Indie-Electronic Duo SUNDRESS Releases Single “Before We Knew”

It’s never too late for a new feel-good anthem, and Arizona-based duo SUNDRESS has you covered with the release of their second single this summer, “Before We Knew.” 

Known for their high-energy performances and soulful sound, it is no surprise that SUNDRESS quickly took the Pacific Northwest by storm. The dynamic duo boasts an impressive list of sold-out shows, performing alongside heavy hitters like JAUZ and TROYBOI, and making a memorable appearance on the 2022 Moonlight Masquerade Festival lineup. SUNDRESS continues to make its mark with captivating stage presence and talent to match.

“Before We Knew” is a euphoric and bouncy track that encapsulates both the energy of uptempo electronic and the soul of folk house. The record exhibits unique echoing vocal bridges and oscillating beats that will tickle your brain in the right way. Perhaps most triumphant are the track’s energetic builds and funky, sub-bass-driven drops. Drawing heavy inspiration from artists like ODESZA and Petit Biscuit, the duo has put their own spin on intertwining acoustic and electronic realms of music. If you enjoy listening to artists like Bunt., Kasbo, D.O.D., and Chet Porter, SUNDRESS would be the perfect addition to your music collection.

Alongside the record, the duo released a beautifully crafted music video performance by Drew Dody, SUNDRESS’ close friend and videographer counterpart. The visual addition captures the essence of youth and making music with friends, sharing a glimpse of the artists’ reflections on their journey as SUNDRESS.

Listeners can expect to feel nostalgic and comforted at the same time, so do yourself a favor and check out Dody’s immersive video alongside this expressive track. “Before We Knew” is now available on all major streaming platforms. Check it out!

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Photo by @Electric_Forest

Electric Forest: A Closer Look At Access Accommodations

Inclusion is an important value in the music community that is emphasized by music events worldwide. Accessibility and accommodations at festivals are at the heart of this by focusing on creating the best possible experience for all attendees. Today we will take a deep dive into how the beloved Electric Forest music festival addresses the needs of all its visitors.

For those who do not know, these accommodations are mandated by the American Disability Act or ADA. The ADA requires events and public spaces to have access options that allow a person with disabilities to use and enjoy the space in a way that someone without disabilities would. At concerts and festivals these accommodations are handled by an ADA team, and what is offered varies from show to show.

Naturally, Electric Forest had such a team and various access accommodations in 2023. This year, the options started out rough. The website stated that a dedicated campground entrance was to be provided. Upon arrival at 12:03 am Thursday morning we discovered that this was not the case. There were no signs directing to an access line and when approached, multiple staff members had no idea what we were asking for. Once we made it to the security checkpoint, a manager asked why we did not utilize the access line and we explained. The manager then pointed to the distant end of the checkpoints where the access checkpoint was. Not only was it at the far end without signage but it was also blocked from view by trailers and trees.

Once we made it past the security checkpoint, things did not get better. None of the ground crew knew either what Camp Access (ADA camping) was, or if they did, could not direct us to it. I only had a faint idea of how to get there because this was my second time attending the festival. Eventually, we were directed to a spot to park and wait for another manager, who then proceeded to tell us that ADA was closed so no one would direct us to the correct location and just pointed in the general direction.

After driving through multiple established camping areas, we finally found it—in chaos. Unlike every other campground with staff and fire marshalls directing people, there were no staff in the area. The campground was disorganized and more importantly, there were no staff checking to make sure people in the area had handicap placards or were the +1 allowed vehicle. We were lucky to find a spot along the fence line of the venue that was most definitely not supposed to be a camping area, but we set up camp next to other groups. In the morning our neighbors told us that although early arrival started Tuesday afternoon, not a single staff or security member was looking over Camp Access. We then discovered that the only accessible shower was not located inside Camp Access, but about a ⅓ mile from the edge of the campground, making them inaccessible to many individuals.

The Camp Access information desk finally opened at 12pm Thursday, roughly 48 hours after the first guest arrived at the campsite.

While the negatives were difficult to cope with, there were some positives. The first was the registration. Each ADA guest was assigned a number. This allowed people to replace their ADA wristbands if they lost them, but did not allow people to abuse the system and get multiple bands for their friends. This was effective because all ADA wristbands had to be scanned in and out of the venue like a regular wristband.

The ADA wristband allowed wearers and one guest to use the ADA line at the front entrance as well as the side entrances. These side entrances offered access to the best accommodation that Electric Forest had to offer, chauffeured golf carts to multiple points within the festival grounds. These carts were an absolute godsend. As a person with a mobility disability, the carts allowed me to cut at least half of my walking out of the equation for the entirety of the festival, allowing me to focus on the music and my friends instead of pain and discomfort. For the most part, security personnel at these side gates were informed that ADA guests would be using them to gain access to the golf carts. However, on Friday night the security manager was only allowing people in wheelchairs to use the golf carts, a call he had no authority to make. Thankfully we got into a golf cart after walking to a second side entrance and the driver brought the issue to his manager’s attention. I was told the next morning that the security personnel was re-briefed about who could and could not utilize the golf carts.

Another accommodation that many may be familiar with is the elevated seating and viewing platforms. These platforms allow people who may have a lower viewing angle to see the stage and enjoy the show, rather than be blocked by people in front of them. These stages also provide seating so that people, like myself, can take a moment to rest in a chair. These platforms also have the added benefit of some protection from the crowd to avoid being knocked over or pushed down.

Overall, I would give the accommodations of Electric Forest a C+. The ADA team was helpful and for the most part, things went well once they started working, however, the fact that Camp Access was disorganized and understaffed during the arrival period and the added complication that the only accessible shower was located a long way from Camp Access brings an otherwise great experience down a few notches.

