Whethan is your favorite producer’s favorite producer. Whether killing it in the electronic scene or writing with the most prominent global artists, you always know he will deliver a quality product. This again holds true for his most recent collaboration with Snakehips and AG Club, “ROOM IS ON FIRE,” the newest R&B-influenced bass house anthem you’ll be playing on repeat.
“ROOM IS ON FIRE” opens with vocals from AG Club, setting the tone right from the start. As groovy house pads and textures are introduced, the listener can hear Snakehips’ influence blending with Whethan’s chordal identity. They waste no time dropping into the thick of it all, giving the first drop just 30 seconds into the song!
The drop brings in a crushing bass bound to blow your speakers. With some scattered vocal chops and instrumental stabs, the listener can feel the impact of the original house and disco sounds. AG Club comes back in, offering a lyrical flow that is full of attitude. With the culmination of all the parts, “ROOM IS ON FIRE” releases into a high-energy thriller.
As the first single from his upcoming album, we expect Whethan to bring a deluge of incredible songs your way. Life of a Wallflower Vol. 1 was universally loved by pop and electronic music fans alike; there’s no reason to believe he won’t surpass himself yet again with the follow-up. Keep up with new music coming soon by Whethan, and check out Snakehips as well using the links below!
Barclay Crenshaw, the mastermind behind the iconic house music of Claude VonStroke and Dirtybird Records, is back in the game and redefining his sound. Crenshaw is embarking on a 13-city tour to complement the release of his second album, Open Channel, which drops this Friday, March 8, via Easier Said.
Image Credit: Daniel Martin Diaz
On his YouTube channel, Crenshaw has been recounting the 80 days he set aside to create Open Channel. During this transformative creative process, he focused on daily practices of beat making, cold showers, and meditation. The album leans into UK hard bass and melodic themes with thoughtful samples mixed in throughout. Staying true to his proclivity for easy-listening albums with low-level commitment, Crenshaw’s album is capped at 10 action-packed tracks.
During his Discord server album preview on Tuesday, March 5, Crenshaw shared a boatload of alpha with his loyal supporters. He spent 10 of his 80 days renting a studio in London to find inspiration for his album. Without much of a plan, Crenshaw reached out to a wide range of UK grime MCs and landed some notable collaborators.
The first track on Open Channel features two of those UK MCs — Flowdan and Stush — on “Do My Ting,” which was produced during this UK trip. The second track, “Stay Together” features another UK MC, TeeZandos. Crenshaw recalled how he invited her to the studio and she made the magic happen. In two hours, she picked the melody, wrote the lyrics, and recorded the vocals.
“King of Monsters,” the third song, was polarizing in the Crenshaw household. His wife hated it, his son loved it, and his daughter helped write some of the melody. Of note, Crenshaw used recorded screams from a Cedar Point roller coaster to add to the devastation of Godzilla! “The Quiet Storm” also used a notable sample from Detroit’s Electrifying Mojo Show in its experimental bass sound design.
Admittedly the most out-of-character track on the new album, “The Juice is Good,” is another family effort, featuring Barclay’s vocals and samples of his daughter Emma and his brother Alex. Be careful — this track “is a little funky earworm hit!” The next track was the first single release from Open Channel, a grimy collab with UK MCs Snowy and Manga Saint Hilare, “Big in the Game.” Detroit’s Anthony Garth produced the official video linked below.
“Dub Life” opens up with a hilarious sample of a fan trying to take a picture with Crenshaw after a show in San Francisco last year. It is refreshing to see the goofiness of Claude VonStroke staying alive on his new bass project as well! “Shyboy” also starts with a poignant sample, using a 12-year-old recording of his then 5-year-old son Jasper! Snowy’s vocals are featured on a second track, “The Rebel,” and Crenshaw masterfully chops them up to get the vibes right.
The final track is a meaningful tribute to one of Manhattan’s finest MCs and a Dirtybird Campout contributor, the late Biz Markie. Crenshaw shared how he used to be an MC back in high school, selling his first rap recording on cassette for a smooth $800 profit. Although he was a bit rusty recording the lyrics for this track, it does feature his vocals as he pays homage to the influential rap MC.
