, formerly known as Signal, this release follows a series of major creative milestones, including headlining his De Verte showcase in collaboration with Mixmag LAB during ADE this past October. Known for his experimental sound design and genre-defying production, IMANU has earned over 100 million streams across platforms, with collaborations alongside Zeds Dead, Subtronics, and Noisia. Continuing to expand his De Verte events, he is set to embark on a tour across Asia and has also branched into the fashion world with his sustainable brand, 14SAINTDENIS.
Back with a collaboration ten years in the making, Kaskade, CID, and Anabel Englund have released their highly anticipated progressive house track, “Vision Blurred.” Debuting on John Summit’s label Experts Only, the single features Anabel Englund’s unmistakably polished and emotive vocals. The track has already gained momentum over the past year, having been played out in DJ sets across the global electronic circuit. Following previous standout collaborations like “Us” (2015) and “Sweet Memories” (2016), “Vision Blurred” is poised to become a staple on both main stages and club floors this year.
“CID and I have been crossing paths creatively for more than a decade now,” said Kaskade, “and every time we come back together it feels familiar in the best way. I’ve been trying to work with Anabel Englund for approximately forever, but just couldn’t find the right song. Then ‘Vision Blurred’ came along and it all finally came together.”
“This is a song that’s made to be played loud and I dare anyone NOT to sing along. Over the past few months, fans have been coming up to me after shows, humming the song and asking for the ID. It’s been amazing to see this type of familiarity with ‘Vision Blurred’ even before it’s out, it’s already in the atmosphere. Now all we have to do now is release it.”
This track, “Vision Blurred,” perfectly encapsulates the trio’s shared vision of creating timeless classics that are sure to captivate audiences across festival stages, large-scale venues, and underground club spaces. It features an irresistible beat layered with Anabel Englund’s melodic vocals.
”Really excited to make my debut on Experts Only,” said CID. “Getting John’s stamp of approval on this one means a lot. With Kaskade, it feels like a full-circle moment working together on a new track after so many years. And the same goes for Anabel. Getting back in the studio with her and writing this felt effortless. I feel like we each brought our signature sounds and strengths to the table, and together we created something truly special.”
KASKADE
Kaskade has solidified himself as a household name in electronic music with an iconic career that has been thriving since the late 1990s. An eight-time GRAMMY Award nominee and winner of Best Male Artist at the iHeartRadio EDM Awards, he has played a pivotal role in bringing electronic music into the mainstream. That influence has recently extended into the world of sports entertainment.
In 2024, Kaskade made history as the first-ever in-game DJ, performing for an audience of more than 123.4 million viewers. He continued this momentum with appearances at the X Games in Ventura, California, a post-Phillies game set in July, and a performance at a LIV Golf tournament. That same year, he also became the first-ever starting grid DJ at a Formula 1 race in Miami.
Beyond these milestones, Kaskade made a surprise appearance at Coachella in 2024 alongside John Summit and Alison Wonderland, followed by a three-hour B2B set with Idris Elba in 2025. His ability to transcend genres has established him not only as an icon within electronic music but also as a crossover force with a broader audience, collaborating with artists such as Jennifer Lopez, Alicia Keys, Meghan Trainor, and Gwen Stefani. As he continues to push boundaries, it’s hard not to wonder what groundbreaking move he’ll make next.
Widely regarded as one of the best producers in the game, CID has gained recognition from the likes of John Summit, Fisher, Dom Dolla, Diplo, and many more. The GRAMMY Award–winning DJ, producer, and owner of the Night Service Only label consistently delivers club-ready tracks that have solidified him as one of the highest-selling artists on Beatport. Inspired by DJs mixing at his dad’s Spanish restaurant, CID has been mixing since he was 11, and a few years later landed an internship at a professional studio. His dedication to the craft, paired with his ear for career-defining records, has helped CID to become a well-respected staple of the house music community.
