Give thanks Miami! A new chapter in the Magic City’s dance music scene is set to unfold December 15. Renowned Middle Eastern duo Bedouin are bringing their unique brand of contemporary techno back home to the iconic Club Space. The venue regarded as a Mecca for electronic music lovers to dance until sunrise and beyond, will be enveloped in ethereal melodies for the duo’s bi-monthly residency that includes subsequent performances on February 17 and April 6. Opening night is sure to be a sonic masterpiece—the internationally acclaimed duo will grace the illustrious Terrace with the spellbinding sounds of their debut album, “Temple Of Dreams” supported by maestros Francesca Lombardo, Notre Dame, Ms. Mada, and Thunderpony.
“Space is one of the very few long standing dance music institutions in the US. With the dance floor at its core, it does feel like a 24 hour intimate party with a thousand of our good friends. We can’t wait to bring the Bedouin sound for a 3 date residency starting Dec 15.”
Bedouin released their first album this past May after years of performing around the globe and received international praise for the unforgettable Middle Eastern-inspired beats that take listeners on a transformative journey through sound. Since this release, the duo has been venerated with remixes by esteemed producers Damian Lazarus, Vintage Culture, Made By Pete, Robin, LP Giobbi, and Catz ‘N Dogz, with more to come from Santiago Garcia and Nandu. The latest installment, Remixes Part 4 was released today, featuring Harry Romero and Anja Schneider.
Bedouin at Club Space 2021 — Photo by Club Space
Harry Romero brings his signature steamy and chunky house style to “Flore Chico”, blending powerful kick drums with lush chords. The result is a captivating dance floor anthem with organic percussion and soul-stirring synths. On track 2, a mainstay in Berlin’s underground scene and leader of Sous Music, Anja Schneider transforms “Fortune Teller” into a minimal masterpiece. The track features lithe piano chords over wavy drums and warm percussion, creating a punchy yet fluid late-night groove.
Rami Abousabe and Tamer Malki chose the name Bedouin as a nod to the nomadic tribes that reside between their homelands of Jordan and Egypt. A fitting name, as they have been on the move performing music around the world since 2012. Over that span, the duo released several singles and EPs but never a full album—until this year. Rami & Tamer knew that when they finally released an album it had to be thoughtfully curated and significant. Throughout their career, they set aside songs that they felt could be album material until they presented “Temple Of Dreams” this past May. In the album, you can hear Bedouin’s signature style which incorporates ancient instruments into their hypnotic melodies to create honest musical expression that goes far beyond dance music alone. There is no better capsule to experience this confluence of culture and sound than the legendary Space Terrace!
Buy tickets to opening night here and connect with Bedouin below.
A bass head’s dream is coming to Long Beach, California! Insomniac’s latest festival debut, Apocalypse: Zombieland, brings some of the biggest names in bass music to the haunted Queen Mary this weekend November 24 – 25. Be sure to get there early to see these four up-and-coming bass artists to kick off Insomniac’s newest festival.
This duo comes from New Jersey and has played at festivals like WAKAAN, Home Bass, and Ubbi Dubbi. Shanghai Doom got their start in 2017 and finds their inspiration in the more sinister things in life. Their experimental, dark, and heavy music has drawn support from Excision and Liquid Stranger. They’ve released music on both WAKAAN and Cyclops Recordings. Check out some of their songs here and make sure you don’t miss them at 3 pm on the Zombieland stage: “Lightspeed,” “Coconuts,” and “Ripper.”
This Belgium dubstep OG brings his hardcore bass music to the shores of Long Beach. He has been DJing and producing since 2010. His song “Riding” with Jessica Audiffred has over 600,000 streams on Spotify. With songs on Subsidia, Never Say Die, and Disciple Round Table, you know he is going to bring the bass to start your day. Don’t miss Point.Blank at 4 pm on The Lab stage and check out these tunes to get you hyped: “Wonky” and “Drop That.”
Kick off Day 2 with this UK drum and bass artist. Phibes have been one of the top-selling D&B artists on Beatport in the past 12 months with the #1 song “Home Grown.” Their Third Dimension EP hit #1 on Beatport in October 2020 and Phibes played at festivals like Glastonbury and Boomtown. You won’t want to miss the madness this duo brings to the stage at 4 pm at the Containment Zone.