Photo Credit: @georgeevanphoto
“I dig and dig through countless genres and experiment so that you don’t have to,” Crenshaw shared. “I want to play new music that makes you say, ‘Wow.’ Your algorithmic playlist is just a formula that echoes songs you like until you are completely pigeonholed. Let’s start a community of explorers that connects over great tunes and isn’t controlled by computers.”
The Open Channel Tour is slated to start with the album release party at New York City’s historic venue, Webster Hall. The tour spans 13 dates from March to May, with popups planned for the New York City, Chicago, and Denver shows. Barclay Crenshaw will have tour merch on hand and will be available to sign the goodies. In true Campout style, limited edition Open Channel Tour patches will also be available that are unique to each show location.
To complete the production of the tour, Crenshaw enlisted the help of his decade-long digital artist Gabriel Hall, aka LightBender, to create the visual experience of the Open Channel Tour. Credits also belong to Daniel Martin Diaz, an acclaimed Tucson-based artist responsible for creating the distinctive style that graces Crenshaw’s album covers and mirrors the experimental and eclectic spirit of his music.
Don’t fret if you can’t make it out to one of the tour stops, because Barclay Crenshaw will also be performing at a slew of festivals this spring and summer, with more dates to be announced. You can find him performing at Texas Eclipse Festival in April; SOL Fest, Solshine, and Lightning in a Bottle in May; Electric Forest in June; and Elements in August. Be sure to connect with Crenshaw through his social channels below to get all the latest info and don’t forget he pops into his Discord server every Wednesday at 4:20pm PT to interact with his fans. See you there!
One of bass music’s rising stars, Stryer, has been turning heads with his blockbuster collabs and electric live performances. Since he first dropped “Abandon Ship” in his Lost Lands set, fans have been clamoring for it to be released. The wait is finally over; the hard-hitting bass that captivated the crowd has been released to the public!
“Abandon Ship” opens with a tense atmosphere that sets the tone for the rest of the song. Blending a spacey organic sound with intermittent electronic glitches, the song drags the listener into a building chaos that finally erupts. Leaning on the half-note rhythms that goad you into breaking your neck, the track slams down energy that’s sure to set fire to a crowd.
After a short 8-bar build, “Abandon Ship” introduces a huge switch in the second drop. Departing from the previous brutality, the track shifts into a deep, grimy mood. While keeping some of the spirit from earlier, it produces bulky new sub-bass and downsampled sounds. With only one more break, it releases into the final apex to blow the listener away.
Stryer already has plenty of huge releases under his belt, but “Abandon Ship” is poised to be the biggest one yet. Full of all the things any bass music fan loves, we can absolutely hear this one being blasted at festivals across the world. With 2024 just getting started, Stryer has plenty more coming our way soon. Be sure to check out the rest of his tracks and keep up with him using the links below!
After a year of anticipation and fan demand, Rossy’s remix of Linkin Park’s iconic track “Numb” finally landed on SoundCloud. This semi-official release, whitelisted by Warner, showcases Rossy’s unique ability to breathe new life into a classic, intertwining her signature trap sound with the timeless vocals of Chester Bennington. The track, available today, marks a significant milestone for Rossy, celebrating her evolving artistry and deep connection with her audience.
Rossy’s journey with this remix began in her live performances, where the track consistently captivated audiences, leaving fans desperate for it to hit a streaming platform. The power of “Numb” lies not only in its nostalgic pull but also in Rossy’s skillful production that amplifies the song’s emotional depth, propelling it into the realms of electronic music while honoring the original’s essence.
Rossy continues to leave her mark on the electronic music scene. Her remix of “Numb” is a testament to her innovative approach to music production and her deep respect for the tracks that have shaped the musical landscape. Fans will have a chance to catch her next in San Francisco at Rickshaw Stop on February 23 for the finale of her HEAVENS DOOR TOUR with Hex Cougar, CAB, Miko. Connect through the links below to keep up with Rossy’s latest news or stream her music.
Australian producer EDDIE has been releasing music since 2017 and his sound has definitely evolved since then. Over the last few years, he has left the house genre behind in favor of a more dark, midtempo sound. Today he released “Damned,” his collaboration with Canadian producer FISE on Rezz’s HypnoVizion imprint. He previously collaborated with Rezz on her track “Time.” On vocals, they have recruited Colleen D’Agostino, best known for her vocals on Deadmau5’s track “Seeya.”