With a career spanning nearly a decade, Anabel Englund has grown from being the voice behind iconic house supergroups Pleasure State and Hot Natured to cementing her status as a standout figure in the house music scene. After debuting her album Messing With Magic in 2020, her career has only accelerated, earning 12 No. 1 US Dance Airplay singles in just a few years and becoming the first woman to win iHeartMusic’s “Dance Artist of the Year” in 2023. Having collaborated with many heavyweights in the industry, including Disco Lines, Benny Benassi, Tchami, and more, she continues to push the boundaries of dance music, cultivating a sound that is both dynamic and eclectic while showcasing her talent as a multifaceted songwriter and lyricist.
INZO creates genre-defying electronic music that blends intricate melodies, dynamic rhythms, and otherworldly sound design. His global following is a testament to his talent, and alongside this success, he runs his label, Local Void. From this platform emerges a new future bass visionary: INZO opens the first chapter of a new era with “Mirrorverse.”
This cinematic title track guides the story of his forthcoming EP and tour. This release embodies everything that Local Void represents, particularly its immersive soundscapes, heavy drops, and unexpected textures. Guided by a spirit of authenticity and experimentation!
The “Mirrorverse” release marks a renewed clarity in INZO’s creative vision. He begins to unveil the thematic framework of a larger project, inviting listeners into a realm shaped by reflection, duality, and the unseen forces that influence our inner and outer worlds. “Mirrorverse” begins with clear, bright sounds that gradually build in intensity, combining uplifting melodies to create a feeling of a large, emotional, and vibrant scene. The track builds to a powerful ending, where bright synths flow over a strong, steady base. “Mirrorverse” embodies the emotional DNA that feels both nostalgic and progressive.
“Thematically, this song was subconsciously influenced by the idea that our external reality is a direct reflection of our internal world—our thoughts, inspirations, and ideas manifesting outward like a mirror. With that came a song that represents what I think is an inherent core sound for me. A form of DNA that has authenticity manifested, if you will. Drawing back to the theme that if you’re being authentic, authenticity will reflect.“- INZO
He seamlessly fuses electronic, ambient, and bass elements. Delivering immersive performances that invite listeners to explore, dream, and feel connected to a larger universe. It’s an early introduction to the universe INZO will bring to the stage on his sweeping 2026 ‘Mirrorverse’ headline tour. This will be his last for a while, so it is not to be missed. Stay up to date with everything and be prepared to explore new dimensions by checking out the links below!
Eli Brown joins forces with Danny Avila and SACHA to release “Gotta Go,” a high-octane techno single on Brown’s own imprint, Arcane. The track fuses Eli’s dark, driving sound with Danny’s melodic punch and SACHA’s commanding, confident vocals for a high-energy result. Hypnotic grooves, precise rhythms, and explosive breakdowns make “Gotta Go” ideal for clubs, festivals, and streaming playlists alike. Eli Brown shares,
“‘Gotta Go’ is an absolute techno club banger. It hits hard and has been my secret dancefloor weapon all year. I love the track, and it goes off every time!“
Brown has risen from Bristol’s underground to global acclaim, building a career on brooding techno, high-impact sound design, and relentless innovation. Founder of Arcane, he releases forward-thinking music while supporting artists, bridging underground credibility and mainstream appeal. Danny Avila brings festival-ready energy and melodic precision, complementing Eli’s club-focused intensity and taking the collaboration to the next level. Danny adds,
“I’ve always wanted to collab with Eli and I think this song is the perfect mix between us and our styles. SACHA sounds incredible on the song and I can’t wait for this to be out!!”
With “Gotta Go,” a fusion of styles and cultures exemplifies the forward-thinking innovation fans have come to expect from each artist. The addition of SACHA adds further dynamism, elevating the single beyond standard techno offerings and creating a truly forward-thinking collaboration. SACHA comments,
“These lyrics are basically about female empowerment. Gaining control over a situation, and about a girl that knows that her potential lover wants her but is with somebody else who she can just tell doesn’t hold up…. so she is just getting to the point…. She’s Gotta Go. She’s being a fierce, confident, blunt, and commanding woman.“
Equal parts a master producer and veritable phenomenon, Eli Brown is a sonic force in a category of his own. Unimpressed with conformity, Brown’s career reflects his indomitable spirit and relentless drive to carve out his own space. Brown’s boundary-breaking work has cemented him as a top DJ, producer, and one of the most-streamed techno artists worldwide. Whether hitting festival main stages like at EDC or underground clubs, “Gotta Go” is destined to leave an indelible mark on dancefloors around the world. The single is streaming now on all major platforms. Listen today and bring the high-voltage energy straight to your speakers.