The final artist we’re highlighting on Day 2 comes from South Carolina. SuperAve draws influence from 90s hip hop and futuristic heavy bass. His passion to push the limits of bass music while paying homage to his hip-hop roots has built his reputation in the bass community. He burst onto the scene in 2019 with heaters like “STEP UP,” “RUM,” and “DAYTONS.” You’re not going to want to miss his early set at 2 pm on the Apocalypse stage.
Remember to prepare ahead of time to make it easier to get to the festival for these awesome early artists. Don’t forget to drink plenty of water, eat some tasty food, and most of all, have fun! Experience the brand new bass music festival in an amazing Insomniac location. As always remember to be nice to your fellow ravers and connect with Apocalypse: Zombieland using the links below.
Anita is a 23-year-old Denver native with lime-green hair. You might recognize her as a rising dubstep producer who goes by the name Green Matter. We caught up with her over coffee to chat about her new EP and how she got to where she is today for our latest installment of Who Are Ya?!
She started dying her hair green in high school because it “looked cool under black lights when I was at shows and people started recognizing me for it.” When she was trying to come up with her artist name in 2018, her dad helped her brainstorm. He had seen an album called “Blue Matter” so he suggested, “What about Green Matter?” and it stuck!
Green Matter’s obsession with the old-school dubstep sound goes all the way back to the beginning, with the OGs like Skream, Benga, Flux Pavilion, and Excision. Her older brother took her to see a Skrillex B2B Knife Party set on Halloween of 2012 and that show prompted her desire to produce dubstep. In 2016, she downloaded Abelton and dove right into teaching herself how to produce. Her brother and friends showed her some tips and tricks, but most of what she knows she learned from YouTube tutorials or from trial and error when attempting to emulate her favorite parts of tracks from her artistic influences. Even though she is a dubstep producer, she is inspired by Porter Robinson, his side project Virtual Self, and older techno.
When she was developing her sound, she went with her instincts stating, “I like this sound, this sparks joy to me, so I leaned heavily into that and did what came natural to me.” Recently she has approached formulating new tracks by “playing on the keyboard, messing around until I find a catchy melody that really sticks and start building from there.” It could also mean starting out with a classic sounding bass line, it varies per track. Tracks take her anywhere from two to four months to feel complete enough to be mastered because “as a perfectionist, it never really feels done.”
If you have yet to listen to Green Matter’s work, she recommends you check out “Speakers Knockin’” because “that is my most well-known track at this point and where I really started to dial in my sound and style.” In dubstep, there are a few record labels that every artist dreams of working with, like Flux Pavillion and Doctor P’s Circus Records. Green Matter has released not only on Circus, but also on Excision’s Subsidia, Ganja White Night’s SubCarbon, and Mersiv’s MorFlo. She would love to work with Zeds Dead’s Deadbeats and Liquid Stranger’s Wakaan in the future.
In the two years since her last EP, Green Matter tapped into her emotions. Using music as her outlet, she composed her latest EP, Peace in Chaos, which was released last week. The theme of this EP is “finding my peace within this chaotic life that I live and having to ground myself when everything around me is falling apart or stressful.” The first track “Between The Stars” is about feeling alone and as you progress through the EP, the tracks give a sense that you are closer and closer to getting through it. They all have more melodic intros that morph into heavy drops. She worked with a few different collaborators including Charmae, Yvga, Feelmonger, and Spellwork. She loves all of their work and appreciates their input in bringing her vision to life. Her favorite track on the EP is “Mind Visions” with Feelmonger. She told us that if she could collaborate with anyone on a track in the future, it would be G Jones.
Some of Green Matter’s most memorable moments in her journey so far include the first time she played Mission Ballroom in Denver in 2021 and winning Excison’s Bass Music Initiative in 2022. “It gave me so much confidence and made me feel secure in what I was doing to get recognition from someone I’ve looked up to for a decade.” From there, she was also able to perform at both Bass Canyon and Lost Lands. Other notable shows she’s played include Subtronics Cyclops Cove in 2022 and Forbidden Kingdom in 2023. Her favorite performance so far was her sold-out headlining show in Louisville, Kentucky. She also attended a Jantsen show at Meow Wolf’s House of Eternal Return and was able to go B2B with him because she had her USB with her. If she could perform at any festival, her top three would be Electric Forest, EDC Las Vegas, and Tomorrowland.
