Subtronics continues to build his legacy as one of dubstep’s most influential producers with his first North American tour in over two years. The Fibonacci Tour spans three months with 16 dates in 12 major cities across the USA and Canada, bringing the heat during the cold winter months. It is the first time Subtronics has toured after the completion of his Fibonacci double EP arc, including Fibonacci Pt 1: Oblivion and Fibonacci Pt 2: Infinity.
He started the tour on January 23 in Toronto, and Moon Lvnding’s New York crew was on hand in Brooklyn to check out his shows on February 27 + 28, marking the beginning of the second half of the tour. As a Philly native, Subtronics is no stranger to New York City, having sold out numerous venues over the 10+ years he’s been touring. However, these two sell-out shows at the cavernous Brooklyn Storehouse might have been his most ambitious yet.
The enormous warehouse space in the Brooklyn Navy Yard boasts over 100K square feet, 42-foot ceilings, and capacity for 5,000 guests. Subtronics’ team spared no expense on production at the event and went all out with a laser setup I have never seen before. Not only did Subtronics have lasers flanking both sides of his stage, shooting towards the back of the warehouse, but there was also a full set of lasers rigged to the back of the warehouse, aimed at the front of the dancefloor. Impressively, the sold-out crowds were completely blanketed by lasers in both directions, with additional pyrotechnics punctuating Subtronics’ biggest bassdrops.
To Subtronics’ immense credit, he made both nights feel distinctly unique by curating diverse lineups and tweaking his two headline sets to match the vibes of his talented support. Over the years, my respect for Subtronics’ ability to incorporate a wide range of bass acts has grown tremendously, and the lineups for his two shows in Brooklyn demonstrated it perfectly.
Photo Credit: Shae McCormack // @shaelien111
On Friday night, his two big support acts were Avello, a burgeoning dubstep producer known for modern-day remixes that feel like a step back into the 2010s, and Juelz, a West Coast artist known for his energetic trap beats. Then on Saturday, he brought out pink-haired Brooklyn local Blossom for a playful DnB set, followed by the international icon TroyBoi, who incorporates sounds from his Indian background into a booty-shaking bass-forward set.
My favorite moment from the weekend shows was on Saturday when Subtronics made the time to play out O.P.U.S. in its entirety, including the meaningful spoken-word intro. It’s the opening track to his debut album Fractals, and it means a lot to someone very close to me. It is not such a popular track that it makes it into every set, so when he does play it at a show, I feel a special sense of satisfaction.
Another highlight of the weekend was Subtronics’ debut of his new ID “Eyes Cut Deeper,” which captivated the crowd, especially during his encore on Night 2. Lasers flying all around, lyrics shining on the gargantuan LED board, and 5000 fans living their best life dancing to a song we got to hear first is a memory I will not soon forget.
There’s still plenty of time to create new memories of your own as Subtronics winds down his Fibonacci Tour. If you’re lucky, there still might be limited tickets available for the last few stops, including two shows in Philadelphia for the first weekend of March, and then single nights in St. Louis, Kansas City, Austin, and Boston to close out this phase of the tour.
Fear not, if you can’t make it out to one of his tour stops, because Subtronics will feature in a handful of festivals this year, including Coachella in April and Moon Lvnding favorite Elements Music & Arts Festival in his home state of Pennsylvania in August. Subtronics also has seven shows scheduled for his Las Vegas residency at Encore Beach Club, and the debut of a two-day Griztronics event at The Gorge in Washington for Memorial Day Weekend. Finally, there are a few Cyclops-branded events: two days of Cyclops Rocks VI in Colorado, Cyclops Island in Hawaii, and the three-day dubstep extravaganza Cyclops Cove in Florida over the first weekend of December.
2026 is shaping up to be another huge year for Subtronics, so if you want to get in on the action, check out the ticketing section on his website for all the latest info. Of course, you can keep up with everything Subtronics related using the handy social media links below.
As 2025 comes to a close, the Moon Lvnding Fvm is reflecting on all the unforgettable sets that defined our year. From major festivals to hometown shows, we’ve danced, headbanged, and grooved our way across every corner of the US, and even Canada. Here’s a look at some of our staff’s favorite sets, festivals, venues, and b2b performances from the past year.