Oakland bass disruptor Neumonic teams up with Deadbeats veteran Mary Droppinz for “What?”, released January 21, 2026. Known for Neumonic’s unique style of UK-fused bass and Mary Droppinz’ classic sound, this track is the epitome of two artists colliding. Notably, the single launches Neumonic’s forthcoming Deadbeats EP. Neumonic states,
“‘What?’ is a long overdue collaboration with Mary Droppinz that we’ve had so much fun playing out live. We started this on our last Colorado shows together and has slowly evolved over the months after and slowly added more ridiculous lyrics. It was also the opening track of our first official B2B at Untz Festival 2025.“
Both artists deliver a dark, yet euphoric, journey that pushes the boundaries of experimental dubstep. It pulls you deeper with every switch and sound design. It’s the kind of record that stops you mid-listen and makes you think, “What did I just hear?”—in the best possible way. This duo is entering 2026 strong with real momentum following the breakout year they had in 2025.
With debuts at INFRASOUND and WORMHOLE, Neumonic’s UKF release “Bassline Bizness” has earned early support from tastemakers like Zeds Dead, Skrillex, and Mary Droppinz herself—marking him as one to watch in the bass and UKG space. Meanwhile, Mary Droppinz is fresh off major festival debuts like Lightning in a Bottle and Seven Stars, alongside the release of her latest project, “Sugar.” Both acts are embarking on ambitious tour runs with a clear goal: to raise the bar and keep pushing forward. Listen to “What?” now streaming on all platforms.
John Hayes, a talented producer and live performer from Denver, released his full-length album, Closer, on January 16 through Nettwerk. This album stands out with its distinctive blend of electronic, indie, and dance elements, highlighting Hayes’ unique artistic style and signature flair. Hayes weaves infectious rhythms and captivating melodies to create a sound that is both innovative and deeply engaging.
Closer pulses with an internal restlessness that drives its uplifting tempo, intricate percussion, and exhilarating momentum. The result is an album that feels both deeply personal and euphorically energetic, perfectly balancing introspection with a captivating beat. This album is a thrilling tapestry, weaving together deeply personal reflections with an infectious, uplifting groove. It perfectly harmonizes moments of introspection with dynamic rhythms, crafting an immersive sonic journey. This release signifies a bold leap into a new realm.
Photo Credit: John Hayes
The inspiration for Closer came during a transformative period when Hayes faced the daunting challenge of recovery from a serious ski injury that left him unable to walk for months. Cut off from the thrill of live performances, he poured his longing for movement and liberation into his music. Each track unfolds with care and intention, inviting listeners to interpret the deeper emotions while keeping the energy alive.
The album is now streaming on all major platforms! Don’t miss out on following John Hayes and joining him on this exhilarating musical adventure through the links below.
If you’ve been keeping up with Of The Trees, then you know something big is coming. After wiping his socials and linking a new website across his profiles and stories, he returns with his first solo single in almost two years. “Dolori” is his first look into his highly anticipated forthcoming album, Moonglade Park. Fans have been waiting for this track for a couple of years now, since it was most notably played during Of The Trees’ debut Electric Forest set and during his closing performance at his own multi-day event, Camp Alderwild. Check out the track below to step into the newest place to chill, Moonglade Park.
“Dolori” sets an emotional tone for Moonglade Park, transcending listeners through a spiritual and sonic journey. Goosebumps are an inevitable byproduct of this track, as the deep yet soft percussive bass layers with hypnotic vocals, ambient textures, and introspective sound design. Each bassline sends waves of emotion as Of The Trees consistently excels at landing at the intersection of nature, sound, and story.