While there have been quite a few ups in her career so far, there have also been some downs. As a woman in the male-dominated bass scene, she has faced plenty of adversity. She recounts some producers have been passive-aggressive towards her and given her the cold shoulder. “There was this certain energy that people would have towards me, like I’m in it for the wrong reasons and was only getting certain opportunities because I’m a woman.” She’s had to prove herself constantly and has noticed “a lot of white men are skyrocketing to the top and getting opportunities from people that have had eyes on my project for years but now these other people are a priority.”
Over the last few years, Green Matter has crossed some big goals off her list, but she has a few more that she wants to tackle in 2024. She wants to “continue to build up my catalog of unreleased tracks to play at shows; create a live set that incorporates more midi pads, keyboards, and drum pads; and transition to working as Green Matter as my full-time job.”
If you want to catch a live Green Matter performance, you’ll have a few more opportunities this year. She will be performing in California for the first time next weekend at Insomniac’s Apocalypse ZombieLand festival. Across the country in New York, she will be supporting Ravenscoon on one of the last stops of his Periphery tour on Dec. 8. Back in Colorado, she has a couple more shows scheduled including one in Colorado Springs as direct support for III Gates on Dec. 2 and another in Denver with Level Up on Dec. 15. Green Matter’s sister, who does all of her media, will also be joining her on all of these dates.
When Green Matter isn’t making bangers or selling out shows, she’s probably playing Zelda: Breath of the Wild or watching a scary movie. She’s not into the gory kind of scary movies, but rather the psychological thrillers. Looking forward to 2024, Green Matter has more original songs, collaborations, and remixes to release and shows to announce, so make sure to follow along using the links below.
Dance music producer LP Giobbi teamed up with Redfield and DJ Rae for the rapturous new single “Waiting,” which was released on Diplo’s Higher Ground label on Friday, November 10. This is another step forward in what has been a massive year for LP Giobbi, releasing her debut album Light Places, launching her label imprint Yes Yes Yes, playing an international headline tour, and continuing to support LGBTQIA+ and BIPOC creators through her non-profit, FEMME HOUSE.
LP Giobbi shared, “This track came to life in London when Redfield brought an idea into the session, and we started building a track around DJ Rae’s vocals. After some back and forth, ‘Waiting’ was born.” DJ Rae added, “There’s some real soul in this vocal. The inspiration comes from a special place, which gives the record a unique energy. All the elements have married together to make this a killer collaboration.”
Photo L to R: Redfield, LP Giobbi, DJ Rae
LP Giobbi still has another month left on her Light Places Tour, with Yes Yes Yes afterparties in select locations. Cities up next this week include Denver, Washington DC, and New York City. The complete list of LP Giobbi’s schedule for the remainder of 2023 is at the end of the article after LP Giobbi’s media links.
LP Giobbi Upcoming Tour Dates November 16 – Gothic Theatre, Denver, CO * November 16 – Larimer Lounge, Denver, CO ^ November 17 – Soundcheck, Washington, DC * November 18 – Knockdown Center, New York City, NY * November 19 – FEMME HOUSE @ Superior Ingredients Roof, Brooklyn, NY November 24 – The Independent, San Francisco, CA * November 24 – Monarch, San Francisco, CA ^ November 25 – The Roxy (Two Shows), Los Angeles, CA *^ November 28 – Brighton Music Hall, Boston, MA * November 30 – Velvet Underground, Toronto, Canada * November 30 – CODA, Toronto, Canada ^ December 1 – Bar Le Ritz, Montreal, Canada * December 2 – Concord Music Hall, Chicago, IL * December 3 – Funky Brunch, Chicago, IL ^ December 8 – Art With Me Festival, Miami, FL December 30 – Vision NYE @ The North Warehouse, Portland, OR December 31 – EYE Heart NYE @ Fort Mason Center, San Francisco, CA * = Light Places Headline Tour ^ = Yes Yes Yes Afterparty
Mikey Lion, the Desert Hearts co-founder and house music maestro, released a much-anticipated remix of Destructo’s “You Only Die Once” featuring Snoop Dogg. The track comes from Destructo’s label, All My Friends Records, and stands as a testament to Lion’s unique ability to transform beats into an electrifying experience. YODO!