Sara Landry‘s Eternalism set at the Junkyard in Denver. This was my first time seeing her, and all the hype around her is completely justified. The production for this show was absolutely insane! Her set flowed really well and incorporated all the genres I love.
Armin Van Buuren at EDC Las Vegas. Old hits, new hits, classic trance, and new eras of trance. His set was so diverse and had me jumping like a set hasn’t in a long time. I heard “Set Me Free” for the first time and listened to it every day on SoundCloud for months until it was officially released. He brought out multiple guests, including Gryffin for their song “What Took You So Long.” This is another track I’ve had on repeat since it came out in 2024. I was surrounded by all my best friends, the fireworks were directly before him, and it was just magical. A perfect EDC main stage set. That set is going to be my Roman Empire forever.
Adventure ClubThrowback Tour at Terminal 5. I’ve been looking forward to this tour all year and finally getting to hear it lived up to the hype. Hearing their classics from 10 to 15 years ago brought me back to an earlier time in EDM when life was less complicated and more carefree.
Subtronics Cyclops Rocks night two was my favorite set of the year. Since I got my O.P.U.S. brainwave tattoo, Jesse blessed me by putting me on his artist guestlist for his Red Rocks shows. Night two was truly special for me since he closed out with O.P.U.S. He usually doesn’t play that in his sets anymore with all of his new music. He knew how important that song is to me. Knowing he played it for the show he invited me to as his guest meant the world to me as a fan.
Levity Lasership at the Shrine in Los Angeles. Not only did they limit tickets so it was not overly packed, but the production alone was next level. An insane amount of lasers, colored pyrotechnics, just an unreal set by them. After the set, they also did a surprise meet and greet with everyone.
Illenium B2B Slander at EDC Las Vegas. It was absolutely so magical. The people, the music, the stage, it reminded me why I love doing what I do! And Grabbitz at Darkstar, it hit parts of my soul I never knew existed.
Zed’s Dead at Rawhide. It was spent with my close rave fam and it was the tour for an album I really enjoyed. They played a lot of really good stuff and had an incredible lineup. I also got to meet Sippy and she was so cool and incredibly sweet. I felt like you could tell she was excited to meet her fans and connect with them.
What was your favorite festival you attended?
Kate – EDC Las Vegas this year was the most perfect festival experience I’ve ever had, and it’s because of the group I went with. We have RV camping down to a science, and all weekend long was seamless, perfect, and the most memorable time I’ve ever had. From a plethora of inside jokes, meeting up with friends from all across the country, and Afters-ing till 10:00am, we couldn’t have had a better experience. The sets were incredible, the love radiated, and the memories will last forever. I also got to interview Lavern in the press lounge after he opened the main stage on day one, which was an incredible experience. I connected with so many other people on the media side of the industry, and the view from the lounge is amazing. I’m truly so grateful for the opportunities dance music and Moon Lvnding have brought me. That interview was truly a “Holy Sh*t, I made it” moment, and I will never ever forget it.
Sam – Shambhalatakes the title as my new favorite festival and it’s not even close. Being a dry fest without any alcohol sales on site is a game-changer for the festival vibes and the vendor layout. But the Salmo River stole the show as the central hangout spot to cool off during the sunny afternoons.
Shae –Shambhala in Salmo, BC. It was my first time attending and the festival surpassed every hope I had for it. There are plenty of daytime activities like acro yoga, breath work, skinny dipping, and of course, floating down the river. At night, the festival transforms into a dazzling atmosphere with unique vibes at each stage and the heaviest bass a sound system can handle. The community is the embodiment of PLUR and there were plenty of experienced ravers in the crowd. The journey to get to and from the festival can take days of travel and hours of waiting in line, so those who make it truly want to be there. This festival truly reminded me of my “why” for raving. Shanbhala re-connected me to my love for this community, how PLUR has changed me for the better, and raving has shaped how I show up in the world.
Something unique about Shambhala is its strict no alcohol policy. While correlation doesn’t equal causation, I believe the no alcohol policy and onsite harm reduction and testing resources contributed to a safer environment. There wasn’t drunk fighting or people being carried out of the crowd by paramedics like you unfortunately, typically see at many other festivals. Harm reduction services are free and extensive, not only for substance testing and measurement but also for safe sex practices and hygiene.