Set across a series of diverse natural environments, his music video reflects the landscapes that inspired the forthcoming album and underscores the organic relationship between the music and the world that shaped it. The visuals move back and forth between a dancer immersed in a lush forest surrounded by colorful flowers, atmospheric scenes in the desert, rain-soaked moments in the forest, and firelit scenes where she dances outside beside a hauntingly beautiful flame.
Rather than following a linear path, the video flows intuitively between these settings, mirroring the track itself. Throughout, the dancer reaches what can only be described as a flow state, staying deeply in tune with the bass and the natural world surrounding her. Of The Trees directed fans to “Visit moongladepark.com,” offering an invitation into the world of Moonglade Park.
This release of “Dolori” is our first dip into the waters of Moonglade Park, Of The Trees’ long-awaited full-length album, filled with genre-defying tracks that blend downtempo electronica, cinematic ambient, and experimental hip-hop. Drawing inspiration from iconic albums such as Pink Floyd’s Dark Side of the Moon and Led Zeppelin’s Houses of the Holy, this LP is meant to be experienced in full, with the intention to slow down, reflect, and reconnect, especially in times of great uncertainty when hope is most needed. Check back for full coverage of the album as it drops, and don’t forget to keep up with all things Of The Trees at the links below.
Everyone loves a Super Future and Wreckno collaboration, and this time, it’s not just a single or SoundCloud mix. Today, we’ve been blessed with a full EP! With six highly anticipated tracks, including “BABY,” “YES,” and “LUNCH,” this new EP, ASS THROWERS ANONYMOUS, solidifies their collaboration as more than a side project; instead, it’s a true creative partnership!
“Now that the EP is coming around, it’s crazy to think that we’ve been writing and re-writing these tracks between our solo endeavors,” said Super Future. “Some of these tracks are very fresh new ideas, but a couple have been reformatted a bit like since 2022-ish, actually. By this point though, we feel like we’ve solidified our solo careers enough to get back to the fun vibes with no boundaries or real rules and do THIS.”
“This honestly just represents the fun that we wanna have outside our own projects and I think that honest creativity is felt in these tracks. We pretty much always take it back to “does this fit the vibe of that first iconic mix we did?” Even as times and tastes change in the scene, pure fun trap/twerk/bass/house/whatever still feels undeniably fun anywhere you are.”
As always, Super Future and Wreckno continue to keep things fresh by bringing a strong sense of variety to their releases. The ASS THROWERS ANONYMOUS EP perfectly encapsulates their ability to transcend genres, blending house-infused beats with bass-forward production, layered with Wreckno’s unmistakable vocal presence and unapologetic attitude. It unfolds as a showcase of Super Future and Wreckno’s range, with three tracks already familiar to fans.
Previously released cuts like “LUNCH”, “BABY!” and “YES!” each highlight a different side of their chemistry, moving from playful swagger to bold, high-energy moments and cheeky, dancefloor-ready confidence. The remaining tracks push things further, with “WEEKENDS” channeling Wreckno’s signature attitude over Super Future’s funky bass. “BANG!” leans more into a trap-inspired sound packed with bass-face-worthy sound design, and “SIGNAL VIP” delivers heavy bass. While all of their releases have been hits, this project stands as a true testament to the growth both artists have made in their careers, setting the tone for future collaborations.
“I think the beautiful thing about ATA is that it’s a passion project between two friends who just love each other and have the ability to tap back into it whenever we decide to,” said Wreckno. “We came, we popped off in 2019, then we focused on our solo careers! I’m so grateful we came back together in big ole 2026 to release our second collaborative body of work. I still love the first EP, but listening to the second EP, I can hear the years of growth on both ends. Nick’s production has leveled up even more, which is crazy because it’s always been great. My writing and vocal abilities have also gotten a lot better. It just feels like a fully realized version of what we were aiming for in 2019. Feels very special!”
