The Duo Returns: Super Future & Wreckno Drop ‘ASS THROWERS ANONYMOUS’
Super Future and Wreckno reunite on 'ASS THROWERS ANONYMOUS,' a 6-track EP blending bass, house, and trap.
Ward Andrews Closes Out A Breakout Year With “Sunbeams”
Progressive house artist Ward Andrews is ending 2025 on a high note. After a year marked by multiple releases, standout sets on art cars at...
Don’t Get ‘Blinded by Vanity’ With Nikita, The Wicked’s New EP
Dance music’s villain conductor, Nikita, The Wicked, just released his most anticipated project yet on Helix Records: the six-track EP titled BLINDED BY VANITY. With...
Kayzo Unleashes Latest Single “The Moment”
Welcome to the Dog House! It’s time to unleash yourself as hard dance disruptor Kayzo releases his latest track, “The Moment,” on his own label,...
‘undux’ By Kaskade: Vulnerable And Introspective
Using his familiar sound and thoughtfully written lyrics, Kaskade impresses listeners once again with his new album 'undux' out now.
Zero Returns to Deadbeats With High-Voltage Single “Holy Ghost”
Zero drops “Holy Ghost” today on Deadbeats, serving as the second single from his forthcoming EP. Early momentum has already been created by the track...
G Jones & Eprom Present New Collaborative EP ‘Disk Utility’
Electronic boundary-breakers G Jones and Eprom return with Disk Utility, a sharp and tightly engineered four-track EP built for maximum impact. The project follows the...
HypnoVizion Thrills Listeners With ‘Auditory Illusion Vol. 1’
HypnoVizion's first-ever compilation 'Auditory Illusion Vol. 1' captivates listeners and provides a perfect sample of the label's talent.
Zeds Dead Drop Cinematic Mashup ‘Channel Flipping 2: Only You’
Genre-defying producer duo Zeds Dead return with Channel Flipping 2: Only You, a groundbreaking audiovisual piece that continues the conceptual arc of their 2025 album...
Cool Customer Unveils New EP ‘Thank You For Holding’
Cool Customer returns with his new five-track EP, 'Thank You For Holding,' a glitchy, groovy bass project fans have been waiting for.