“This exciting remix kicks off with a catchy bassline and an irresistible dance beat,” Lion explained. “It radiates a nostalgic atmosphere that brings out a sense of joy and adventure, further amplified by the vocals of the iconic hip-hop artist, Snoop Dogg. Together, these elements form an unforgettable house remix and a dance floor anthem.” Just one listen and you’ll agree that this house remix is ready to get the dance floor moving!
Mikey Lion fans will have two chances to catch him in action in November. He’ll be playing the E Komo Mai Festival in Honolulu, Hawaii starting November 10, and then November 22 at The GreenRoom in Fort Lauderdale, FL. To keep up with all the latest news from Mikey Lion, connect through his social links below.
Proppa‘s journey through the EDM scene has seen his sound evolve, but his unwavering passion has remained a constant force in his evolution. He has made a name for himself in the underground house scene with his extensive catalog of banging “Proppa Treatments” remixes on his SoundCloud. With two releases already making waves under his current label EXCEED, a division of Vicious Records, Proppa celebrated a milestone as one of his coveted remixes broke through to major streaming platforms. Last Friday, November 3, he unleashed “Always On Time.”
In this tune, he reimagines the classic Ja Rule and Ashanti hit with a tech-house twist that’s pure Proppa featuring irresistibly groovy, mood-setting guitar riffs and an iconic vocal above a relentless bassline. With the spotlight on, let’s delve deeper into Proppa’s world in our exclusive interview.
Photo Credit: JoeCreates
Brodie Kime: Tell us a little bit about yourself.
Proppa: I’m Proppa! I’m a 28-year-old DJ and producer from Chicago.
BK: How long have you been making music? Do you play any instruments? What is your hardware/software setup like? How do you feel technology has evolved your music?
P: I’ve been making music for nearly 12 years. I play pretty much anything you put in my hands if I have a few minutes to figure it out. But I mainly play guitar and drums. I have a studio at home that I take a lot of pride in. It’s acoustically treated and the perfect creative rocket ship to work in every day. I use Logic Pro!
BK: How has starting your own Patreon and being involved with Dropgun evolved your knowledge of producing? Do you have any other thoughts on how Patreon has helped your career since starting it?
P: Both of my endeavors with Patreon and Dropgun have been way more beneficial than I initially imagined. Working in both capacities has forced me to double down on the basic knowledge that we often ignore. Doing Patreon work has forced me to become an expert sound designer, and I have a constant flow of new sounds for myself as a bonus. Working with Dropgun has opened many doors for me in the broader URL production community. It has also taught me how to be consistent with social media content creation.
Photo Credit: JoeCreates
BK: What inspires your sound, particularly in this new release?
P: “Always On Time” was just a small pawn in the broader field of my remixes. I remix songs that bring back fond memories of my childhood and teenage years. I always try to preserve the most important elements of the original and make them dancier without sounding cheesy or phoned in. I really just thought this guitar groove was asking for a groovy beat and bassline underneath.
BK: This song was originally just a Proppa Treatment. What was the process like finally getting a Proppa Treatment to the main streaming platforms?
P: It’s been tough to be honest. This was maybe the 4th attempt at getting a Proppa Treatment onto all platforms. During my first attempt, I was met with a cease and desist [order] for the song before I could finish the covered vocals and instruments. My next two attempts brought on creative challenges on their own. It’s been hard to adjust to hearing some of these remixes as covers without the original vocals and sounds. Receiving the covered vocals for “Always On Time” brought me a huge sigh of relief when I knew they could be worked with to match the original.
BK: You’ve had other Proppa Treatments go viral and do really well, can you speak on how that has helped your career? Any additional thoughts on the Missy edit?
P: In the grand scheme of things, the Proppa Treatments have done well overall. However, I don’t think I could attribute my success to the individual virality of each remix as much as it is the body of work as a whole. I was consistent for almost a whole year with releasing two and sometimes three remixes per month. I built a really good rapport with DJs in the house scene who knew that when they were downloading my remix, they were getting a crowd-pleaser. When you build out a library of songs like that, more DJs are willing to trust and support your future releases.
If I did have to reference any remix as the breadwinner, it definitely was the Missy Elliott remix. The cease and desist [order] slowed down my growth significantly. An artist with a smaller library of releases would probably be crushed, but I think I padded that fall with enough quality remixes around it to keep going. It’s a thing of the past at this point, and I’ve realized the sooner I let go of it and move on, the quicker my brand will grow.