Beyond the music, Super Future and Wreckno have gone above and beyond in executing their shared mission of creating safe and inclusive spaces that promote individuality and community. Wreckno stands as one of electronic music’s most visible queer voices, while Super Future continues pushing the boundaries of modern bass, culminating in a project that reflects the trajectory of a more open, collaborative genre rooted in self-expression.
This new EP kicks off an exciting year for both Super Future and Wreckno as they prepare for major performances, including their Mission Ballroom debut on Valentine’s Day. Both artists will play individual sets, followed by a B2B ASS THROWERS ANONYMOUS joint performance. Check out their socials below to make sure you don’t miss a chance to catch them live!
As the year is coming to an end, we had the chance to go Beyond The Booth with Atura! Atura is a rising American electronic music artist and DJ carving out his own distinct lane in today’s club landscape.
What inspired you to become a DJ, and how did you come up with your stage name, Atura?
Atura: Back in 2005, my cousins Ryan and Danny showed me a bunch of cool music by an artist called Basshunter, who was SUPER influential on what I listened to in the years to come. At that time, I was already listening to artists like Daft Punk, Fatboy Slim, and Paul Oakenfold, but Basshunter really struck a deep chord with me. That all eventually led me to start making music a few years later with one of my best friends, Teiji, and my artist name actually comes from his last name’s letters, all jumbled. We were trying to come up with new aliases together, and I was stuck. He came up with Atura and didn’t really like it, but I thought it sounded cool, so I took it, and he ended up naming himself Duumu. Shoutout Teiji one time for the name, love that guy.
For someone just discovering you, how would you describe the sound of your music to them?
A: Honestly, it’s a bit of a mix of all of my influences, but the short answer is I like to take the looping, euphoric feel of French House/Touch (Daft Punk, DJ Falcon, etc.) and mash it with the modern takes on Hardgroove (Club Angel, Kettama, etc.). Basically fast and euphoric with emphasis on the soulful feeling of those ’90s classics.
What ongoing influences or experiences continue to shape your sound as you grow within the music industry?
A: I’m seeing a lot of people go back to the older, dirtier sound that I’ve always loved, so that’s gotten me VERY inspired as of late. I adore hearing very dusty-sounding drums over some warm chords, and everything put together, honestly, very messily. It’s such an innocent sound that makes me so excited to dig and find more.
For someone trying to make it in the music industry, what advice would you give them?
A: Remember, you’re doing this for the kid version of you. Hold that close to you, because the grind is not easy and can be for a very long time. I started making music when I was 13, and the journey has been long and beautiful. Just enjoy the ride and remember that this is not just for you, but the younger version of yourself. Imagine how proud they will be when you get there!!
Photo Credit: @aturamusic
It can be from any genre, but who would you love to collab with and why?
A: I have 3 artists of very different styles that I’d love to work with. First off, Salute would be such a fun producer to work with; their sound has inspired so much of what I’ve done over the last few years, so working with them would be super sick. I’d also be curious to hear what I’d make with artists like Lido or Anatole Muster; both are artists I listen to a lot and take a lot of inspiration from.
What is your process when collaborating with different artists, and how do you approach blending your style with theirs?
A: When a collab starts for me, it usually comes from me and the other artist hanging in a studio in person or just on a call on Discord, I have a lot of fun just being present together and just bouncing ideas off each other and getting super excited together and having those “BROOOO NO WAY” moments in the studio, I truly believe it comes off in the song and it’s a really special feeling when it happens.
Photo Credit: @aturamusic
How does your third EP, ‘Rebirth,’ compare to the other music that you have released?
A: Making this new EP, I had the plan of putting my most exciting and club-ready tunes forward, so immediately after I finished Bloomheart, work went right underway for Rebirth. This EP really feels like a love letter to the dance floor and about that amazing feeling of being out there more than anything I’ve ever made before. Overall, it just feels way more intense and high-energy.
How was it opening for Porter Robinson after the party for EDC Orlando? When you found this out, what was going through your mind?
