Boom Records presents the highly anticipated collaborative single “Still” by electronic music power duos Polar Bears and Rich DietZ. This high-energy track, crafted for late-night sets, is designed to ignite packed dance floors and peak-time moments, inspiring excitement among fans and industry insiders.
With their electrifying performances and dynamic sound, The Polar Bears are taking the music scene by storm and evolving their artistry to leave a lasting impression! Their highly anticipated track “Still” has been brewing since Miami Music Week 2025, where The Polar Bears and Rich DietZ lit up the stage together, igniting a wave of excitement and buzz.
That unforgettable set laid the foundation for “Still,” a track that promises more than just a dance floor anthem; it’s crafted to forge deep emotional connections with fans. This collaboration is a perfect harmony of creativity, showcasing the incredible synergy between these duos!
“After our B2B with the Bears at Miami Music Week last year, we knew we had to get in the studio and make a record that captured the same energy from the set. We locked in shortly after, and this 137 BPM house record was born.” – Rich DietZ
“Rich DietZ has such a raw, groove-forward approach, and it pushed us to lean into a more stripped-back, driving side of our sound. We wanted ‘Still.’ to feel effortless but powerful — something you can lose yourself in at 2 AM.” – Snowball
“This record is all about staying present in the moment. Whether you’re on the dance floor, in your car, or with your people, ‘Still’ is meant to pull you in and let everything else fade out.” – Zero.
Photo Credit: Polar Bears Facebook
“Still” marks an exciting new chapter for The Polar Bears and Rich DietZ as they expand their reach into 2026. The track combines reflective and anthemic energy, lighting up the dance floor with its irresistible rhythm. With deep storytelling and high-impact production, it’s impossible to stay “Still.”
Kaleena Zanders steps into a new era with sparkle, soul, and serious groove. This time, she links with Grammy-nominated British vocalist Bipolar Sunshine for “Can You Imagine,” now on streaming platforms. The single lands via Helix Records, and it feels like the start of something big. The record captures the soulful chemistry between two artists known for pushing emotional depth with global impact.
From the jump, the collaboration bridges two distinct corners of dance music history. Kaleena brings gospel power and festival-sized charisma. Meanwhile, Bipolar Sunshine adds indie warmth and unmistakable emotional texture. Together, their chemistry feels nostalgic yet built for modern main stages. Kaleena shares,
“He may not know this, but Bipolar Sunshine has been one of my favorite artists since 2016. I love how he was innovating dance music, bringing his nostalgic indie style lyrics and angelic voice that made dance music a little more vulnerable and intimate.”
“Can You Imagine” rides a wavy, forward-thinking house groove. Bouncy drums shuffle beneath shimmering chords and elastic basslines. Above it all, Kaleena’s electrifying vocals soar with conviction and color. Bipolar Sunshine counters with smooth, indie-leaning lines that melt into the pocket. Behind the boards, Ryan of Party Pupils, Andy of Koastle, and writer Blimes add extra polish. The result? A crisp, warm, and effortlessly danceable track that moves the hips first, and then the heart.
“I’ve been wanting to work with Kaleena for a while. This song is the product of a lot of collaboration, and we both definitely captured some magic on this record.” -Bipolar Sunshine
The timing couldn’t be better for both artists. Kaleena continues stacking momentum with high-profile shows and national tour plans. Meanwhile, Bipolar Sunshine rides fresh buzz from his latest DJ Snake collaboration. Ultimately, the single captures two artists operating at full color. “Can You Imagine” feels primed for golden-hour sets and sing-alongs. Most importantly, it sounds like freedom bottled into three radiant minutes. Queue it up and let the groove carry you forward.
UK producer Zero returns swinging with 14ZERO, his long-awaited Deadbeats EP, out now on streaming platforms. The project lands as both a statement piece and a mission briefing. Built around 140 pressure and razor-sharp sound design, the record hits hard and lingers longer. Simply put, Zero isn’t chasing trends; he’s reinforcing foundations.