In addition to being a music producer, FISE has also created visuals for Rezz and Svdden Death. He made the artwork and music video for “Damned.” FISE independently released his first solo track “Ridin” in 2020, and “Damned” is his first released collaboration.
Before working with Deadmau5, Colleen was the lead singer for the Southern California-based rock band The Material. “Damned” marks the second collaboration between EDDIE and Colleen; they previously worked together on “Somewhere In Between.” She has also been featured on tracks by No Mana and Attlas.
“‘DAMNED’ is a song about resisting the demons that try to pull us down. When I wrote the lyrics, I’d been dealing with health issues, anxiety, and depression. It kind of served as a reminder to myself to keep fighting.” – Colleen D’Agostino
This trio has combined their talents to create a stirring track right at home on HypnoVizion. The track immediately gives a creepy vibe, opening with a soul-stirring piano melody beneath Colleen’s vocals. As the drums kick in, the intensity increases before giving way to a bouncy midtempo beat. The second half of the drop is layered with dubstep elements. Colleen’s vocal delivery ranges from ethereal to taut, adding more power and emotion to the song.
Listen to “Damned” and stay up to date with what EDDIE, FISE, and Colleen D’Agostino have going on by using the links below. Be sure to check out the rest of the tracks that dropped this week by following Moon Lvnding’s New Music Friday Heat playlist on Spotify.
There is a saying that if you listened to emo music in high school, now you listen to EDM. Today, both of those worlds collide with Fairlane’s new track “Take It Back” featuring Shane Told of Silverstein. It is being released under Monstercat’s Uncaged imprint.
Canadian dubstep producer Fairlane has shown his emo influence on tracks before. He’s done an official remix for The Devil Wears Prada and created his own version of Yellowcard’s “Ocean Avenue.” Fellow Canadian Shane Told is no stranger to lending his voice to EDM songs. He’s previously been featured on tracks from Rezz and PhaseOne. Together they do a great job of blending both genres.
According to Fairlane, “Finishing this song with Silverstein is a milestone achievement for me. To experience such a full circle moment, collaborating with a band that quite literally shaped my taste in music as a young adult, brought me to a newfound level of appreciation for the work that I get to do. Shane [Silverstein] is so incredibly talented, and getting to see him in his element firsthand is an experience I’ll never forget. Plus, this song absolutely shreds, so that’s a bonus!”
The opening of the song could be another Silverstein song, with Told’s voice as the main focus over a simple beat and guitar melody, played by Fairlane. The chorus brings in melodic bass elements including a snappy snare that heightens the emotion behind the words being sung.Shane Told shared this about the lyrics, “At the heart of the vocals is an anti-suicide message. Having personally lost people to this tragedy, I hope it serves as a beacon to seek help before you can’t take it back.”
The breakdown is where you can really hear both genres come through. It features chugging guitars, screams, and rapid-fire snare hits before the headbang-inducing heavy dubstep elements take over. The track comes full circle, finishing with the opening guitar riff over the melodic bass beat before one last scream of “Take It Back.”
I’m personally very excited to hear more tracks that combine dance music with emo music. Stay current with what Fairlane and Silverstein have going on by using the links below. Check out the rest of the tracks that dropped this week by following Moon Lvnding’s New Music Friday Heat playlist on Spotify.
Starting the year with a bang, BVRRN delivers his first release of 2024 with “Eyes Closed” on Snakehips‘ label Never Worry Records. BVRRN is coming off of one of his biggest years as an artist in 2023, with releases on labels such as Gold Digger, The Boat House, and Do Not Duplicate Recordings. He also debuted at his hometown festival in Palm Springs by opening the Saguaro stage for Weekend 1 of Splash House this past August.
“Eyes Closed” is a sonic portal to pure bliss, showcasing BVRRN’s mastery of crafting infectious rhythms and euphoric melodies. Each note paints a vibrant landscape of pastel house, BVRRN’s signature blend of feel-good house and innovative sound design. It’s an instant dance floor crowd-pleaser, guaranteed to transport you to a world where it’s just you and the music, lost in the pulsating groove.
This track marks BVRRN’s arrival as an up-and-coming force in the house music scene. His distinct sound and captivating perspective have rapidly amassed a dedicated following, solidifying his status as a rising star. “Eyes Closed” is just the first glimpse of what’s to come in 2024, igniting anticipation for his future endeavors. With such a powerful 2024 debut under his belt, BVRRN is an artist you absolutely can’t miss.