Photo Credit: Proppa
BK: How much do you plan to keep releasing remixes and bootlegs?
P: I’m currently unsure on the state of that. Things are complicated because of my various commitments, and I’ve also been exploring new sounds and styles. I think I’m in a development period of Proppa2.0.
BK: Do you have any more projects in the works? Or, any releases with anyone else in the works you’d like to share or tease?
P: I have so many projects in the works that I forget how excited I am about them. I have so much finished music at the moment. I’m exploring some faster speeds of house and different sound design. Of what I can talk about, I have a hot remix collab cooked up with DJ Susan, a dirty original tech house track with Diskull, and an epic classic dance remix wrapping up with my Ancient.exe. I have a lot more collabs in the works that I’m keeping hush on. Also, if you scroll to my most popular remix on my SoundCloud, you might notice that downloads are turned off. Hmm, I wonder why?
BK: What’s a message that you always try to portray to your fans?
P: Being authentic is the most powerful trait you could have. Being authentic can take you further in life than any shortcuts you’re presented with. In the electronic music world, that means being honest about who’s working on your music, being honest and grateful for the reasons behind your success, and consistently growing to be a better artist, brand, and role model in the scene. In the everything world, this same authenticity will take you to the top, and keep you protected while you’re up there.
Q: Lastly, at Moon Lvnding we always try to practice gratitude. What is something that you’re grateful for right now? It can be in your personal life or career.
A: There’s too many things and I’ve been thinking about this a lot recently. I have such an amazing studio at home, one that I have only ever dreamed of till this year. I have an amazing apartment to be creative in and I can’t believe it. I currently keep four active production students and I can’t thank them enough for being them. They all inspire me to keep learning, and their recent success makes me feel like I’m making a difference. I’m also very thankful for my sister. She inspires the hell out of me. She works so hard, and when she finds something she wants to do and be successful in she just… does it. Just like that. She lives down the street from me and I don’t know where I’d be without her. I’m thankful for my family and all of my music friends, I’m just a lucky guy.
Photo Credit: JoeCreates
Thanks again to Proppa for joining us on Moon Lvnding. His fans will have a chance to catch him in action in Chicago this month, November 18. He will be part of ONE BIG PARTY: dB Stereo’s 1 Year Celebration at 2247 North Lincoln. To keep up with all the latest news and releases from Proppa, connect through his social links below.
Electronic music sensation Bisonn is back with another explosive track, “Burn,” released under South American record label G-Mafia Records. This marks Bisonn’s fifth release since May 2023, and it’s sure to captivate global audiences with its progressive, electrifying sound.
Bisonn’s rise in the music industry is no coincidence. His talents have secured performances in Mexico, San Diego, El Paso, Las Cruces, Breckenridge, and recently at the Goldrush Music Festival in Phoenix, AZ. He is becoming a household name for electronic music enthusiasts in North America. Each performance showcases his exceptional talent and ability to connect with audiences, solidifying his position as a rising star in the electronic music scene.
“Burn” represents the vibrant evolution in Bisonn’s sonic journey. The track embodies future house elements with a bouncy, high-energy feel that draws inspiration from iconic artists like Tchami, Don Diablo, and Oliver Heldens. With the unforgettable vocal sample, “I’mma Burn This Sucka Down,” Bisonn’s new track ignites the listener’s anticipation, leading them into a whimsical drop that promises to set the dance floor on fire.
His innovative use of syncopated drums sets “Burn” apart, working in perfect harmony with the synth lead. The track’s subtle “dubstep wub” on the first beat of the drop’s measure adds a touch of excitement to an already exhilarating segment. The lyrics in the top line, “We do it big,” perfectly encapsulate the enormity of this record, making it a must-listen for those seeking a euphoric dance music experience.
Bisonn’s music journey has been nothing short of awe-inspiring. With “Burn,” he demonstrates his ability to push the boundaries of electronic music. With a growing fan base and a dedicated following, Bisonn’s music continues to reach new heights, leaving a lasting impression on house heads worldwide. “Burn” is an innovative, energetic, and euphoric track and hints at the big things to come for this talented artist. To keep up with all the latest from Bisonn, connect with him using the links below.