From the first drop, the EP plants its flag firmly in modern UK bass culture. Wonky basslines wobble beneath clipped drums and vocal chops, making each track feel raw and tactile. The precision never slips, thanks to Zero’s meticulous studio control. The title track, “Dubplate Fly,” opens the gates with veteran MC Riko Dan. Trap energy collides with classic dubstep grit, setting an immediate war-ready tone. Naturally, the tune already earned club support from Mala, Moody Good, and Coki. It’s the kind of opener that demands a rewind before the second drop.
“HMS” follows with a choppy, razor-edged groove that swings like liquid steel. Meanwhile, “HOLY GHOST” smooths the edges with a deeper, moodier pulse. The restraint still carries weight, proving Zero’s range extends beyond pure aggression. Closing cut “ON JOB” ties everything together, blending grime attitude and dubstep heft into one final statement. Every element feels intentional—nothing wasted, nothing soft. The EP finishes exactly how it started: confident and uncompromising.
Beyond the studio, Zero’s momentum keeps stacking. In 2025, he secured a #1 spot on Beatport’s Top 140 chart, aditionally cracking the Top 100 overall, signaling serious global traction. Now, 14ZERO aligns with his “Bangers Only” worldwide tour. As an artist, Zero bridges underground tradition with modern firepower. His sound honors dubstep’s roots while sharpening it for today’s dance floors. This new EP feels like the clearest picture yet of where he’s headed.
“BANGERS ONLY” WORLDWIDE TOUR
UK DATES
Feb 13 – Joshua Brooks – Manchester, UK
Feb 20 – Beaver Works – Nottingham, UK
Feb 21 – NX Newcastle – Newcastle, UK (b2b Saint Ludo)
Beat Intelligence Network (BIN) celebrates its first anniversary as a music label, and what better way than by dropping 21 remixes of the first-ever song released on its label. The collective unloads a remix pack of Versa’s “Another Yoi Song,” which feels like total destruction. From the jump, the original record already sounded unhinged in the best way: rubbery low-end, cartoonish stabs, and that signature “yoi” bounce. The track became prime material for flips, edits, and late-night doubles.
Now, BIN hands the stems to a squad of underground disruptors. Naturally, the guest list reads like a roll call from the riddim trenches. Subfiltronik swings heavy with grit, while Ponicz injects mechanical funk that stomps forward with precision. VICKY B and WARLORD join the party, and we even get “Another Yoi Song VIP (VIP).” Each remix mutates the original into something stranger and sharper. Some cuts creep in minimally and hypnotically, and others explode immediately, stacking distortion like blown speakers at a warehouse rave. Every drop feels unpredictable, reckless, and wildly fun.
The project also doubles as a milestone moment for Beat Intelligence Network. In just one year, BIN has carved space for fearless, forward-thinking producers. They’ve prioritized underground energy with a philosophy that bleeds through every second of this release. By the end, the compilation feels sweaty, loud, and gloriously overstimulating. Still, Versa’s unmistakable “yoi” motif ties everything together like a mischievous grin. The remixes are messy, heavy, and proudly unfiltered. Another Yoi Song (The Remixes) is available now across streaming platforms. Crank the volume, call your crew, and celebrate one year of BIN properly with an album full of YOI!
Stockholm’s soft-focus alchemist returns, and this time, he hits straight for the heart. Kasbo unveils “All This Time,” an aching, radiant single. Moreover, the release launches his first chapter with Lane 8’s This Never Happened, now streaming on all major platforms.
From the first breath, the song favors feeling over force, and texture over spectacle. Warm synths bloom slowly, then drums tiptoe forward like distant headlights. Meanwhile, melodies stretch and shimmer, tracing memories you forgot you carried. Kasbo shapes every second with restraint, allowing silence to speak loudly. Consequently, the result feels intimate, tender, and quietly devastating.
The accompanying visuals mirror Stockholm’s streets, soft skies, and lived-in corners. They frame Kasbo not as a spectacle, but as a storyteller. Fans receive a closer, more personal window into his world. It feels human, grounded, and refreshingly unfiltered. This chapter trades flash for feeling, and it wins.