Dive deeper into BVRRN’s world by connecting with him on social media and blasting his music through the links below. Prepare to be swept away by a tidal wave of good vibes and innovative beats.
Bay-area native Danny Howland continues to put out some of the freshest, forward-thinking bass music around. From the acclaim of his VOYD soundscape and persona to the recent arrival of MELLODEATH, his groundbreaking duo project with Marshmello, Danny continues to surge in popularity with every new release. Fans at this year’s Lost Lands were left with jaws hanging as SVDDEN DEATH dropped ID . . . after ID . . . AFTER ID! No doubt the Harbinger EP is the release that opens the floodgates for a few of those tasty IDs. The ten-track, mouthwatering delivery from the bass Leviathan clocks in at just under 30 minutes. Many artists would find it difficult to pack such heavy and satisfying bass into a half-hour, but it’s SVDDEN DEATH, so of course, he pushed the boundaries.
On a steady roll-out since mid-November 2023, the now-complete Harbinger EP dropped on January 17 and included five new tracks added to the already wildly popular singles. In order, the single releases were as follows: “Harbinger,” “Don’t You Dare Go Hollow” with HVDES, “Mind Control” with Wooli, “Ten Toad Anthem,” and “Forgive Forget.” Quite a few of those first singles have already hit major streaming milestones. “Mind Control” is currently the most streamed on Spotify coming in just 24k off of 500k streams. “Don’t You Dare Go Hollow” is a close second trailing at 423k streams.
The five all-new tracks have no shortage of savory bass to sink your teeth into: “Teeth” feat. Bejalvin, “Torsion,” “Psycho,” “Yargonaut,” and “Immolator” will satisfy even the most feral basshead. “Teeth” as the EP opener brings a fresh feel to a familiar SVDDEN DEATH cadence previously heard on the instantly recognizable “Bleed” and “Behemoth,” both highly-successful and iconic tracks. Somehow, “Teeth” goes even heavier though, doubling down on industrial-style experimentation. “Torsion” with Neonix was teased as an ID under the pterodactyls at Lost Lands. Stretching and distorting frequencies battle it out through the track until it descends into tasteful, tonal hits reminiscent of early-SVDDEN DEATH releases (“Spelljam” off of his DEBUT “Spelljam EP” 2017 and “Jvnkworld” off of the “Jvnkworld EP” 2018). Neonix is known for tracks like “Spacewalk” and “Goodbye,” which can be heard within the elements of Torsion.
The title track “Harbinger” is addictive. Chalk-full of gorgeous elements throughout, one can imagine that the Ableton project file is a sight to see. It has a lot going on with zero clashing frequencies or muddy moments at all, it is truly art from a producer standpoint. The level of bass “Harbinger” delivers would definitely level a crowd. It will be a treat to hear played out live!
“Psycho” injects energy into the front half of the EP with a wild arp, almost a car-horn stab layered in, and a snappy arrangement that keeps it moving. No lack of monster-stomping bass, trills, and additional ear candy is sacrificed though. What might be used as a transition track in a set, “Psycho” is strong enough to confidently stand on its own amid the EP.
“Mind Control,” the long-awaited collab of Danny and Wooli (who were roommates for years!) is everything you want it to be: heavy, hard, an edge of drama, and a departure from anything even remotely basic. An extended break in the middle of the track re-sets the stage sonically before it winds up for the second drop, providing that extra grit to go even harder.
“Yargonaut” opens with fun, almost nostalgic, metal elements like a slamming drum kit and guitar riffs, but it doesn’t leave you in ‘expected’ for long—it drop kicks you straight into the kind of iconic bass drop SVDDEN DEATH is known for. Known as an artist who pushes the boundary and explores the evolution of entertainment, it’s possible that the name ‘yargonaut’ is inspired by YARG (Yet Another Rhythm Game), a free open-source plastic guitar game still in demo and development, but that may be bold speculation.
“Forgive Forget” pulls off an impressive feat by flawlessly crossing between many contrasting vibes. With sad boi vocals and chirpy, upbeat accents that nod back to releases with Marshmello (“Sell Out” in 2019 and “Crusade” in 2020) it is reminiscent of an older electro track, “Virus” by Martin Garrix, but resurrected after a bass baptism of course.