Prepare to unleash your inner dog as the dynamic DJ duo, CHKLZ, and the cutting-edge label, Synesthesia, are back with a bang! Their latest single, “Two Sexy,” featuring the vocals of Slick Floyd, is set to take the electronic music scene by storm on October 25th, 2023.
Hailing from the vibrant musical landscape of Scottsdale, Arizona, Synesthesia has been steadily building a powerhouse catalog of releases since its inception in 2021. With a growing catalog of over 50 originals and remixes, CHKLZ is set to make their first original release to the label with “Two Sexy!”
CHKLZ (chuck-les) is not your average DJ/Production/Live Music Duo. Their mantra of “CHKLZ IS FOR EVERYONE” is what brings these two’s music to life. With their unique crafted Bubblegum House brand, their live performances deliver nothing but all around good vibes and energy. Recently named Best Dance Artist by the Phoenix New Times, you can expect nothing less than a truly immersive and unforgettable experience when CHKLZ takes the stage. They are known for their live percussion/drums, original visuals, and a level of crowd participation that is off the charts. The unique percussion/drums is prevalent in “Two Sexy” as well as a deep bass and bounce that makes the title of the song very fitting.
Photo credit: Christopher Chance Scott
CHKLZ has been making waves on the festival circuit, with performances at renowned events such as Friendzy Fest in Canada, Goldrush, Decadence, Gem and Jam, and June Jam since 2022. Their music has also graced the speakers of festivals like Shambhala, Wicked Woods, and Future Forest, just to name a few. They’ve got even more international and Arizona festival dates lined up for 2023, and they’re showing no signs of slowing down.
So mark your calendars for October 25, 2023, as “Two Sexy” is about to drop, promising a dancefloor anthem that’s nothing short of electrifying. This is one sure to get your heart beating and your body moving. Get ready to get Two Sexy on the dance floor!
Be sure to follow CHKLZ using any of the links below.
Spracto unleashed another tech house tune, “Bass Turnt,” marking his sophomore single release with Wirlix Records. Residing in San Francisco, a city he recognized as a hotspot where “tech house is definitely having a moment,” Spracto has been steadily refining his production skills. Fresh from the success of his premiere single, “Main Bitch,” he set his sights on broadening his repertoire by adding “Bass Turnt” to his discography.
Reflecting on the creative process, Spracto shared, “I wanted to make a dancefloor banger. I thought a lot about how it would sound in a club and sound systems that are bass-heavy. ‘One of a kind’ by Tita Lau was my reference track. It has such a great, driving low end. I took this idea of having a heavy-hitting low end with a simple lead and ran with it.” This track is a testament to Spracto’s evolving sound, infusing an element of joy and lightheartedness into a powerhouse track fit for any club environment.
Spracto fans will have two chances to catch him in action in San Francisco this month. Today, October 20, he will be part of Wax Motif’s stacked lineup at 1015 Folsom, and next Friday, October 27, he will be performing at Bergerac with RSVP available through his Linktree. Spracto also hinted, “October 27th, I’ve got my next bootleg coming out, and it’s a fun one.” To keep up with all the latest news from Spracto, connect through his social links below.
These last few weeks have been a bittersweet celebration for the GRiZ family. Ever since the dreaded announcement that he would be stepping back from live performances, the community surrounding GRiZ’s project has been buzzing to see him perform just one more time. Ursa Major, the 3-day festival GRiZ curated up in Flagstaff, AZ in September 2023 was one of his final performances, and tickets to this intimate event sold out in minutes! Then yesterday, on October 5, GRiZ played his final sets of the year in his hometown of Denver, Colorado. However, before we all said goodbye, GRiZ had one more surprise in store.
GRiZ marked the start of his hiatus with a surprise album release, Ouroboros! This album is a mix of old-school GRiZ funk and happy soothing tunes. Each of the eight tracks brings out varying emotions and leaves feelings of gratitude for GRiZ’s contributions to the music community. As he rides off into the sunset of his well-earned time away from public performances, it is comforting to have this gift as we look forward eagerly to his return.
GRiZ has reassured his community on social media that this is not a formal retirement, just simply a break for him to be able to step back, appreciate where he is in life, and take time to be there for his family, friends, and himself. The EDM community will be patiently waiting for his return but until then, always remember…