However, this is not a retreat but a recalibration. After years of touring, Kasbo returned home and rediscovered joy through DJing and shared listening. That stillness sparked curiosity and sharpened his instincts. Therefore, euphoric minimalism and hypnotic trip-hop seep naturally into his palette. “All This Time” captures that shift with clarity and confidence. Additionally, the partnership with This Never Happened feels beautifully inevitable.
Lane 8’s label champions presence, connection, and phones-down immersion on the dancefloor. This Never Happened was inspired by the vision of a return to the true principles of dance music culture – people, music, connection, and the magic that exists between them. The concept is very simple: no recording, no filming. If you weren’t there, This Never Happened. As a result, this release lands like a promise kept.
“All This Time” plays like a late-night drive with the windows cracked. It belongs in dim clubs, quiet kitchens, and long walks home. Press play, then let the song breathe beside you. Stream it now and experience the moment fully. Because with Kasbo and This Never Happened, if you weren’t there, it never happened.
Bay Area bass producer Shlump is launching the next chapter of his artistic journey with the release of his new single, “Oh My Gatos!” now available for streaming everywhere via WAKAAN. This marks Shlump’s first official single from his upcoming debut full-length album.
On the surface, “Oh My Gatos!” has a playful vibe, but dig deeper, and you’ll find it bursting with intricate craftsmanship, marking a thrilling evolution in Shlump’s sound. This new era is all about song-driven, character-rich bass music that defies the usual build-drop patterns while still delivering that undeniable dancefloor energy. Shlump has earned a reputation as one of the most innovative and visionary producers in the bass scene, and this single perfectly captures why!
With a blend of warped low-end, elastic rhythms, and imaginative sound design, “Oh My Gatos!” is packed with humor and personality that’s sure to captivate listeners. Infusing classic dubstep elements with a West Coast twist and otherworldly textures, Shlump has pioneered his own unique “Alien Bass” sound. This vibrant track is filled with nuance and massive low-end waves, promising an unforgettable listening experience!
But that’s not all! ‘The Chronicles of Shlump Tour,’ an epic headlining run that spans over 30 dates, is in full swing. Shlump describes this tour as one of the most intentional projects of his career, with meticulously crafted visuals that foster a strong sense of community and a powerful musical narrative. He is joined by an amazing lineup of supporting artists, including Stylust, Shanghai Doom, Medicine Place, Dirtysnatcha, Chozen, Secret Recipe, Floret Loret, and Zoska on select dates, with even more shows to be revealed as spring unfolds! Stay in the loop with the links below!
Last year, the mysterious riddim collective known as The Resistance released their debut EP EVIL EMPIRE. Now, exactly one year later, they’ve returned with an 11-track remix compilation, EVIL EMPIRE (THE REMIXES) featuring some of riddim and dubstep’s top producers. With the original EP already regarded as one of the defining riddim releases of the past year, each reimagined track brings fresh and exciting energy to the project.
The Resistance consists of nine anonymous, distinct creative voices united under a shared vision that blends heavy bass with dystopian themes to create immersive live experiences. Having gained attention for their theatrical stage presence, the group maintains anonymity through sinister masks and a Star Wars-inspired aesthetic.
The original EP featured four tracks, but the remix project comprises multiple reimaginings of each one. The breakout title track, “EVIL EMPIRE,” has been remixed by both FuntCase and OG Nixin. “BATTLE OF CRAIT” receives three remixes from Automhate, Mvrda, and JUB, while “T-70” also gets three new versions from Chibs, Muerte, and Ophion. Closing out the release are three remixes of “LASER BRAIN” by Aweminus, ONAra, and Izzy Vadim. From laser-focused riddim to experimental production, each track delivers a unique flip that takes the original EP into new sonic territory.