“Ten Toad Anthem” quickly yanks us back to brutal SVDDEN DEATH territory that we love. With ghostly, distorted vocals repeating “ten toad” this song has a more cinematic second drop featuring string instruments. Perhaps that is the reason cinematic-dubstep heavyweight, Apashe, was chosen to play direct support for SVDDEN DEATH’s Vegas show March 29 (tickets HERE). Either way, it artfully segways the vibe to the collab featuring HVDES vocals, “Don’t You Dare Go Hollow.” HVDES’ hushed and haunting vocals lay over a brutal bass track, leaving the feeling of an ‘anthem’ in your bones. On social media, SVDDEN DEATH explained the song, “is a reminder that it is always our choice who we are, and that pain is an inevitable part of life but to allow that to take the parts of us that make us human is to allow collective suffering to win.” This tune is sure to be a fan favorite on the charts and in his sets.
Closing out the EP, we have “Immolator.” Defined as “1. : to kill or destroy especially by fire. 2. : to offer in sacrifice. especially : to kill as a sacrificial victim.” This could not be more on-brand for Danny. Snappy leads with diverse, dancing, bass elements land nicely in bouncing drops. Vocals whispering “set fire to the world, set fire to my body… set fire to the dust that remains,” are classic SVDDEN DEATH-vibes from his world of VOYD that fans will welcome as a strong finish to the Harbinger EP that they didn’t want to end.
Upcoming appearances include a B2B with Excision February 4 at the sold-out Thunderdome, an EDC Mexico appearance February 24, and two shows in Honolulu March 15 and 16, before the incredible billing of acts at his headlining Vegas show in March. MELLODEATH, the deadly SVDDEN DEATH x Marshmello concept, officially kicks off its four-city tour April 4 in Denver (you already know it’s at Red Rocks), followed by Chicago, Minneapolis, and Dallas. A limited number of MELLODEATH pre-sale tickets go on sale Thursday, January 25 at 10 am PST. Having been blown away by their phenomenal B2B at EDCLV 2023 with the incredible visuals, mixing, and stage presence of two legends—this is a must-see tour.
From smash hit originals to remixes for some of the biggest tastemakers in the industry, and even performances around the biggest stages in the world, Curbi has made his mark in the EDM scene. Now he brings his talents into 2024 with his new single, “Kill The Lights,” a groovy stutter house anthem with vocals from Sarah de Warren.
“Kill The Lights” opens with a repeating 16th note chord progression which persists throughout the track. This offers a sense of familiarity, bringing the listener from start to finish in an entrancing fashion. As Curbi adds more elements, they play off each other to push and pull the energy from hypnotic to lively. Sarah de Warren’s airy vocal is a perfect pairing with the dark and pumping tendencies of the song.
As “Kill The Lights” progresses, Curbi introduces a low Reese bass to add energy before dropping into a thumping drum-propelled drop. With plenty of energy to get you grooving in your seat, this track is perfect for both easy listening and getting down at a live show. The combination of Curbi’s production prowess with Sarah de Warren’s evocative voice and emotional songwriting makes “Kill The Lights” a song we expect to hear across a variety of mediums. With 2024 just beginning, Curbi and Sarah de Warren both have a bright year ahead of them; be sure to keep up with all their new announcements, and listen to “Kill The Lights,” using the links below!
4,000 people in attendance at Mission Ballroom in Denver on January 5 got to experience an awesome treat. During his set, Shaquille O’Neil aka DIESEL, brought out 11-year-old Denver native and aspiring dubstep artist Mesophonic.
Mesophonic walked on stage to huge applause and roar as DIESEL introduced him. Being 11 years old you can only imagine the nerves and excitement Mesophonic must have felt, but you wouldn’t have known. The videos show him and DIESEL both hyping up the crowd, headbanging together, and going crazy!
Beyond just being brought on stage, Mesophonic jumped on the deck and played one of his original tracks. A heartwarming experience like this not only hits the feels for the crowd and everyone who sees the videos but can also help propel this young DJ’s career. It’s amazing to see one of the biggest names in bass music bring out the new generation of music.
Mesophonic has a unique and wonky style of music that will bring out that bass face and get you moving. Be sure you don’t fall behind on your music and check out Mesophonic’s 3-track EP Wormhole.