Sam and I had the opportunity to interview Whipped Cream, who played a vibrant and genre-diverse set at the AMP stage. The artist lounge was in a treehouse where I wrote an encouraging message in a notebook left there signed with the Moon Lvnding social media handle. A few weeks later, I received a message from the owner of the notebook who thanked me for the kind words.
Chris –EDC Las Vegas. This year was the final year of the current basspod stage and it was crazy stacked. The group we went with was amazing this year. We had our own party bus, no drama, and it was just an insane time. Ending the weekend with a 5:00am Voyd set was great
Kristen – DUSK purely for the Moon Lvnding fam. I had such a genuine bonding weekend; it made my heart so full.
Emery – Cyclops Desertat Rawhide. My bestie and I hosted a meetup, I had a great group, the lineup was insane. Subtronics played practically all of Fibonacci Pt. 1. It was the craziest two nights I’d had in a while.
What was your favorite venue?
Jessica – Mission Ballroom in Denver. So many amazing artists come through there every year. The giant disco ball always adds an extra element to each show.
Kate –Darkstarin Tempe has truly turned into such an incredible club. Intimate vibes and the best crowds. The attached lobby bar is great if you need a moment to step away and chat with friends before jumping back into seeing your favorite artist tear it up to a true crowd of ravers.
Sam – Once again, Shambhala & the Salmo River are back in the limelight for best venue. There’s nothing better than relaxing in a tube, floating on the river, and listening to the beats coming from the riverside stage.
Shae – Brooklyn Storehouse took over the scene in NYC this year as the Brooklyn Mirage didn’t overcome its remodeling issues. Storehouse had mainly been booking house and techno artists but this year they have expanded into bass music with upcoming shows for Crankdat, REZZ, Subtronics, and Seven Lions.
This warehouse venue is customizable for artists to create the production experience they want, so it’s not surprising that many artists who typically were booked year over year at the Brooklyn Mirage have been migrating to this venue for their tour shows.
Chris – This year might be The Shrine in Los Angeles. Between the Lasership show and the Subtronics 360 set, they really went all out.
Kristen – Even though it’s giant, EDC Las Vegas at Las Vegas Raceway.
Emery –Rawhide in Arizona, specifically for Goldrush. This was my first Goldrush at Rawhide and I must say it far outweighs the raceway for this event. It felt like a real western town and was just so cool.
What was your favorite B2B?
Jessica – Caspa B2B Rusko at Mission Ballroom in Denver. Seeing the OG’s of dubstep throw down classic after classic made me feel like it was 2010 again, when I was first discovering those songs.
Kate –Adam Ten B2B Mita Gami at EDC Las Vegas. Flawless minimal vibes, the two flowed effortlessly into each other.
Sam – Excision B2B Subtronics at Lost Lands. This was the set we were waiting for all weekend and it exceeded expectations. These guys were chopping it up, finishing each other’s drops, and slamming VIP after VIP for almost two full hours. Dubstep at its finest!
Shae –Excision B2B Subtronics at Lost Lands was everything a headbanger could have asked for! Two of my favorite artists blending their most iconic tracks together into a symphony of heavy-hitting bass was the ultimate finale. I frequently re-watch that set and time-travel back to one of my all-time favorite sets of my rave career.
Chris –ILLENIUM B2B Slander was probably my favorite of the year at EDC Las Vegas.
Kristen – Aside from Slander B2B Illenium, Illenium B2B Zeds Dead at Goldrush. It was absolutely BONKERS.
Emery – Zed’s Dead B2B Illenium. Their music selection was immaculate and I had multiple friends from out of state and different rave fams with me. Sharing music and movement with them was incredible and the crowd around us was so full of PLUR.
As we close the chapter on 2025, these moments remind us why we fell in love with dance music in the first place. From massive festival stages to intimate club nights, legendary B2Bs to deeply personal sets, this year was fueled by connection, community, and unforgettable energy. We’re endlessly grateful to these artists, the venues that became second homes, and the people who shared the dance floor with us. Thank you for being part of the Moon Lvnding Fvm. Here’s to continuing to chase the magic wherever the music takes us next in 2026.