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Ekonovah Continues To Light The Way

2023 has been busy for the Arizona-based artist Ekonovah. He has released six singles so far this year, with his most recent track, “Morning Light,” released through Don Diablo’s Generation Hex label on Hexagon Records. The talented house artist also has an ongoing mix series on his YouTube page called Story Time Radio, which dropped a new episode this week.

Ekonovah has also been on the move, playing shows nationwide from Boston to Seattle and sharing his melodic house music with the masses. For all his local Arizona fans, he’s been lined up to open for Elderbrook on their stop in Tempe, AZ at the Marquee Theater on September 14. For all his fans north of the border, Ekonovah will be heading up to Canada on October 20 and 21, so keep an eye out for his show announcements. To keep up with everything going on with the artist, just use the handy links below.

CONNECT with Ekonovah:

Website  |  Instagram  |  Facebook  |  Twitter  |  TikTok

LISTEN to Ekonovah:

Spotify  |  Apple Music  |  Beatport  |  SoundCloud  |  YouTube  |  Twitch

No Thanks and San Pacho Connect On Latest Tech House Anthem “Freak”

Emerging Canadian duo No Thanks and renowned Latin house producer San Pacho link up to deliver what could possibly be the tech house anthem of the summer in “Freak,” released on Matroda’s label Terminal Underground. This collaboration marks another milestone in the career trajectory for No Thanks, following the success of their previous release, “Bring It Back,” which received tremendous support and even appeared during Loud Luxury’s main stage performance at EDC Las Vegas 2023.


“Freak” casts a spell on its audience with its invigorating sound, mesmerizing listeners with a seamless integration of percussion layers and distinct vocal samples. This versatile tech house gem can thrive in many environments – from the pulsating energy of club nights and vibrant festival gatherings to uplifting workout playlists. The song is destined to become a frequent highlight in DJ sets as its fun beat leaves a lasting impression on listeners.

At the heart of the track lies a distinctive focus on rhythmic drumming, which draws attention as a standout element. “Freak” unleashes an unfiltered, raw energy that propels the music forward through a dynamic fusion of bass drums, snares, and bongos. This fresh release weaves an auditory adventure with adrenaline-pumping buildups and electrifying drops, plunging listeners into a jungle of pulsating and untamed grooves.

@nothanksmusic

Replying to @Bryan M he sure did 😉 the song drops this Friday!

♬ original sound – no thanks

No Thanks boldly pioneers the genre-defying fusion of “Polite House,” pushing the boundaries of electronic music to new frontiers. With “Freak,” the duo’s unique sonic vision comes to life, captivating listeners through unmatched artistry. As for San Pacho, the release of “Freak” is a powerful testament to his enduring supremacy in house music. The track emanates pure, uplifting vibes with its infectious rhythm, striking a chord with listeners everywhere.

“Freak” couldn’t have been released at a more opportune time as both artists are scheduled for upcoming tours. No Thanks will be touring alongside fellow Canadian duo Loud Luxury, while San Pacho is in preparation for his forthcoming debut tour beginning in November 2023. Find “Freak” in Moon Lvnding’s New Music Friday Playlist, and connect with both No Thanks and San Pacho using the links below!

CONNECT with No Thanks:

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LISTEN to No Thanks:

Spotify  |  Apple Music  |  Beatport  |  SoundCloud

CONNECT with San Pacho:

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LISTEN to San Pacho:

Spotify  |  Apple Music  |  Beatport  |  SoundCloud 

ALRT Succeeds At Showcasing His ‘Multiplicity’

DJ/producer ALRT released his second album Multiplicity last Friday, July 14 on NRG Records and it is packed with 15 tracks that showcase his diverse production styles. The thoughtful ordering of the tracks is a testament to ALRT’s growth and evolution as an EDM producer, providing a breath of fresh air in an industry that can sound a bit stale.

The album starts with a cinematic intro that sets the mood for the album, before two high-energy bass house tracks, “Familia” and “New Hope” which are chock full of party energy. The next track, “City,” dips into tech house and captures the feeling of big-city nightlife.

ALRT taps into his Israeli-born roots on “Run It Up,” which features brass horns and gives off the exotic feel of the Middle East. Then the next two tracks, “One Time” and “Make You Move” feel like they are ready to be played out at the club to get the crowd moving. The tech house vibes are alive and well on these two.

“Through The Fire” and “Never” are emblematic of ALRT’s multiplicity when it comes to the evolution of his music production, as he leans into UK garage influences and soulful vocals. “Too Hot” might be the pinnacle of the album, brimming with bass house beats and slick pace changes to keep listeners on their toes, while the next track “Air Drums” keeps the high energy going.

Track 13 titled “Mother” is, in fact, a tribute to his family, using voice samples of his wife and child as he creates a sweet-sounding tune in his new role as a husband and father. ALRT rounds out the album with the experimental sounds of “High Status” and the trance-inspired “1985” which is the perfect way to end the sonic exploration of Multiplicity with a soothing tune.

Listening to the album all the way through from front to back, one gets a good sense of the time and attention ALRT gave to crafting an album that explores the endless possibilities of EDM. He’s got some great high-energy, dancefloor-ready tunes and weaves them seamlessly into more ethereal and heartfelt tracks at the end of the album. To keep up with ALRT, follow him using the social media links below.

CONNECT with ALRT:

Website  |  Instagram  |  Facebook  |  Twitter  |  TikTok

LISTEN to ALRT:

Spotify  |  SoundCloud  |  YouTube