Skellism and Bellorum Spin Out of “Control” with Underoath’s Spencer Chamberlain
Article by: Jessica Duncan For a lot of emo kids, it’s a natural progression to start listening to the heavier styles of EDM like dubstep....
A Quick Sit Down With Residuo
Article by: James Jimenez After dancing my heart out to one of my favorite sets of the weekend, I was lucky enough to have a...
Gem & Jam: Beyond the Music
Article by: James Jimenez Head on down to the Pima County Fairgrounds this weekend to join the fun in a beautiful desert environment for music...
Subtle and Lavier Team Up For Massive Halftime Collab “Watch This,” out now via WTF’s That Sound
Article by: Ryan Hood Halftime music is the lifeblood of the underground bass music community nowadays, and the subgenre lends itself to incredible amounts of...
Friendzone and Parker Team Up to Read Your Mind with New Single!
By: Kate Nelson It’s the first release of the year on Lost In Dreams for the Friendzone guys, coming together this time with Parker to...
Maroc Comes Out Swinging with New Single “Dark Origins”
Article by: Ryan Hood Underground talent Maroc knocked it out of the park with his first release of the new year: “Dark Origins.” One of...
FAYBL Stuns With Brand New Emotionally Charged Anthem “Island”
Article by: Christian Langston Coming off a landmark performance opening for Illenium at Red Rocks, FAYBL is here with their brand new track “Island.” Filled...
Mistah Dill and MarshedBass Unleash Massive Collaboration “Rinse That Sound”
Article by: Ryan Hood With dub sirens and wobbly bass galore, Mistah Dill and MarshedBass have come together to create another outstanding collaboration with “Rinse...
The Storm is Coming as LAYZ Releases “Spark”
Article by: Patrick Egan Bass music producer LAYZ experienced a breakout 2021 and 2022 is picking up right where things left off. The artist returns...
YOOKiE Back On Their “GRiME SHT” with Wakaan Debut
Article by: Annalee ‘Alee’ Noel Hot on the heels of the release of their much-anticipated “BUBBLE BASS,” YOOKiE’s exploration of left-field bass on “GRiME SHT”...