This compilation arrives just ahead of The Resistance’s new audiovisual experience, SHADOWCELL, set to premiere in early March at RAMPAGE 2026, Europe’s largest bass music festival. Sharing the stage with hard-hitting acts like Sub Focus, Infekt, and Wooli B2B Crankdat, their performance is expected to blend immersive world-building, cinematic storytelling, and devastating sonics. With the release of this remix compilation alongside the debut of SHADOWCELL, 2026 is shaping up to be a pivotal year for The Resistance.
After dropping his highly anticipated fan favorite track “Dolori,” the first single from his upcoming studio album Moonglade Park, Of The Trees is back with another undeniably bass-forward hit, “Look Into My Eyes.” Collaborating with Atlanta’s iconic hip hop duo EARTHGANG, the track showcases a different side of Of The Trees’ production compared to “Dolori,” highlighting the range of sounds and vibes listeners can expect across the upcoming album.
“It’s been a lot of fun working with Of The Trees on this record,” said EARTHGANG. “This record is one we think is an example of true collaboration. We both brought something from our worlds that created something fresh that we believe both of our fans will enjoy.”
First debuting in Atlanta and later featured in Of The Trees’ 2025 Electric Forest headline set, “Look Into My Eyes” pushes the boundaries of both hip-hop and electronic music, showcasing the forward-thinking creativity of each artist within their respective genres. The track is a genre-defying fusion of cinematic bass, immersive low-end sound design, and EARTHGANG’s intentional, hypnotic lyricism. The result is a dancefloor-ready yet introspective cut, driven by cinematic bass and a moody, atmospheric vibe.
Similar to the release of his first single, “Dolori,” Of The Trees and EARTHGANG have also dropped a music video alongside “Look Into My Eyes.” Filmed in Fairplay, Colorado, the video captures the genuine creative chemistry between the artists while showcasing the natural environment that inspired the album. Watch the newly released music video below.
OF THE TREES
Photo Credit: Frankie Zarantonello @franki3lee
Based in Denver and originally from Maine, Of The Trees has been captivating audiences with his signature blend of dubstep and hip hop, pairing expansive synth textures and layered chords with hard-hitting 808s. In 2016, he released two full studio albums, debuting Dream Atlas in February, followed by Duat later that July.
Over the past decade, he has collaborated with major artists like John Summit and Curren$y, amassed millions of streams across tracks such as “Spanish Moss,” “Windhorse,” and “Everglade March,” returned to Red Rocks for a second consecutive year this past November, and launched his two day immersive event Camp Alderwild, which blends music, nature, and community. These milestones marked the start of his 30+ date national bus tour, featuring support from artists like Opiuo, Detox Unit, and EAZYBAKED at iconic venues including The Salt Shed, The Hollywood Palladium, BayCare Sound, and Brooklyn Paramount. With most dates already selling out, fans are encouraged to secure tickets soon to catch the remainder of the tour at www.ofthetreesmusic.com/tour.
Now, nearly a decade after his previous studio albums, Of The Trees returns with Moonglade Park, a project that reflects on environmental preservation, memory, imagination, and creation within a world driven by noise, speed, and automation. Inspired by full album listening experiences, he took the immersion a step further by wiping his social presence and beginning the curation of the Moonglade Park universe through a companion website, www.moongladepark.com. The site acts as a digital storyteller, mapping fan experiences, tour stops, and music video releases while embracing a late 1990s retro national park aesthetic. With two releases already out, the album is shaping up to embody everything Of The Trees stands for: intentional music rooted in stillness, growth, and transformation.
Hailing from Atlanta, EARTHGANG is a Grammy-nominated, genre-bending hip hop duo known for their boundary-pushing sound and philosophical lyricism. After signing to Dreamville in 2017, the duo carved out a distinct lane as leading voices in progressive hip hop, blending Southern hip hop influences with a forward-thinking creative vision.
With hundreds of millions of global streams, EARTHGANG has collaborated with major artists including J. Cole, Young Thug, Curren$y, Wiz Khalifa, and CeeLo Green. Their cultural impact continues to grow, earning praise from outlets such as Rolling Stone, Pitchfork, Interview Magazine, NME, Highsnobiety, and VICE for their immersive storytelling and thoughtful reflections on modern culture. Their work often addresses timely issues, including artificial intelligence, environmental justice, mental health, and spirituality.