A: The day that I found out I got the gig, I was in Denver hanging with my friends after my show with Demotapes. I got a call from my manager and had to casually go back into conversation immediately after, which felt insane to me. I was super gassed about it obviously, and we all went out to celebrate after and had a fantastic night. When it came time to play the show, the place was pretty packed, and I was ridiculously nervous. Still, I entered a flow state right when I got on stage and was super happy with how it turned out. Meeting him was super dope, too. It was just a super chill, quick convo after my set, and then I went to wind down and watch the show. Super sick night and sick show.
What was it like performing at Nocturnal Wonderland as your first festival, and how did that experience influence your growth as an artist?
A: Nocturnal was such an amazing experience that taught me a LOT. Getting that first bit of festival experience at such a reputable event was honestly such a blessing. Getting to hear the stuff I had been making over gigantic speakers helped shape the EP a ton; it was basically the biggest car test ever.
Photo Credit: @aturamusic
Before performing, what are some pre-show rituals you do to get in the right mindset for each performance?
A: I’m a man of superstition because of my hockey background, so I do the same thing every show, just like I did before games, which is just pace back and forth four times each way, taking deep breaths, giving myself a speech that amps me up, and then jumping and shaking out the nerves.
How do you switch up your sets to keep them fresh for different crowds?
A: I actually don’t plan my sets out at all, besides like the first two songs. I love reading the energy in the room and just going off of that. I spend most of my show day prep just finding new things on SoundCloud or cooking up quick ideas to play out the same night. It’s a very fun practice, and I really love going about it that way.
What is your dream venue/ festival that you would love to perform at?
A: Oh man, Portola, Tomorrowland, and EDC Las Vegas for festivals, and Red Rocks, The Gorge, and TD Garden for venues. TD Garden, just because I grew up going to Bruins games all the time there, and I would love to have that place all to myself for one night and throw a ridiculous party.
If you had an unlimited budget, what effects (visuals, lasers, pyro, etc.) would you want for your performance?
A: Barely any. Give me lights directly above the crowd, facing down, an old school low-quality 90’s jumbotron screen, and a small set of lasers that go directly above the crowd’s heads. Put me in the middle of the room, and let’s have an absolute evening just listening to music. I’m not curating a spectacle, I want to curate an energy.
Think big picture now: if you get a documentary made about you/your music career, what are some key things that should be included & why?
A: Easily include the absolutely ridiculous times my friends and I had experimenting with music back at my friend Patrick’s house in middle/high school; those days were super formative and where I learned so much about myself as an artist. I owe so much to those guys.
Photo Credit: @aturamusic
What has been the most memorable thing you have experienced since you have been in the music industry?
A: That’s gotta be playing my first show in my home city of Boston in 2019, alongside Underscores, Peter Kuli, and Chuck Sutton. Genuinely an insane lineup if you put it together today, wouldn’t really work, but such a nuts thing to see where we all are now.
How will you know that you have “made it in the music industry”?
A: On an emotional level, making it in this industry is all about if your music has impacted even one person. To get DMs about how a song got someone through a tough time is genuinely the best feeling in the world, and simultaneously getting to meet so many great people and do so many cool things that I’m grateful for, that’s why I feel as if I’ve made it to some degree.
How do you stay authentic to yourself while being in the music industry?
A: Just by remembering that this is all just music and we are all just people who love this stuff. I am just a fan too, so are all of my favorite artists, and the same for you and anyone reading this. It’s all a big pool of nerds who love this stuff.
At Moon Lvnding, we show gratitude every day. How do you show gratitude in your daily life?
A: Every single day, I am so grateful for the people around me, whether it’s the people I work with, my friends, or my mom. I make sure it’s known how much they mean to me and how much they impact my life.
Where can fans discover your music?
A: You can check my stuff out on any streaming platform, including and especially Soundcloud! The same goes for social media, where you’ll get to hear sneak peeks of what’s coming up next.
Is there anything else that you would like to share?
A: Next year is going to be a super sick year, got a few really cool collabs with some incredible artists and some people I look up to, and a bunch of shows, headline, support, festivals, you name it. Not gonna say too much yet, but it’s gonna be a really fun year! 🙂
Keep up with all things Atura with the links below.