Beyond their music, EARTHGANG founded The EARTHGANG Foundation, a nonprofit focused on local empowerment initiatives and climate advocacy aimed at raising awareness and action around environmental injustice. In recognition of these efforts, the duo was honored at the White House by Vice President Kamala Harris and awarded their own EARTHGANG Day on April 27 by the city of Atlanta.
After a bold artistic reset and full creative reintroduction, Grabbitz launches his next era with “Blood On My Hands.” This raw, bass-driven single debuts 1/30 via Breakaway Projects/Sony. Marking his first release following a complete visual and sonic reboot, “Blood On My Hands” signals a decisive return to the sound that originally built Grabbitz’s reputation as one of bass music’s most technically gifted producers.
After several years exploring vocal-forward and rock-influenced territory, the new record re-centers the project. Focused on heavy low-end, intricate sound design, and emotionally charged production—the release follows a dramatic rebrand at the top of 2026: a wiped social presence, new visual identity, and symbolic haircut representing a full-circle moment for the producer. Grabbitz shares,
“A decade ago, there was a moment where bass music inspired me so profoundly that I dropped everything to chase it.Now, after all the places it has taken me, that moment happened again. Also, the song feels like a Jackson Pollock painting.“
Known as both a producer and a powerful vocalist, Grabbitz stands apart from the generic bass-music scene. His immersive audiovisual performances move seamlessly between catharsis and chaos. From the world’s largest festival stages to a growing run of sold-out headline shows, his live presence has become something audiences don’t just hear, but feel.
Sonically, “Blood On My Hands” balances chaos and control. It incorporates distorted bass textures, fractured rhythms, and cinematic tension. Everything collides into a track that feels both visceral and meticulously constructed. It’s a statement piece: not a crossover, not a feature vehicle, but a record built announcing exactly where Grabbitz is headed next.
The single arrives during a high-momentum stretch of live dates and major festival appearances. In the coming months, more releases tied to the new era can be expected. Be among the first to experience the momentum at launch, and pre-save “Blood On My Hands” now.
Originally from Connecticut and now based in Austin, TX, Jensen Truly is an emerging electronic artist known for immersive soundscapes and emotionally driven performances. After spending part of his childhood in Ajijic, Mexico, he developed an early appreciation for music and culture, influenced by his father’s lifelong involvement in the industry. While music was always present, it was not until high school in Austin that Jensen found his creative direction, turning to DJing as an emotional outlet and gradually building a name for himself through underground house parties.
Following high school, Jensen traveled and volunteered abroad, working on farms in Australia and conducting marine research in Thailand, where a pivotal set at the Full Moon Party cemented his decision to pursue music professionally. After the loss of his mother in 2023, Jensen committed fully to refining his craft through music production studies at Berklee College of Music and Austin Community College. Now, with his debut editorial release “Inconclusive,” Jensen steps into a new chapter of his artistry, sharing a more personal and intentional side of his sound.
“I started ‘Inconclusive’ two years ago and forgot about it until one night I was digging through old demos and found the first version,” said Jensen Truly. “It was totally different back then, but the vocals and keys pulled me back in and pushed me to finally finish it.”
“Inconclusive” is an emotional yet dancefloor-ready track that blends elements of funky house, stutter house, and old school house. The single balances groove-driven rhythms with subtle emotional depth, creating a sound that feels both personal and built for late-night dance floors. It reflects Jensen Truly’s ability as an artist to turn introspection into movement.
If you like the energy of Jensen Truly’s “Inconclusive,” be sure to explore more of his music at the link below. You can also catch Jensen live at his upcoming shows, including his personal project The Furnace in Austin on February 6, opening for Angrybaby at The Marc in San Marcos on February 13, and his festival debut at Big Bond Music Festival on March 27, a boutique camping electronic music event in the heart of the West Texas desert.
